<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-1844058671972289275</id><updated>2012-02-10T08:02:12.851-08:00</updated><category term='loucura'/><category term='Why Do Intellectuals Oppose Capitalism?'/><category term='download Crystal Haze'/><category term='The Oba-Oba-Mania of Homo Grotensis: The Eternal and World Famous Joke-in-Progress'/><category term='download DSCHINN - Dschinn (1972)'/><category term='Download CWT The Hundredweight (1973)'/><category term='Download Krautrock Sampler by Julian Cope'/><category term='The little Dinesh D´Souza'/><category term='Download Critical Heat - Life Rolls On (2006)'/><category term='GENERAL HELENO'/><category term='agora com PARANOID'/><category term='Download JOSEPH - Stoned Age Man'/><category term='Download: Black Widow - Black Widow IV (1972)'/><category term='pensamento revolucionário e relativismo moral.'/><category term='Download Eela Craig - Missa Universalis (1978)'/><category term='Downlaod Masters Of The Airwaves - Masters Of The Airwaves (1974)'/><category term='Download Silberbart - 4 Times Sound Razing (1971)'/><category term='Download KRAUTROCK Ax Genrich'/><category term='Roger dean às avessas: minhas telas em homenagem a alguns discos clássicos do progressive rock'/><category term='MESTRE'/><category term='muita oração e vasectomia.'/><category term='Download Lucifer´s Friend - Banquet'/><category term='Download KAVERET - Poogy Tales'/><category term='Download AMON DÜÜL II - Yeti (1970)'/><category term='Download OS MUNDI - Os mundi 2004'/><category term='O conflito Israel-Palestina na Nova Ordem Mundial'/><category term='Download Jukka Tolonen - Cool Train'/><category term='O emblema metafísico da condição humana'/><category term='Download Stonewall - Stoner (1974)'/><category term='Tragédia vinílica'/><category term='Transformar a realidade para adaptá-la a menti asinorum'/><category term='Download Lorus - Deluge (2007)'/><category term='LOANE. 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CLASSIFICAÇÃO

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&lt;/td&gt;          &lt;td align="center" width="26"&gt;
&lt;/td&gt;          &lt;td align="center" width="26"&gt;J  
&lt;/td&gt;          &lt;td align="center" width="26"&gt;V
&lt;/td&gt;          &lt;td align="center" width="26"&gt;E
&lt;/td&gt;          &lt;td align="center" width="26"&gt;D
&lt;/td&gt;          &lt;td align="center" width="26"&gt;GM
&lt;/td&gt;          &lt;td align="center" width="26"&gt;GS
&lt;/td&gt;          &lt;td align="center" width="26"&gt;+/- 
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&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Chelsea&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Chelsea&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;12&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;12&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;6&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;2&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Birmingham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Birmingham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;4&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;4&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;3&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Bolton&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Bolton&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;4&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;4&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Arsenal&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Arsenal&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;7&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;6&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;4&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;5&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Man%20Utd&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Man Utd&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;5&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;4&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;6&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Tottenham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Tottenham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;4&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;7&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;4&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;8&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Blackpool&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Blackpool&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;4&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;6&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;3&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;9&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Newcastle&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Newcastle&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;6&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;3&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;10&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Aston%20Villa&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Aston Villa&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;6&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;3&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;11&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Blackburn&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Blackburn&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;3&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;12&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=WBA&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;WBA&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;6&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-5&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;3&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;13&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Fulham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Fulham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;2&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;14&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Sunderland&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Sunderland&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;3&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;1&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;15&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Man%20City&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Man City&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;1&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;16&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Liverpool&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Liverpool&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;1&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;17&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Everton&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Everton&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;1&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;18&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=West%20Ham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;West Ham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;1&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;6&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-5&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;0&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;19&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Stoke%20City&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Stoke City&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;4&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;0&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;          &lt;/tr&gt;          &lt;tr&gt;           &lt;td colspan="12" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;          &lt;/tr&gt;                   &lt;tr style="background-color: rgb(255, 255, 255);" onmouseover="'style.backgroundColor="" onmouseout="'style.backgroundColor="" bgcolor="#ffffff"&gt;           &lt;td&gt;
&lt;/td&gt;           &lt;td align="right" width="15" height="20"&gt;&lt;span class="FontConteudos"&gt;&lt;b&gt;20&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td width="9"&gt;
&lt;/td&gt;           &lt;td align="left" width="170"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wigan&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wigan&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;2&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;0&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;10&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span class="FontConteudos"&gt;-10&lt;/span&gt;&lt;/td&gt;           &lt;td align="center"&gt;&lt;span style="font-family: Tahoma,verdana,arial; font-size: 11px;color:#4d8bc5;" &gt;&lt;b&gt;0&lt;/b&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;




&lt;/td&gt;&lt;/tr&gt;        &lt;tr&gt;         &lt;td align="left"&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;14-08-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;15:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;&lt;b&gt;Wolves&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                &lt;a href="http://www.futebol365.pt/competicoes/fichadojogo.asp?id=4&amp;amp;comp=Inglaterra&amp;amp;epoca=2010-2011"&gt;2 - 1&lt;/a&gt;              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Stoke%20City&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Stoke City&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;
&lt;/td&gt;      &lt;td align="center" width="16"&gt;
&lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;21-08-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;15:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Everton&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Everton&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                &lt;a href="http://www.futebol365.pt/competicoes/fichadojogo.asp?id=20&amp;amp;comp=Inglaterra&amp;amp;epoca=2010-2011"&gt;1 - 1&lt;/a&gt;              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;
&lt;/td&gt;&lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;28-08-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Newcastle&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Newcastle&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;             &lt;a href="http://www.futebol365.pt/competicoes/bwin.asp?id=Inglaterra" target="_blank"&gt;
&lt;/a&gt;            &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;11-09-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Fulham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Fulham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;18-09-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Tottenham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Tottenham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;25-09-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Aston%20Villa&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Aston Villa&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;02-10-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wigan&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wigan&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;16-10-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=West%20Ham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;West Ham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;23-10-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Chelsea&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Chelsea&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;30-10-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Man%20City&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Man City&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;06-11-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Man%20Utd&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Man Utd&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;09-11-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Arsenal&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Arsenal&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;13-11-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Bolton&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Bolton&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;20-11-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Blackpool&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Blackpool&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;27-11-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Sunderland&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Sunderland&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;04-12-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Blackburn&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Blackburn&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;11-12-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Birmingham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Birmingham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;18-12-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=WBA&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;WBA&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;26-12-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wigan&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wigan&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;28-12-2010&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Liverpool&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Liverpool&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;01-01-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=West%20Ham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;West Ham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;04-01-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Chelsea&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Chelsea&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;15-01-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Man%20City&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Man City&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;22-01-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Liverpool&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Liverpool&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;01-02-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Bolton&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Bolton&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;05-02-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Man%20Utd&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Man Utd&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;12-02-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Arsenal&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Arsenal&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;26-02-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Blackpool&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Blackpool&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;05-03-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Tottenham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Tottenham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;19-03-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Aston%20Villa&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Aston Villa&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;02-04-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Newcastle&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Newcastle&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;09-04-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Everton&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Everton&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;16-04-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Stoke%20City&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Stoke City&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
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&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;23-04-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Fulham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Fulham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;30-04-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Birmingham&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Birmingham&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;07-05-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=WBA&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;WBA&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;14-05-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Sunderland&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Sunderland&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td width="14"&gt;          
&lt;/td&gt;      &lt;td align="center" width="16"&gt;              &lt;img src="http://www.futebol365.pt/imagens/spacer.gif" width="1" /&gt;      &lt;/td&gt;      &lt;td width="4"&gt;
&lt;/td&gt;      &lt;/tr&gt;&lt;tr&gt;       &lt;td colspan="11" bgcolor="#d2d2d2" height="1"&gt;
&lt;/td&gt;      &lt;/tr&gt;            &lt;tr&gt;&lt;td width="10" height="20"&gt;
&lt;/td&gt;      &lt;td width="70" height="20"&gt;&lt;span class="FontConteudos"&gt;22-05-2011&lt;/span&gt;&lt;/td&gt;      &lt;td align="left" width="39"&gt;&lt;span class="FontConteudos"&gt;16:00&lt;/span&gt;&lt;/td&gt;      &lt;td align="right" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Wolves&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Wolves&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;      &lt;td align="center" width="40"&gt;&lt;span class="FontConteudos"&gt; &lt;b&gt;                  -              &lt;/b&gt; &lt;/span&gt;
  &lt;/td&gt;      &lt;td align="left" width="108"&gt;&lt;span class="FontConteudosAzul"&gt;&lt;a href="http://www.futebol365.pt/equipas/info_equipa.asp?equipa=Blackburn&amp;amp;comp=Inglaterra&amp;amp;edicao=2010"&gt;Blackburn&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;         &lt;td align="right"&gt;          &lt;!-- AddThis Toolbox  --&gt;          &lt;script type="text/javascript"&gt;           var addthis_config = {            data_ga_tracker: pageTracker,            data_track_linkback: true,            ui_cobrand: "Futebol 365"           };           var addthis_localize = {               share_caption: "Partilhar"           };           &lt;/script&gt;          &lt;div class="addthis_toolbox"&gt;             &lt;div class="custom_images"&gt;                &lt;a title="Send to Facebook" target="_blank" href="http://www.addthis.com/bookmark.php?v=250&amp;amp;winname=addthis&amp;amp;pub=mresendes&amp;amp;source=tbx-250&amp;amp;lng=pt-BR&amp;amp;s=facebook&amp;amp;url=http%3A%2F%2Fwww.futebol365.pt%2Fequipas%2Finfo_equipa.asp%3Fequipa%3DWolves%26comp%3DInglaterra%26edicao%3D2010&amp;amp;title=Futebol%20365%3A%20Wolverhampton%20Wanderers%20Football%20Club&amp;amp;ate=AT-mresendes/-/pz-1/4c71cef7aa671666/1&amp;amp;sms_ss=1&amp;amp;ui_cobrand=Futebol%20365&amp;amp;CXNID=2000001.5215456080540439074NXC&amp;amp;tt=0" class="addthis_button_facebook at300b"&gt;&lt;img src="http://www.futebol365.pt/imagens/small_facebook.gif" alt="partilhar no facebook" title="partilhar no facebook" width="11" height="11" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8507898435642603296?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8507898435642603296/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8507898435642603296&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8507898435642603296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8507898435642603296'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/08/wolverhampton-jogos-premier-league.html' title='WOLVERHAMPTON JOGOS PREMIER LEAGUE 2010/2011'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/THHRGwGxtUI/AAAAAAAABKk/i8PbyTYUveE/s72-c/England+Wolverhampton+Wanderers1.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2731938667625510699</id><published>2010-06-13T17:08:00.000-07:00</published><updated>2010-06-17T08:24:25.725-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Tim Wheeler'/><category scheme='http://www.blogger.com/atom/ns#' term='download Crystal Haze'/><category scheme='http://www.blogger.com/atom/ns#' term='Ussery'/><category scheme='http://www.blogger.com/atom/ns#' term='Honest John'/><category scheme='http://www.blogger.com/atom/ns#' term='Red Bud Thunder'/><category scheme='http://www.blogger.com/atom/ns#' term='DOWNLOAD Doc Rockit'/><title type='text'>Hard rock "estadunidense" na veia com uma penca de discos raros</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_fLQAAlWTPLg/TBV-8uRl2hI/AAAAAAAABKc/SwUbsWzcFto/s1600/folder1.jpg"&gt;
&lt;/a&gt;
&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV-xHpG1BI/AAAAAAAABKU/swZogbZWocs/s1600/Capa.jpg"&gt;
&lt;/a&gt;
&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_fLQAAlWTPLg/TBV-MloKtUI/AAAAAAAABKM/QlIwTu7lz_E/s1600/PICT0012.JPG"&gt;
&lt;/a&gt;



Para compensar a recente falta de atualização deste blog, livrei-me da crise de abstinência musical e postei seis monstros obscuros, mas representativos do que há de melhor no inigualável rock americano. São tudo o que você, que curte o filé mignon do rock, quer: pesados, tecnicamente impecáveis e estridentes. Muitos solos de guitarra, aquela bateria seca e "nervosa", baixo matador e riffs memoráveis fazem os seguintes discos dignos dos seus exigentes ouvidos, rockeiro!


&lt;a href="http://www.4shared.com/file/el4Y2waP/Red_Bud_Thunder_-_american_roc.html"&gt;RED BUD THUNDER - American Rock´n´&lt;/a&gt;&lt;a href="http://www.4shared.com/file/el4Y2waP/Red_Bud_Thunder_-_american_roc.html"&gt;Roll - 1979 Usa&lt;/a&gt;


&lt;div style="text-align: justify;"&gt;
&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV9T4_DBvI/AAAAAAAABJ8/ps3hdLMHktw/s1600/P1040239.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV9T4_DBvI/AAAAAAAABJ8/ps3hdLMHktw/s400/P1040239.JPG" alt="" id="BLOGGER_PHOTO_ID_5482425902061258482" border="0" /&gt;&lt;/a&gt;


&lt;/div&gt;&lt;a href="http://www.4shared.com/file/O8EOxSDb/Ussery_-_Jon_Us-sir-ee__Hard_r.html"&gt;USSERY - Jon Us-sir-ry -1973  Usa&lt;/a&gt;



&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_fLQAAlWTPLg/TBV9w2WivxI/AAAAAAAABKE/avQGJYI7ec8/s1600/PICT0076.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/TBV9w2WivxI/AAAAAAAABKE/avQGJYI7ec8/s400/PICT0076.JPG" alt="" id="BLOGGER_PHOTO_ID_5482426399570706194" border="0" /&gt;&lt;/a&gt;
&lt;a href="http://www.4shared.com/file/z_i_SAJM/Tim_Wheeler_-_Blues-Rock_Fusio.html"&gt;TIM WHEELER - Blues rock Fusion 1980 Usa&lt;/a&gt;


&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV9T4_DBvI/AAAAAAAABJ8/ps3hdLMHktw/s1600/P1040239.JPG"&gt;
&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_fLQAAlWTPLg/TBV-MloKtUI/AAAAAAAABKM/QlIwTu7lz_E/s1600/PICT0012.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/TBV-MloKtUI/AAAAAAAABKM/QlIwTu7lz_E/s400/PICT0012.JPG" alt="" id="BLOGGER_PHOTO_ID_5482426876117562690" border="0" /&gt;&lt;/a&gt;


&lt;a href="http://www.4shared.com/file/NQhs8fOA/1974-1975_-_The_Demos.html"&gt;HONEST JOHN - The Demos 1974-1975 Usa&lt;/a&gt;



&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV-xHpG1BI/AAAAAAAABKU/swZogbZWocs/s1600/Capa.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 240px; height: 240px;" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV-xHpG1BI/AAAAAAAABKU/swZogbZWocs/s400/Capa.jpg" alt="" id="BLOGGER_PHOTO_ID_5482427503723598866" border="0" /&gt;&lt;/a&gt;

&lt;a href="http://www.4shared.com/file/3VvQvj-q/Doc_Rockit.html"&gt;DOC ROCKIT - Tomorrow Child 1979 Usa&lt;/a&gt;

&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV89m2kkRI/AAAAAAAABJ0/AXdG9FrI4Ps/s1600/doc+rockit.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 250px; height: 250px;" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV89m2kkRI/AAAAAAAABJ0/AXdG9FrI4Ps/s400/doc+rockit.jpg" alt="" id="BLOGGER_PHOTO_ID_5482425519236747538" border="0" /&gt;&lt;/a&gt;&lt;a href="http://www.4shared.com/file/2loPy3TX/Crystal_Haze.html"&gt;CRYSTAL HAZE - Same 1977 Usa&lt;/a&gt;



&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_fLQAAlWTPLg/TBV-8uRl2hI/AAAAAAAABKc/SwUbsWzcFto/s1600/folder1.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 250px; height: 250px;" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/TBV-8uRl2hI/AAAAAAAABKc/SwUbsWzcFto/s400/folder1.jpg" alt="" id="BLOGGER_PHOTO_ID_5482427703072512530" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2731938667625510699?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2731938667625510699/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2731938667625510699&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2731938667625510699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2731938667625510699'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/06/hard-rock-estadunidense-na-veia-com-uma.html' title='Hard rock &quot;estadunidense&quot; na veia com uma penca de discos raros'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/TBV9T4_DBvI/AAAAAAAABJ8/ps3hdLMHktw/s72-c/P1040239.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-3310240385099068504</id><published>2010-06-13T16:45:00.000-07:00</published><updated>2010-06-13T18:14:51.456-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='DOWNLOAD COOL FEET  Burning Desire  1976'/><title type='text'>COOL FEET - Burning Desire - 1976</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_fLQAAlWTPLg/TBVuWfyaGAI/AAAAAAAABJs/o4cqPMuz0tI/s1600/cool+feet.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 250px; height: 250px;" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/TBVuWfyaGAI/AAAAAAAABJs/o4cqPMuz0tI/s400/cool+feet.jpg" alt="" id="BLOGGER_PHOTO_ID_5482409454162548738" border="0" /&gt;&lt;/a&gt;
Típico kraut no estilo Birth Control. Hard eficiente com um vocal soberbo e espantosas guitarras e riffs que lembram, e muito mesmo, o Iron Maiden. Mas bem melhor, na minha opinião.  O disco é curto, cerca de 33 minutos e 8 canções de por headbanger de quatro. Como sempre,  no quesito hard prog a Alemanha é imbatível







&lt;a href="http://www.4shared.com/file/TjKlFIwJ/Cool_Feet.html"&gt;LINK&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-3310240385099068504?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/3310240385099068504/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=3310240385099068504&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3310240385099068504'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3310240385099068504'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/06/cool-feet-burning-desire-1976.html' title='COOL FEET - Burning Desire - 1976'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/TBVuWfyaGAI/AAAAAAAABJs/o4cqPMuz0tI/s72-c/cool+feet.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1742465147968386975</id><published>2010-05-28T19:49:00.000-07:00</published><updated>2010-06-06T15:32:56.007-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Rene On War and Apocalypse'/><category scheme='http://www.blogger.com/atom/ns#' term='GIRARD'/><title type='text'>GIRARD, Rene On War and Apocalypse</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;RENE GIRAR is « a French-bom literary critic, anthropologist,&lt;/span&gt;
&lt;span style="font-style: italic;"&gt;and theologian. Elected to the Académie française in 2005, he is&lt;/span&gt;
&lt;span style="font-style: italic;"&gt;the AHthor of such books as Deceit, Desire, and the Novel,&lt;/span&gt;
&lt;span style="font-style: italic;"&gt;Violence and che Sacred, and To Double Business Bound. This&lt;/span&gt;
&lt;span style="font-style: italic;"&gt;essay is adapted from Achever Clausewitz, forthcoming in&lt;/span&gt;
&lt;span style="font-style: italic;"&gt;William A Johnsen 's English translation as Battling to the End:&lt;/span&gt;
&lt;span style="font-style: italic;"&gt;Politics, Wai; and Apocalypseyrom Michigan State University Press.&lt;/span&gt;
&lt;/div&gt;


&lt;div style="text-align: center;"&gt;M y work has often been presented as a discussion
of archaic religion through comparative
anthropology. Its goal is to shed light on the
process of homimzation: the fascinating passage from
animality to humanity that occurred thousands of
years ago.
In all of this, my hypothesis has concerned mimesis'.
Because humans imitate one another, they have had to
find a means of dealing with contagious similarity,
which could lead to the pure and simple disappearance
of their society. The mechanism by which they have
done that is sacrifice, which reintroduces difference
into a situation in which everyone has come to resemble
everyone else.
What this means is that humanity results from sacrifice;
we are the children of religion. What I call (after
Freud) the "founding murder"—the immolation of a
sacrificial victim who is both guilty of disorder and able
to restore order—is constantly reenacted in the rituals
at the origin of our institutions. Since the dawn of
humanity, millions of innocent victims have been killed
in this way to enable their fellow humans to live together
or at least not to destroy one another.
This is the implacable log^c of the sacred, which
myths dissimulate less and less as humans become
increasingly self-aware. The decisive point in this evolution
is Christian revelation. Rituals had slowly educated
humans; after Christianity, they had to do without
Christianity, in other words, demystifies religion.
And yet, démystification, which is good in the
absolute, has proven bad in the relative, for we were
not prepared to shoulder its consequences. We are not
Christian enough.
The paradox can be put in a different way: Christianity
is the only religion that has foreseen its own failure.
This prescience is known as the apocalypse.
Indeed, it is in the apocalyptic texts that the word of
God is most forceftil, repudiating mistakes that are
entirely the fault of humans, who are less and less
inclined to acknowledge the mechanisms of their violence.
The longer we persist in our error, the stronger
God's voice will emerge from the devastation. This is
why no one wants to read the apocalyptic texts that
abound in the synoptic gospels and Pauline epistles.
This is also why no one wants to recognize that these
texts rise up before us because we have disregarded the
Book of Revelation. Once in our history the truth
about the identity of all humans was spoken, and no
one wanted to hear it; instead we hang ever more frantically
onto our false differences.
Two world wars, the invention of the atomic bomb,
and all the rest of the modem horrors have not sufficed
to convince humanity, and Christians above all, that the
apocalyptic tejcts might concern the disaster that is
underway. Violence has been unleashed across the
whole world, and our paradox is this: By getting closer
to Alpha, we are going toward Omega; by better
understanding the origin, we can see every day a little
better that the origin is coming closer. Our fetters were
put in place by the foxmding murder and unshackled
by the Passion—with the result of liberating planetwide
violence.
17
18 FIRST THINGS
We cannot refasten the bindings because we now
know that the scapegoats of sacrifice are innocent.
Christ's Passion unveiled the sacrificial origin of
humanity once and for all. It dismantled the sacred and
revealed its violence. And yet, the Passion freed violence
at the same time that it freed holiness. The modem
form of the sacred is thus not a return to some
archaic form. It is a sacred that has been satanized by
the awareness we have of it, and it indicates, through its
excesses, the imminence of the Second Coming.
War, Heraclitus wrote, "is father of all and
king of all." That law of human reladons
was reformulated, a few years after
Napoleon's fall, in an office of the Berlin Military
Academy. And the reformulation took the shape of a
trend to extremes, the inability of politics to contain the
reciprocal increase of violence. Its author, Carl von
Clausewitz (1780-1831 ), left his book unfinished when
he died, but it is perhaps the greatest text ever written
on war: a treadse that the English, Germans, French,
Italians, Russians, and Chinese have read and reread
from the end of the nineteenth century undl the present
day.
Clausewitz's On War claims to be a work on strategy.
It discusses what was at the time the most recent
example of the trend to extremes, which had occurred,
as always, unbeknownst to those involved. Clausewitz
spoke to us about his specialty as if it were not related
to everything else that was going on around it, and the
result has implications far beyond his discourse. He
formulated and helped identify what might be called
Prussianism in its most disturbing form, without considering
the consequences of what he had identified.
Ours is the first society that knows it can completely
destroy itself. Yet we lack the belief that could bear
up under this knowledge. It is not theologians who set
us on the track of the new rationality; that was done by
a man who died in 1831 at the age of fifty-one. He was
a military theorist whom France, England, and the
Soviet Union detested, a feisty writer who left no one
indifferent. His actual theses have no future. Yet there
is a subcurrent running beneath them that needs to be
read aloud, for it can reveal a hidden reality.
It would be hypocritical to see On War as only a
technical book. What happens when we reach the
extremes that Clausewitz glimpses before hiding them
behind his strategic considerations? He does not tell us.
This is the quesdon we have to ask today. Clausewitz
had a stunning intuidon about history's suddenly
accelerated course, but he immediately disguised it and
tried to give his book the tone of a technical, scholarly
treatise. We therefore have to complete Clausewitz by
taking up the route he interrupted and following it to
the end. Completing the interpretadon of On War is to
say that its meaning is religious and that only a religious
interpretation has a chance of reaching what is essendal
in it. Through Clausewitz's text, the relevance of the
apocalypdc texts becomes apparent with greater force.
We must not turn the author of On War into a
scapegoat, as did, in their dme, Stalin and one of
Clausewitz's most famous commentators, Liddell
Hart. We shall also not be content with the dmidity
with which Raymond Aron tried to rehabilitate him.
The reason the text is not yet fully understood is perhaps
because it has been attacked and defended too
often. It is as if we have not yet wanted to understand
the central intuidon that it seeks to hide.
This constant denial is interesting. Clausewitz was
possessed, like all the great writers, by resentment. It
was because he wanted to be more radonal than the
strategists who preceded him that he suddenly put his
finger on an aspect of reality that is absolutely irradonal.
Then he retreated and tried to shut his eyes.
Clausewitz conceived relations among men as
mimedc, in spite of his philosophical approach being
that of Enlightenment radonalism. He provided all the
means for showing that the world is tending more and
more to extremes, and yet his imagination always
thwarted and limited his intuitions. Clausewitz and his
commentators are hampered by their rationalism. This
is as good a proof as any that a different kind of radonality
is needed to understand the reality of what he
glimpsed.
Durch diese Wechselwirkung wieder das Streben
nach dem Äußersten, he wrote in his first chapter: "War
is an act of violence, which in its applicadon knows no
bounds; as one dictates the law to the other, there arises
a sort of reciprocal acdon, which, in the concepdon,
must lead to an extreme." Without realizing it, Clausewitz
discovered not only the apocalypdc formula but
also that it is bound up with mimedc rivalry. Where can
this truth be understood in a w^orld that continues to
close its eyes to the incalculable consequences of
mimetic rivalry? Not only was Clausewitz right, in
opposidon to Hegel and all modem wisdom, but what
he was right about has terrible implications for humanity.
This warmonger alone saw certain things.
Christ allows us to face this reality without sinking
into madness. The apocalypse does not announce the
end of the world; it creates hope. If we suddenly see
reality, we do not experience the absolute despair of an
unthinking modernity but rediscover a world where
things have meaning. Hope is possible only if we dare
to think about the danger at hand, but this requires
opposing both nihilists, for whom everything is only
language, and pragmadc realists, who reject the idea
that intelligence can attain truth: heads of state.
AUGUST / SEPTEMBER 2009 19
bankers, and soldiers who claim to be saving us when
in fact they are plunging us deeper into devastation
each day.
By accepting to be crucified, Christ brought to light
what had been "hidden since the foundation of the
world"—the foundation itself, the unanimous murder
that appeared in broad daylight for the first time on the
Cross. In order to function, archaic religions need to
hide their founding murder, which was being repeated
continually in ritual sacrifices, thereby protecting
human societies from their own violence. By revealing
the founding murder, Christianity destroyed the ignorance
and superstition that are indispensable to such
religions. It thus made possible an advance in knowledge
that was until then unimaginable.
Freed of sacrificial constraints, the human mind
invented science, technology, and all the best and worst
of culture. Our civilization is the most creative and
powerful ever known, but also the most fragile and
threatened because it no longer has the safety rails of
archaic religion. Without sacrifice in the broad sense, it
could destroy itself if it does not take care, which clearly
it is not doing.
Was Paul a megalomaniac when he said in the First
Letter to the Corinthians that "none of the rulers of
this age understood this; for if they had, they would not
have crucified the Lord of Glory"? I do not think so.
The rulers of the age, and all that Paul calls powers and
principalities, were state structures based on the founding
murder, which was effective because hidden. In the
context, the leading power was the Roman Empire,
which was essentially evil in the absolute but indispensable
in the relative—and better than the total
destruction about which the Christian revelation
warns us. Once again, this does not mean that Christian
revelation is bad. It is wholly good, but we are
unable to come to terms with it.
A scapegoat remains effective as long as we believe
in its guilt. Having a scapegoat means not knowing that
we have one. Learning that we have a scapegoat is to
lose it forever and to expose ourselves to mimetic conflicts
with no possible resolution. This is the implacable
law of the trend to extremes. The protective system of
scapegoats is finally destroyed by the Crucifixion narratives
as they reveal Jesus' innocence and, litde by litde,
that of all analogous victims. The process of education
away from violent sacrifice thus got underway, but
it moved very slowly, making advances that were
almost always unconscious. It is only today that it has
had increasingly remarkable results in terms of our
comfort—and at the same time proved ever more dangerous
for the future of life on Earth.
To make the revelation wholly good and not threatening
at all, humans have only to adopt the behavior
recommended by Christ: Abstain completely from
retaliation and renounce the trend to extremes. Indeed,
if the trend to extremes continues, it will lead straight to
the extinction of all life on the planet. This is the possibility
that Raymond Aron glimpsed when reading
Clausewitz. He then wrote an impressive work to
expel apocalyptic logic from his mind and persuade
himself at all costs that the worst could be avoided, that
deterrence would always triumph. This budding religious
clairvoyance is superior to what most people are
capable of, but insufficient. We have to take the interpretation
of the text further. The interpretation has to
hefmished.
Since the beginning of the "novelistic conversion"
in my 1961 study Deceit, Desire, and the Novel,
all of my books have been more or less explicit
apologies of Christianity. Christianity is a founding
murder in reverse, which illuminates what has to
remain hidden to produce ritual, sacrificial religions.
Paul compared it to food for adults, in contrast with
food for children, which is what archaic religions
were. Nietzsche himself sometimes had intuitions of
this kind regarding the Greeks' "infantile" character.
To make the situation even more perverse, however,
Christian revelation is the paradoxical victim of the
knowledge that it provides. Absurdly, it is conflated
with myth, which it clearly is not, and doubly misunderstood
by both its enemies and partisans, who tend
to confuse it with one of the archaic religions that it
demystifies. Yet all démystification comes from Christianity.
Even better: The only true religion is the one
that demystifies archaic religions.
Christ came to take the victim's place. He placed
himself at the heart of the system to reveal its hidden
workings. The second Adam, to use St. Paul's expression,
revealed to us how the first came to be. The Passion
teaches us that humanity results from sacrifice, is
born with religion. Only religion has been able to contain
the conflicts that would have otherwise destroyed
the first groups of humans. Mimetic theory does not
seek to demonstrate that myth is null but to shed light
on the fundamental discontinuity and continuity
between the Passion and archaic religion. Christ's
divinity, which precedes the Crucifixion, introduces a
radical rupture from the archaic, but Christ's resurrection
is in complete continuity with all forms of religion
that preceded it. The w^ay out of archaic religion comes
at this price. A good theory about humanity must be
based on a good theory about God.
People in the process of being educated, who are
not yet fully human, can become so only by measuring
themselves against the divine, and there comes a
time when God can reveal himself fully to them. It is
20 FIRST THINGS
understandable that Christ frightened the apostles. He
is also, however, the only model, the one that places
man at just the right distance from the divine. Christ
came to reveal that his kingdom was not of this world
but that humans, once they have understood the
mechanisms of their own violence, can have an accurate
intuition of what is beyond it. We can all participate
in the divinity of Chnst so long as we renounce
our own violence.
And yet, we now know, in part thanks to Clausewitz,
that humans will not renounce it. The paradox is
thus that we are starting to grasp the gospel message at
the moment when the trend to extremes is becoming
the unique law of history.
Christian revelation has confirmed all religions in
its relation to the divine that is rejected by the modern
world. It confirms what religions have glimpsed. In a
way, it is because Christ accepted the mold of false resurrections
that he is truly risen. The beneficiaries of
archaic resurrections that reestablished peace and
order were in a real relation to the divine. There was
something Christian in all myths. By revealing the victims'
innocence, however, the Passion makes positive
what was still negative in myths: We now know that
victims are never guilty. Satan thus becomes the name
of a sacred that is revealed and devalued through
Christ's intervention.
At present, the Wise and the discerning (which I
suppose now refers to academics) are furiously redoubling
their attacks on Christianity and once again congratulating
themselves on its forthcoming demise.
These unfortunates do not see that their skepticism
itself is a byproduct of Christian religion. While it is
good to get rid of the sacrificial idiocies of the past in
order to accelerate progress, eliminating obstacles to
humanity's forward march and facilitating the invention
and production of what will make our lives more
prosperous and comfortable (at least in the West), it is
nonetheless true that sacrificial stupidity w^as also what
prevented us from perfecting ways of killing one
another.
Paradoxically, stupid sacrifice is what we are most
in need of at present. Few Christians stul talk about
the apocalypse, and they usually have a completely
mythological conception of it. They think that the violence
of the end of time will come from God himself.
They cannot do without a cruel God. Strangely, they
do not see that the violence we ourselves are in the
process of amassing and that is looming over our own
heads is entirely sufficient to trigger the worst. They
have no sense of humor.
Violence is a terrible adversary, since it always
wins. Desiring war can thus become a spiritual attitude.
We have to fight a violence that can no longer be
controlled or mastered. More than ever, I am convinced
that history has meaning, and that its meaning
is terrifying.
In fact, the apocalyptic moment serves as a link
between Clausewitz's treatise and considerations
on the destiny of Europe. If we take to its logical
conclusion our analysis of a new global escalation of
extremes, we have to consider the complete novelty of
the situation since September 11, 2001. Terrorism has
again raised the level of violence up a notch. It is one of
the last métastases of the cancer that has torn the Western
world apart. Terrorism is the vanguard of a general
revenge against the West's wealth. It is a very violent
and unpredictable revival of conquest, which is all the
more terrifying because it has encountered America
along the way.
In this sense, everyone knows that the future of the
idea of Europe, and thus also the Christian truth running
through it, will be played out in South America,
India, and China as well as in Europe. Europe has been
playing a role analogous to Italy's during the wars of
the sixteenth century, except worse. It has been the battlefield
of the entire world. Europe is a tired continent
that no longer puts up much resistance to terrorism.
This explains the stunning nature of the attacks, which
are often carried out by people on the inside. Resistance
is all the more complex because the terrorists are close
to us, beside us. The actions are completely unpredictable.
The very idea of sleeper cells corroborates
everything we have said about the violent mechanisms
by which cultures mediate themselves: the identity
between people that can suddenly take a turn for the
worst.
Atta, the leader of the September 11 group who
piloted one of the four airplanes, was the son of a middle-
class Egyptian family. It is staggering to think that,
during the three last days before the attack, he spent his
nights in bars with his accomplices. There is something
mysterious and intriguing in this. Who asks about the
souls of those men? Who were they and what were
their motivations? What did Islam mean to them?
What does it mean to kill oneself for that cause?
We are witnessing a new stage in the escalation to
extremes. Terrorists have conveyed the message that
they are ready to wait, that their notion of time is not
ours. This is a clear sign of the return to the archaic, a
return to the seventh, eighth, and ninth centuries,
which is significant in itself. But who is paying attention
to this significance? Who is taking its measure? Is
that the job of the ministry of foreign affairs? We have
to expect a lot of unexpected things in the future. We
are going to witness things that will certainly be worse.
Yet people will remain deaf.
AUGUST / SEPTEMBER 2009 21
On September 11, people were shaken, but they
quickly calmed down. There was a flash of awareness,
which lasted a few fractions of a second. People could
feel that something was happening. Then a blanket of
silence covered up the crack in our certainty of safety.
Western rationalism operates like a myth: We always
work harder to avoid seeing the catastrophe. We neither
can nor want to see violence as it is. The only way
we will be able to meet the terrorist challenge is by radically
changing the way we think. Yet, the clearer it is
what is happening, the stronger our refusal to acknowledge
it. This historical configuration is so new that we
do not know how to deal with it. It is precisely a
modality of what Pascal saw: the war between violence
and truth. Think about the inadequacy of our recent
avant-gardes who preached the nonexistence of the
real.
We have to think about time in such a way that the
Batde of Poitiers and the Crusades are much closer to
us than the French Revolution and the industrialization
of the Second Empire in France. The points of
view of Westem countries are at most unimportant
background features for Islamists. They think of the
Westem world as having to be Islamicized as quickly as
possible. Analysts tend to say that this is the attitude of
isolated minorities cut off from the reality in their
countries. They may be so with respect to action, of
course, but with respect to thought? Despite everything,
does such thinking not contain something essentially
Islamic? This is a question that we have to have
the courage to ask, even diough it is a given that terrorism
is a bmtal action that hijacks religious codes for its
own purposes. It would not have taken such a hold on
people's minds if it did not bring up to date something
that has always been present in Islam. To the great surprise
of our secular republicans, religious thought is
stul very much alive in Islam. It cannot be denied that
some of Muhammad's theses are active in today's
world.
What we are witnessing with Islam, however, is
nonetheless much more than a return of conquest; it is
what has been rising ever since the French Revolution,
after the communist period that acted as an intermediary.
Indeed, Leninism had some of these features, but
what it lacked was religion. Our new escalation to
extremes is thus able to use all components: culture,
fashion, political theory, theology, ideology, and religion.
What drives history is not what seems essential in
the eyes of Western rationalists.
If we had said in the 1980s that Islamism would
play the role it plays today, people would have thought
we were crazy. Yet the ideology promoted by Stalin
already contained parareligious components that foreshadowed
the increasingly radical contamination that
has occurred over time. We therefore have to radically
change the way we think and try to understand the situation
without any presuppositions and using all the
resources available from the study of Islam.
The work to be done is immense. Personally, I have
the impression that this religion has used the Bible as a
support to rebuild an archaic religion that is more powerful
than all the others. It threatens to become an apocalyptic
tool, the new face of the escalation to extremes.
Even though there are no longer any archaic religions,
it is as if a new one had arisen built on the back of the
Bible, a slighdy transformed Bible. It would be an
archaic religion strengthened by aspects of the Bible
and Christianity. Archaic religion collapsed in the face
of Judeo-Christian revelation, but Islam resists. While
Christianity eliminates sacrifice wherever it gains a
foothold, Islam seems in many respects to situate itself
prior to that rejection.
Of course, there is resentment in its attitude to
Judeo-Chrisdanity and the West, but it is also
a new religion. Historians of religion, and even
anthropologists, have to show how and why it
emerged. Indeed, some aspects of this religion contain a
relation to violence that we do not understand and that
is all the more worrying for that reason. For us, it makes
no sense to be ready to pay with one's life for the pleasure
of seeing the other die. We do not know whether
such phenomena belong to a special psychology or not.
We are thus facing complete failure; we cannot talk
about it, and we cannot document the situation because
terrorism is something new that exploits Islamic codes
but does not at all belong to classical Islamic theory.
Today's terrorism is new, even from an Islamic point of
view. It is a modern effort to counter the most powerful
and refined tool of the Western world: technology.
It counters technology in a way that we do not understand
and that classical Islam may not understand
either.
Clausewitz is easier to integrate into a historical
development. He gives us the intellectual tools to
understand the violent escalation. But where do we
find such ideas in Islam? Modern resentment never
leads all the way to suicide. Thus, we do not have the
analogical structures that could help us understand. I
am not saying that they are not possible, that they will
not appear, but I admit my inability to grasp them. This
is why our explanations often belong to the province of
fraudulent propaganda against Muslims.
We do not experience this reality; we have no intimate,
spiritual, phenomenological contact with it. Terrorism
is a superior form of violence, and it asserts that
it will win. There is no indication, however, that the
work that remains to be done to free the Qur'an from
22 FIRST THINGS
its caricatures will have any influence on terrorism
itself, which is both linked to Islam and different from
it. We can thus put forward the tentative hypothesis
that the escalation to extremes now uses Islam as it once
used Napoleonism and Pangermanism. Terrorism is
fearsome in that it knows how to use the most deadly
technology outside of any military institution. Clausewitzian
war is an analogy that can make only imperfect
sense of terrorism, but it certainly does foreshadow it.
In my 1972 book Violence and the Sacred, I borrowed
the idea from the Qur'an that the ram that
saved Isaac from being sacnficed was the same one
that was sent to Abel so that he would not have to kill
his brother: proof that in the Qur'an sacrifice is also
interpreted as a means of combating violence. From
this, we can draw the conclusion that the Qur'an contains
understanding of things that secular mentality
cannot fathom: that sacrifice prevents vengeance, for
example. Yet, this topic has disappeared from Islam,
just as it has disappeared in Western thought. The paradox
that we thus have to deal with is that Islam is closer
to us today than to the world of Homer. Clausewitz
allowed us to glimpse this, through what we have called
his warlike religion, in which we have seen the emergence
of something both very new and very primitive.
Islamism, likewise, is a kind of event internal to the
development of technology. We have to be able to
think about both Islamism and the escalation to
extremes at the same time; we need to understand the
complex relations between these two realities.
The unity of Christianity in the Middle Ages resulted
in the Crusades, which were permitted by the papacy.
And yet, the Crusades are not as important as Islam
thinks. The Crusades were an archaic regression without
consequences for the essence of Christianity.
Christ died everywhere and for everyone. Seeing Jews
and Christians as falsifiers is more irremediable. It
allows Muslims to eliminate all serious discussion, all
comparison among the three religions. It amounts to
not wanting to see what is at stake in the prophetic tradition.
Why has Christian revelation been subject to
the most hostile and ferocious possible criticism for
centuries, but not Islam? There is an abdication of reason
here. In some respects, it resembles the aporia of
pacifism, which can be a strong encouragement for
aggression. The Qur'an would thus benefit from being
studied in the same way that Jewish and Christian texts
have been studied. I think that a comparative approach
would reveal that it contains no real awareness of collective
murder.
By contrast, there is a Christian awareness of such
murder. The two greatest conversions, those of Peter
and Paul, are analogous: They are one with the awareness
of having participated in a collective murder. Paul
was there when Stephen was stoned to death. His
departure for Damascus immediately followed that
murder, which must have affected him terribly. Christians
understand that the Passion has rendered coUective
murder inoperative. This is why, far from reducing
violence, the Passion aggravates it.
Islamism seems to have understood this very
quickly, but in the sense of jihad. There are forms of
acceleration in history that are self-perpetuating. We
have the impression that today's terrorism is somehow
the heir of totalitarianism, that terrorism and totalitarianism
contain similar forms of thought and ingrained
habits. One of the possible threads of this continuity is
the construction of a Napoleonic model by a Prussian
general.
The model was later taken up by Lenin and Mao
Zedong (referenced by al-Qaeda). Clausewitz's bril-
Uance lies in his having unknowingly anticipated a law
that has become worldwide. The Cold War is over,
and now we are in a hot war, given the hundreds, and
tomorrow perhaps the thousands, of victims every
day in the Middle East.
The trend toward the apocalypse is humanity's
greatest feat. The more probable this achievement
becomes, the less we talk about it. I have
come to a crucial point: that of a profession of faith,
more than a strategic treatise, unless both are mysteriously
equivalent, in the essential war that truth wages
against violence. I have always been utterly convinced
that violence belongs to a form of corrupted sacred,
intensified by Christ's action when he placed himself
at the heart of the sacrificial system. Satan is the other
name of the escalation to extremes. The Passion has
radically altered the archaic world. Satanic violence has
long reacted against this holiness, which is an essential
transformation of ancient religion.
It is thus that God revealed himself in his Son, that
religion was confirmed once and for all, thereby
changing the course of human history. Inversely, the
escalation to extremes reveals the power of this divine
intervention. Divinity has appeared and it is more reliable
than all the earlier theophanies, but no one wants
to see it.
Humanity is more than ever the author of its own
fall because it has become able to destroy its world.
With respect to Christianity, this is not just an ordinary
moral condemnation but an unavoidable anthropological
observation. Therefore we have to awaken
our sleeping consciences. To seek to comfort is always
to contribute to the worst. ED&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span class="down" style="display: block;" id="formatbar_JustifyCenter" title="Alinhar ao centro" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 11);ButtonMouseDown(this);"&gt;&lt;img src="img/blank.gif" alt="Alinhar ao centro" class="gl_align_center" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1742465147968386975?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1742465147968386975/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1742465147968386975&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1742465147968386975'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1742465147968386975'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/05/girard-rene-on-war-and-apocalypse.html' title='GIRARD, Rene On War and Apocalypse'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-3944292299548142369</id><published>2010-05-19T22:36:00.000-07:00</published><updated>2010-05-19T22:39:46.589-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sobre Dio'/><category scheme='http://www.blogger.com/atom/ns#' term='por dois fãs'/><title type='text'>Sobre Dio, por dois fãs</title><content type='html'>Quero aqui deixar meu relato de porque sou e me tornei mais fã do Dio, e  talvez expresse a todos os imbecis como esse (resolvi deixar o respeito  de lado) porque a morte do maior ídolo do metal abalou muita gente:

Nas  vésperas da final da copa de 2006, meu cunhado ia para a Itália e  precisei levá-lo ao aeroporto. Para não deixar de assistir a partida,  fomos bem mais cedo par aque eu tivesse tempo de voltar.

Coincidentemente,  o Dio tinha uma apresentação na semana seguinte em São Paulo. Deixei  meu cunhado no desembarque e quando estava saindo encontrei o Dio, o  Scott Warren w uma moça em uma das portas de desembarque.

Nunca  fui muito favorável à tietagem, pois sou fã da música e não da pessoa  (principalmente pelo histórico com "estrelas" brasileiras  mal-humoradas), mas não quis deixar essa oportunidade de falar com o meu  maior ídolo até então. Parei meu carro, desci e fui ao encontro dele.

Quando  comecei a falar, as palavras mal saíam. Comecei a parguntar sobre o  show, se haveriam surpresas, etc. Pedi desculpas por estar nervoso, aí  veio minha surpresa:

- "I'm just a regular person!" dizia ele.  Repetiu isso por várias vezes durante nossa breve conversa.

Quando  disse que minhas irmãs estavam no carro comigo ele sugeriu que fossemos  até o carro para ele dizer "Hello". Meu som tocava o "Inferno:Live". Eu  disse que estava me preparando para o showl. Ele me perguntou se eu  tinha o encarte para ele autografar!! Isso mesmo: ele ofereceu o  autógrafo! Tão emocionado que eu estava, não ia me lembrar de pedir!

Lembrar  dessa cena é o que mais me emociona quando penso no Dio. Claro, a  música, a voz, a criatividade, os dragões e espadas. Essas estão  gravadas e podemos assistir sempre. Fui a todos os shows que pude, curti  todas as músicas, mas o "ser humano" DIO, me impressionou.

****************************************
O que me deixa muito triste, é que perdemos um cara extremamente amável e  atencioso com todos os fãs. Um cara sempre preocupado em fazer um  grande show para o seu público e, até pouco tempo antes de sua morte e  não sendo mais um menino, fazia questão de receber e dar carinho para  aqueles que o procuravam.

Presenciei um fã, que não manjava muito  de inglês, tentando dizer ao DIO o que estava sentindo com sua presença  ali.

Dio pediu por gentileza, se alguém poderia traduzir a  conversa entre os dois...

É esse cara que vai fazer falta, um ser  humano acima da média para esse ramo!

A voz esta gravada...já é  eterna.


É  isso!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-3944292299548142369?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/3944292299548142369/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=3944292299548142369&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3944292299548142369'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3944292299548142369'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/05/sobre-dio-por-dois-fas.html' title='Sobre Dio, por dois fãs'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7700199874608527288</id><published>2010-05-19T20:37:00.000-07:00</published><updated>2010-05-19T20:55:09.986-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Monty Python'/><category scheme='http://www.blogger.com/atom/ns#' term='Argument Clinic ou como funciona um debate racional no meio acadêmico brasileiro'/><title type='text'>Monty Python: Argument Clinic ou como funciona um debate racional no meio acadêmico brasileiro</title><content type='html'>A discussão já começa com a disputa sobre se o instrutor respondeu ou  não á pergunta "aqui é a sala de discussão?" kkkk.
Seria melhor ele ter começado pelo curso de insulto. A paródia fica aquém do que realmente se  passa no Brasil, pois aqui debate não ultrapassa a etapa da contradição  teórica, isto quando, por milagre, contendores entram em acordo sobre o ponto de divergência, mas, o mais das vezes, empacando no "aquecimento verbal" das ofensas mútuas. E mesmo a nobre arte de ofender consegue ser vilipendiada por nossos argutos oradores e argumentadores, tranformada, como de fato é, em um amálgama de grosserias vulgares que só têm alguma eficácia sobre espíritos incapazes de perceber sutilezas.

Ou seja, o  ápice de um debate no Brasil é a ignorância acerca do que se está  discutindo. Questões? Quem precisa delas! kkkkkk. Status quaestionis, "pô meu, o cara já vem zoando e me xingando com latinismos pedantes!"

A sorte da gente é não ter um Monty Python por qui."Uma discussão é uma série coletiva de declarações para se estabelecer uma proposta definitiva ", brasileiro nunca  entederia uma extravagância tipicamente britância como esta hehehehe

&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/ppK6sxz6epk&amp;amp;hl=pt_BR&amp;amp;fs=1&amp;amp;"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/ppK6sxz6epk&amp;amp;hl=pt_BR&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7700199874608527288?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7700199874608527288/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7700199874608527288&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7700199874608527288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7700199874608527288'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/05/monty-python-argument-clinic-ou-como.html' title='Monty Python: Argument Clinic ou como funciona um debate racional no meio acadêmico brasileiro'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-3201741743006686210</id><published>2010-05-19T20:07:00.000-07:00</published><updated>2010-05-19T20:22:08.907-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='MESTRE'/><category scheme='http://www.blogger.com/atom/ns#' term='ADEUS'/><title type='text'>ADEUS, MESTRE!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_fLQAAlWTPLg/S_SnxSdMDnI/AAAAAAAABJk/rmwc-_kuA1M/s1600/dio_photo.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 295px; height: 400px;" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/S_SnxSdMDnI/AAAAAAAABJk/rmwc-_kuA1M/s400/dio_photo.jpg" alt="" id="BLOGGER_PHOTO_ID_5473183912371687026" border="0" /&gt;&lt;/a&gt;No meio roqueiro, um duplo consenso em torno dessa magnífica figura: Dio foi, além de extraordinário músico - indubitavelmente, o melhor vocal do heavy metal e um sujeito que consagrou sua vida integralmente à arte -, o cara mais amável e generoso com quem se podia topar nesse ambiente corrompido e inóspito do show business, onde os egos já  se inflamam com um simples atrito de vaidades pueris.
Por essa e outras razões, Dio, esse "rainbow in the dark", nunca morrerá nos corações dos fans, e seu legado se estenderá à eternidade.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-3201741743006686210?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/3201741743006686210/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=3201741743006686210&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3201741743006686210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3201741743006686210'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/05/adeus-mestre.html' title='ADEUS, MESTRE!'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/S_SnxSdMDnI/AAAAAAAABJk/rmwc-_kuA1M/s72-c/dio_photo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6478073890878700798</id><published>2010-05-19T20:02:00.000-07:00</published><updated>2010-05-19T20:05:55.222-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='l´enfant terrible'/><category scheme='http://www.blogger.com/atom/ns#' term='Brasil'/><title type='text'>Brasil, l´enfant terrible</title><content type='html'>&lt;h2 style="margin-top: 15px; text-align: justify;"&gt;COM UMA POLÍTICA EXTERNA DESSA  ENVERGADURA, QUEM POR AQUI TEM RAZÕES PARA TEMER QUALQUER AMEAÇA  ALIENÍGENA À NOSSA SOBERANIA? VIVER NUM PAÍS EXTRAORDINARIAMENTE  CIVILIZADO NÃO É PRA QUEM QUER, É PRA QUEM PODE!
&lt;/h2&gt;&lt;div style="text-align: justify;"&gt;
&lt;/div&gt;&lt;h2 style="margin-top: 15px; text-align: justify;"&gt;
&lt;/h2&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;h2 style="margin-top: 15px; text-align: justify;"&gt;&lt;a href="http://veja.abril.com.br/blog/reinaldo/geral/lista-de-besteiras-e-derrotas-de-celso-amorim/" rel="bookmark" title="LISTA DE BESTEIRAS E DERROTAS DE CELSO AMORIM"&gt;LISTA  DE BESTEIRAS E DERROTAS DE CELSO AMORIM      &lt;/a&gt;&lt;/h2&gt;&lt;div style="text-align: justify;"&gt;
Por Reinaldo Azevedo
 &lt;!-- FIM TITULO REINALDO--&gt;         &lt;small&gt;     &lt;b&gt;quarta-feira, 19 de maio de 2010&lt;/b&gt; | 6:31    &lt;/small&gt;      &lt;/div&gt;&lt;div class="entry"&gt;&lt;div style="text-align: justify;"&gt;       &lt;/div&gt;&lt;p style="text-align: justify;"&gt;         &lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;O maestro do vexame de agora é Celso Amorim, Abaixo, atualizo a  lista de seus desastres. Certamente falta coisa, mas vamos lá:&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;NOME   PARA A OMC
&lt;/strong&gt;Amorim tentou emplacar Luís Felipe de Seixas Corrêa na  Organização Mundial do Comércio em 2005. Perdeu. Sabem qual foi o único  país latino-americano que votou no Brasil? O Panamá!!! Culpa do  Itamaraty, não de Seixas Corrêa.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;OMC   DE NOVO
&lt;/strong&gt;O Brasil indicou Ellen Gracie em 2009. Perdeu de novo. Culpa do  Itamaraty, não de Gracie.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;NOME   PARA O BID
&lt;/strong&gt;Também em 2005, o Brasil tentou João Sayad na presidência do  BID (Banco Interamericano de Desenvolvimento). Deu errado outra vez. Dos  nove membros, só quatro votaram no Brasil — do Mercosul, apenas um: a  Argentina. Culpa do Itamaraty, não de Sayad.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;ONU
&lt;/strong&gt;O Brasil tenta, como obsessão, a ampliação (e uma vaga  permanente) do Conselho de Segurança da ONU. Quem não quer? Parte da  resistência ativa à pretensão está justamente no continente: México,  Argentina e, por motivos óbvios e justificados, a Colômbia.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;CHINA
&lt;/strong&gt;O Brasil concedeu à China o status de “economia de mercado”, o  que é uma piada, em troca de um possível apoio daquele país à ampliação  do número de vagas permanentes no Conselho de Segurança da ONU. A China  topou, levou o que queria e passou a lutar… contra a ampliação do  conselho. Chineses fazem negócos há uns cinco mil anos, os petistas, há  apenas 30…
&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;DITADURAS   ÁRABES
&lt;/strong&gt;Sob o reinado dos trapalhões do Itamaraty, Lula fez um périplo  pelas ditaduras árabes do Oriente Médio.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;CÚPULA   DE ANÕES
&lt;/strong&gt;Em maio de 2005, no extremo da ridicularia, o Brasil realizou a  cúpula América do Sul-Países Árabes. Era Lula estreando como rival de  George W. Bush, se é que vocês me entendem. Falando a um bando de  ditadores, alguns deles financiadores do terrorismo, o Apedeuta celebrou  o exercício de democracia e de tolerância… No Irã, agora, ele tentou  ser rival de Barack Obama…
&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;ISRAEL   E SUDÃO
&lt;/strong&gt;A política externa brasileira tem sido de um ridículo sem fim.  Em 2006, o país votou contra Israel no Conselho de Direitos Humanos da  ONU, mas, no ano anterior, negara-se a condenar o governo do Sudão por  proteger uma milícia genocida, que praticou os massacres de Darfur —  mais de 300 mil mortos! Por que o Brasil quer tanto uma vaga no Conselho  de Segurança da ONU? Que senso tão atilado de justiça exibe para fazer  tal pleito?&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;FARC
&lt;/strong&gt;O Brasil, na prática, declara a sua neutralidade na luta entre o  governo constitucional da Colômbia e os terroristas da Farc. Já escrevi  muito a respeito.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;RODADA   DOHA
&lt;/strong&gt;O Itamaraty fez o Brasil apostar tudo na Rodada Doha, que foi  para o vinagre. Quando viu tudo desmoronar, Amorim não teve dúvida:  atacou os Estados Unidos.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;UNESCO
&lt;/strong&gt;Amorim apoiou para o comando da Unesco o egípcio anti-semita e  potencial queimador de livros Farouk Hosni. Ganhou a búlgara Irina  Bukova. Para endossar o nome de Hosni, Amorim desprezou o brasileiro  Márcio Barbosa, que contaria com o apoio tranqüilo dos Estados unidos e  dos países europeus. Chutou um brasileiro, apoiou um egípcio, e venceu  uma búlgara.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;HONDURAS
&lt;/strong&gt;O Brasil apoiou o golpista Manuel Zelaya e incentivou, na  prática, uma tentativa de guerra civil no país. Perdeu! Honduras  realizou eleições limpas e democráticas. Lula não reconhece o governo.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;strong&gt;AMÉRICA DO SUL
&lt;/strong&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Países sul-americanos pintam  e bordam com o Brasil. Evo Morales, o índio de araque, nos tomou a  Petrobras, incentivado por Hugo Chávez, que o Brasil trata como uma  democrata irretocável. Como paga, promove a entrada do Beiçola de  Caracas no Mercosul. Quem está segurando o ingresso, por enquanto, é o  Parlamento… paraguaio!  A Argentina impõe barreiras comerciais à  vontade. E o Brasil compreende. O Paraguai decidiu rasgar o contrato de  Itaipu. E o Equador já chegou a seqüestrar brasileiros. Mas somos muito  compreensivos. Atitudes hostis, na América Latina, até agora, só com a  democracia colombiana. Chamam a isso “pragmatismo”.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;CUBA,   PRESOS E BANDIDOS
&lt;/strong&gt;Lula visitou Cuba, de novo,  no meio da crise provocada pela  morte do dissidente Orlando Zapata.  Comparou os presos políticos que  fazem greve de fome a bandidos comuns  do Brasil.&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;&lt;strong&gt;IRÃ,   PROTESTOS E FUTEBOL
&lt;/strong&gt;Antes do apoio explícito ao programa nuclear e do vexame de  agora,  já havia demonstrado suas simpatias por Ahmadinjead e comparado  os  protestos das oposições  contra as fraudes eleitorais à reclamação  de  uma torcida cujo time perde um jogo.&lt;/span&gt;&lt;/p&gt;            &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6478073890878700798?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6478073890878700798/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6478073890878700798&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6478073890878700798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6478073890878700798'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2010/05/brasil-lenfant-terrible.html' title='Brasil, l´enfant terrible'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7836536080027286521</id><published>2009-05-03T14:35:00.000-07:00</published><updated>2009-05-03T14:46:24.210-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Beth Hart - Live In Paradiso (2005)'/><title type='text'>Beth Hart - Live In Paradiso (2005)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sf4PwVPhuPI/AAAAAAAABJY/Y48deXebCf0/s1600-h/beth+hart+-+live+at+paradiso+-+front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331716331863652594" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sf4PwVPhuPI/AAAAAAAABJY/Y48deXebCf0/s400/beth+hart+-+live+at+paradiso+-+front.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Para dizer o mínimo, Beth Hart põe no chinelo a junk maloqueira da Amy Winehouse!&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;A mulher, além de ser bonita pra caramba, tem uma voz e um jeito de cantar que tornam impossível qualquer comparação. Escutem "World Without You",  "Am I The One" e a cover arrasadora de "Whola Lotta Love" e  vejam se não tenho razão.&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://www.megaupload.com/?d=LLR11SUZ"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7836536080027286521?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7836536080027286521/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7836536080027286521&amp;isPopup=true' title='3 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7836536080027286521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7836536080027286521'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/beth-hart-live-in-paradiso-2005.html' title='Beth Hart - Live In Paradiso (2005)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/Sf4PwVPhuPI/AAAAAAAABJY/Y48deXebCf0/s72-c/beth+hart+-+live+at+paradiso+-+front.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-5778878799216698220</id><published>2009-05-03T14:19:00.000-07:00</published><updated>2009-05-03T14:34:31.785-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Critical Heat - Life Rolls On (2006)'/><title type='text'>Critical Heat - Life Rolls On (2006)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sf4NVbs3blI/AAAAAAAABJQ/s3BusaivIKg/s1600-h/critical+heat6.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331713670717599314" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 349px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sf4NVbs3blI/AAAAAAAABJQ/s3BusaivIKg/s400/critical+heat6.JPG" border="0" /&gt;&lt;/a&gt; Gostei tanto desse grupo, que não me contive e fiz uma camiseta com a montagem acima.
&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sf4LQcmIYdI/AAAAAAAABJI/uz1jV2_MW14/s1600-h/Critical+Heat+-+2006+-+Life+Rrolls+On.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331711386035184082" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sf4LQcmIYdI/AAAAAAAABJI/uz1jV2_MW14/s400/Critical+Heat+-+2006+-+Life+Rrolls+On.jpg" border="0" /&gt;&lt;/a&gt;

&lt;div&gt;Em poucas palavras, é southern rock e impressionantemente excepcional!&lt;/div&gt;

&lt;div&gt;&lt;/div&gt;

&lt;div&gt;&lt;/div&gt;

&lt;div&gt;&lt;a href="http://rapidshare.com/files/166232418/Critical_Heat_-_2006_-_Life_Rolls_On.rar"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-5778878799216698220?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/5778878799216698220/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=5778878799216698220&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5778878799216698220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5778878799216698220'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/critical-heat-life-rolls-on-2006.html' title='Critical Heat - Life Rolls On (2006)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/Sf4NVbs3blI/AAAAAAAABJQ/s3BusaivIKg/s72-c/critical+heat6.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6694900288923925683</id><published>2009-05-03T14:00:00.000-07:00</published><updated>2009-05-03T14:15:24.741-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Rob Tognoni - Capital Wah (2007)'/><title type='text'>Rob Tognoni - Capital Wah (2007)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/Sf4IKPK7mUI/AAAAAAAABJA/bWRxc_DvWfQ/s1600-h/Rob+Tognoni+-+Capital+Wah+(Front).jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331707980817340738" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 399px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/Sf4IKPK7mUI/AAAAAAAABJA/bWRxc_DvWfQ/s400/Rob+Tognoni+-+Capital+Wah+(Front).jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sf4Hxm7eC0I/AAAAAAAABI4/Eku7t2ZFcw0/s1600-h/Rob+Tognoni+-+Capital+Wah+(CD).jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331707557698210626" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sf4Hxm7eC0I/AAAAAAAABI4/Eku7t2ZFcw0/s400/Rob+Tognoni+-+Capital+Wah+(CD).jpg" border="0" /&gt;&lt;/a&gt;

&lt;div&gt;&lt;/div&gt;Excepcional disco desse no mínimo brilhante guitarrista.  Já  se sabe o que esperar: uma profusão de wah-wah a serviço de inspiradas composições, com destaque para "God Bless America" e a cover de "Like A Rolling Stone". Vc. nem vai se lembrar que existem guitarristas como Steve Vai e companhia. Bom demais!

&lt;div&gt;&lt;/div&gt;

&lt;div&gt;&lt;a href="http://rapidshare.com/files/127437042/2007_-_Capital_Wah__320k_.part1.rar.html"&gt;Par 1&lt;/a&gt;&lt;/div&gt;

&lt;div&gt;&lt;/div&gt;

&lt;div&gt;&lt;a href="http://rapidshare.com/files/127436368/2007_-_Capital_Wah__320k_.part2.rar.html"&gt;Part 2&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6694900288923925683?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6694900288923925683/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6694900288923925683&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6694900288923925683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6694900288923925683'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/rob-tognoni-capital-wah-2007.html' title='Rob Tognoni - Capital Wah (2007)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/Sf4IKPK7mUI/AAAAAAAABJA/bWRxc_DvWfQ/s72-c/Rob+Tognoni+-+Capital+Wah+(Front).jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1972996873231463594</id><published>2009-05-03T13:51:00.000-07:00</published><updated>2009-05-03T13:56:14.840-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Jukka Tolonen - Cool Train'/><title type='text'>Jukka Tolonen - Cool Train</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/Sf4ELGODZaI/AAAAAAAABIw/vsePlKZdUg8/s1600-h/jazz___cool_train.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331703597547873698" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 197px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/Sf4ELGODZaI/AAAAAAAABIw/vsePlKZdUg8/s400/jazz___cool_train.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;O virtuose guitarrista do grupo finlandês Kalevala grava este magnífico disco com composições Coltraine. Imperdível!
&lt;div&gt;&lt;/div&gt;
Para quem quiser conhecer o hard/prog praticado pelo Kalevala na década de 70, há postagens neste blog de alguns discos deles.
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&lt;div&gt;&lt;a href="http://www.megaupload.com/?d=I71Q1OZY"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1972996873231463594?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1972996873231463594/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1972996873231463594&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1972996873231463594'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1972996873231463594'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/jukka-tolonen-cool-train.html' title='Jukka Tolonen - Cool Train'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/Sf4ELGODZaI/AAAAAAAABIw/vsePlKZdUg8/s72-c/jazz___cool_train.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-544751092965050694</id><published>2009-05-03T13:00:00.000-07:00</published><updated>2009-05-03T13:04:48.815-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Wicked Minds - Witchflower(2006)'/><title type='text'>Wicked Minds - Witchflower (2006)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sf34RSolQAI/AAAAAAAABIo/8u0kR8hqfB0/s1600-h/witchflower.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331690509820051458" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sf34RSolQAI/AAAAAAAABIo/8u0kR8hqfB0/s400/witchflower.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;a href="http://rapidshare.com/files/228808701/wick_min-SE_.rar.html"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-544751092965050694?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/544751092965050694/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=544751092965050694&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/544751092965050694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/544751092965050694'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/wicked-minds-witchflower-2006.html' title='Wicked Minds - Witchflower (2006)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/Sf34RSolQAI/AAAAAAAABIo/8u0kR8hqfB0/s72-c/witchflower.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1221788514009986710</id><published>2009-05-02T05:52:00.000-07:00</published><updated>2009-05-02T05:57:13.987-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Kamchatka - same (2005)'/><title type='text'>Kamchatka - same (2005)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SfxC9d9HpPI/AAAAAAAABIg/jwDq4avqqgk/s1600-h/kamchatka200.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331209682680259826" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SfxC9d9HpPI/AAAAAAAABIg/jwDq4avqqgk/s400/kamchatka200.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;a href="http://rapidshare.com/files/175334597/Kamchatka_-_Kamchatka__2005_.rar"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1221788514009986710?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1221788514009986710/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1221788514009986710&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1221788514009986710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1221788514009986710'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/kamchatka-same-2005.html' title='Kamchatka - same (2005)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SfxC9d9HpPI/AAAAAAAABIg/jwDq4avqqgk/s72-c/kamchatka200.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8803917495350354323</id><published>2009-05-02T05:27:00.000-07:00</published><updated>2009-05-02T05:32:17.733-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Kamchatka - Vol II (2007)'/><title type='text'>Kamchatka - Vol II (2007)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sfw9LUNLq3I/AAAAAAAABIY/Z4INPQk--rA/s1600-h/KAMCHATKA_-_Volume_II_-_2007.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331203323511679858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 252px; CURSOR: hand; HEIGHT: 252px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sfw9LUNLq3I/AAAAAAAABIY/Z4INPQk--rA/s400/KAMCHATKA_-_Volume_II_-_2007.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;a href="http://rapidshare.com/files/176653960/KAMCHATKA_-_Volume_II_-_2007.rar"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8803917495350354323?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8803917495350354323/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8803917495350354323&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8803917495350354323'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8803917495350354323'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/kamchatka-vol-ii-2007.html' title='Kamchatka - Vol II (2007)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/Sfw9LUNLq3I/AAAAAAAABIY/Z4INPQk--rA/s72-c/KAMCHATKA_-_Volume_II_-_2007.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2652135153559077219</id><published>2009-05-02T05:22:00.000-07:00</published><updated>2009-05-02T05:32:55.907-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Vinyl Kings - A Little Trip (2002)'/><title type='text'>Vinyl Kings - A Little Trip (2002)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sfw7aOIPYVI/AAAAAAAABIQ/fHUHJf-jfYw/s1600-h/Vinyl_Kings_-_2002_-_Little_Trip.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331201380555120978" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sfw7aOIPYVI/AAAAAAAABIQ/fHUHJf-jfYw/s400/Vinyl_Kings_-_2002_-_Little_Trip.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;Beatles Forever! Chico Xavier deu um toque nos finados Lennon e Harrison e estes, lá do mundo do além, foram invocados por Paul e Ringo, que, na surdina, gravaram essa obra prima. É a única explicação plausível.&lt;/div&gt;
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&lt;div&gt;&lt;a href="http://rapidshare.com/files/166567476/VINYL_KINGS_-_Little_Trip_-_2002.rar"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2652135153559077219?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2652135153559077219/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2652135153559077219&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2652135153559077219'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2652135153559077219'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/vinyl-kings-little-trip-2002.html' title='Vinyl Kings - A Little Trip (2002)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/Sfw7aOIPYVI/AAAAAAAABIQ/fHUHJf-jfYw/s72-c/Vinyl_Kings_-_2002_-_Little_Trip.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-4212055364863664732</id><published>2009-05-02T05:12:00.000-07:00</published><updated>2009-05-02T05:17:35.627-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Kamchatka - Vol. III (2009)'/><title type='text'>Kamchatka - Vol. III (2009)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sfw5veqLR7I/AAAAAAAABII/wE_iycneRQs/s1600-h/1240094071_kamchatka-volume-iii-2009.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5331199546746423218" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sfw5veqLR7I/AAAAAAAABII/wE_iycneRQs/s400/1240094071_kamchatka-volume-iii-2009.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;a href="http://depositfiles.com/pt/files/l5ultd68a"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-4212055364863664732?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/4212055364863664732/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=4212055364863664732&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4212055364863664732'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4212055364863664732'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/kamchatka-vol-iii-2009.html' title='Kamchatka - Vol. III (2009)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/Sfw5veqLR7I/AAAAAAAABII/wE_iycneRQs/s72-c/1240094071_kamchatka-volume-iii-2009.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8519111646875625223</id><published>2009-05-01T13:30:00.000-07:00</published><updated>2009-05-01T13:45:16.299-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Karl Marx F. C.'/><title type='text'>Karl Marx F. C</title><content type='html'>&lt;div align="justify"&gt;
Pô, Karl Marx não entende nada de futebol! Aliás,tocou em algum ponto da realidade, o barbudo se cala; só sabe do que ele próprio escreveu. E pensar que há uns dois times da antiga Alemanha Oriental com seu nome:
Wismut Karl-Marx-Stadt
FC Karl-Marx-Stadt




&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/d59YN5XwLa0&amp;amp;hl=pt-br&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/d59YN5XwLa0&amp;hl=pt-br&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8519111646875625223?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8519111646875625223/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8519111646875625223&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8519111646875625223'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8519111646875625223'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/karl-marx-f-c.html' title='Karl Marx F. C'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-9166380468655818829</id><published>2009-05-01T13:09:00.000-07:00</published><updated>2009-05-01T13:27:22.160-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='É de assustar'/><title type='text'>É de assustar</title><content type='html'>&lt;div align="justify"&gt;Com essa ameaça de uma pandemia de gripe suína, um negócio desses me dá calafrios. O Ocidente civilizado que se cuide, pois malucos, terroristas , fanáticos e bandidos de toda espécie não tardarão a fazer algo terrível, claro, se isso estiver ao seu alcance. &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;****************************************&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;TRANSCRIÇÃO DO VÍDEO, feita por Wellington da comunidade OdC do Orkut.&lt;/div&gt;&lt;div align="justify"&gt;

Abdallah Al-Nafisi: Quatro libras de antraz - em uma mala desse tamanho - transportada por um militante através de túneis do México para os E.U.A, certamente matariam 330.000 americanos dentro de uma única hora, se for devidamente espalhado nos centros populacionais de lá..Que uma ideia assustadora. [Os ataques de] 9/11 seriam uma pequena mudança em comparação. Estou certo? Não há necessidade de aviões, conspirações, cronometragens, etc. Uma pessoa, com a coragem de levar quatro libras de antraz, irá para o gramado da Casa Branca, e espalhará este "confete" todo sobre eles e, em seguida, gritaremos de alegria. Isto se transformará numa verdadeira "festa"..As armas de destruição em massa (ADM) são um problema. Os americanos temem que as ADMs podem cair nas mãos de organizações "terroristas", como a Al-Qaeda e outros. Há uma boa razão para o receio dos americanos, pois Al-Qaeda tinha na região de Herat [Afeganistão]. Tinha laboratórios no norte do Afeganistão..Eles têm cientistas, químicos, e físicos nucleares. Não são nada como são retratados por estes jornalistas mercenários - beduínos retrógrados que vivem nas cavernas. Não, não. De forma alguma. Este tipo da conversa pode enganar somente pessoas ingênuas. As pessoas que seguem essas coisas sabem que a Al-Qaeda tem laboratórios, tal como o Hezbollah. Hezbollah tem laboratórios no sul do Líbano, em que produz e vende suas armas. Hezbollah tem laboratórios no sul do Líbano, que vende armas para a Romênia e Hungria.. &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;
[...]Se eles chamarem alguém de terrorista, diga: “Ele é um amigo meu." Por quê? Porque estes "terroristas" são as pessoas que mais temem a Deus no mundo. São as pessoas mais honoráveis no mundo, as melhores pessoas do mundo..Eu conheci pessoalmente Mullah Omar. Tive a honra de me encontrar com Mullah Omar. Este é um homem que não pertencem a esta época. Ele sempre se recusou encontros com as delegações ocidentais. Ele diria a todos eles: "Vão para Cabul, eu estou em Qandahar." "Verdadeiramente, os politeístas são impuros" - se você sabe o que quero dizer. “Vá atender o ministro dos assuntos estrangeiros para falar da política. Estou vou ficar aqui." Este é o tipo de pessoa adequada para lidar com o Ocidente. Quanto à 'Ariqat, Dahlan, e sua laia - não beneficiam o povo de nenhuma maneira..[...]Nos E.U.A, existem mais de 300.000 membros de milícias brancas, que estão chamando para atacar o governo federal em Washington, e para banir os árabes, os judeus e os negros [sic] de os E.U.A. Estas pessoas são racistas. Eles são chamados de "rednecks". A Ku Klux Klan. Eles são racistas..[...]Estas milícias pensam até mesmo em bombardear as instalações nucleares dentro os E.U.A. É possível que Allah conceda-lhes sucesso, mesmo que não sejamos brancos, ou mesmo perto disso, certo?.Eles têm planos para bombardear as instalações nucleares no Lago Michigan. Esta instalação é muito importante. Ela fornece eletricidade a todos do Norte da África [sic]. Talvez Allah garanta sucesso para algum desses líderes de milícia, que está pensando no bombardeio destas instalações. Creio que devemos dedicar parte das nossas orações a ele. Nós devemos orar para que Allah garanta sucesso a ele, para que ele possa concluir esta missão, e nós poderemos visitá-lo e felicitá-lo, se Allah quiser.. &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;
[...]Devemos também defender a resistência, e não permanecer em silêncio em face desta campanha organizada contra a resistência na imprensa da Península Arábica e no Golfo, e outros jornais Árabes. Há vozes expressando dúvidas sobre os líderes da resistência. Temos que enfrentar esses [jornalistas], e impedi-los de continuar com isso, mesmo que isso signifique contactá-los pelo telefone, e dizer-lhes: “Não repita essas coisas desprezíveis em suas colunas ou seus artigos, ou então tomaremos as seguintes medidas contra você.”.Temos que pressionar estas pessoas. Não podemos ficar calados. Não podemos deixá-los à sua própria sorte, sob o pretexto da liberdade de expressão. Esta é uma quinta coluna..[...]Eu, Abdallah Abd Al-Fahd'Aziz Al-Nafisi, estou incitando-os a confrontar, utilizando todos os meios possíveis, qualquer um que fale contra a resistência. “Todos os meios possíveis" – entenderam?.[...]Os ministros [do Hamas] são Mujahideen. Conheço um ministro que participou realmente nas operações. &lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;

&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/I28nfy10FNc&amp;amp;hl=pt-br&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/I28nfy10FNc&amp;hl=pt-br&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-9166380468655818829?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/9166380468655818829/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=9166380468655818829&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/9166380468655818829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/9166380468655818829'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/05/e-de-assustar.html' title='É de assustar'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6594534844154089684</id><published>2009-04-04T23:08:00.000-07:00</published><updated>2009-04-04T23:29:06.995-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Clubes ingleses da Premier League na atual temporada'/><title type='text'>Clubes ingleses da Premier League na atual temporada</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SdhNu3HComI/AAAAAAAABIA/c4bbt0d2AE0/s1600-h/Clubes+ingleses+primeira+divis%C3%A3o.PNG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5321088427201045090" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SdhNu3HComI/AAAAAAAABIA/c4bbt0d2AE0/s400/Clubes+ingleses+primeira+divis%C3%A3o.PNG" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SdhMm0TxvsI/AAAAAAAABH4/0R0NyWX3fAk/s1600-h/Clubes+ingleses+primeira+divis%C3%A3o.PNG"&gt;&lt;/a&gt;

&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SdhMWQX-w0I/AAAAAAAABHw/Tsb7sjZxM9I/s1600-h/clubes+ingleses+primeira+divis%C3%A3o+2__svg.PNG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5321086904974623554" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SdhMWQX-w0I/AAAAAAAABHw/Tsb7sjZxM9I/s400/clubes+ingleses+primeira+divis%C3%A3o+2__svg.PNG" border="0" /&gt;&lt;/a&gt;


&lt;div&gt;
&lt;a title="Arsenal F.C." href="http://en.wikipedia.org/wiki/Arsenal_F.C."&gt;Arsenal&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;a title="Aston Villa F.C." href="http://en.wikipedia.org/wiki/Aston_Villa_F.C."&gt;Aston Villa&lt;/a&gt;&lt;/div&gt;


&lt;div&gt;&lt;/div&gt;


&lt;div&gt;&lt;a title="Blackburn Rovers F.C." href="http://en.wikipedia.org/wiki/Blackburn_Rovers_F.C."&gt;Blackburn Rovers&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;a title="Bolton Wanderers F.C." href="http://en.wikipedia.org/wiki/Bolton_Wanderers_F.C."&gt;Bolton Wanderers&lt;/a&gt;
&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;


&lt;/div&gt;&lt;div&gt;&lt;a title="Chelsea F.C." href="http://en.wikipedia.org/wiki/Chelsea_F.C."&gt;Chelsea&lt;/a&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;
&lt;a title="Everton F.C." href="http://en.wikipedia.org/wiki/Everton_F.C."&gt;Everton&lt;/a&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;
&lt;a title="Fulham F.C." href="http://en.wikipedia.org/wiki/Fulham_F.C."&gt;Fulham&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;a title="Hull City A.F.C." href="http://en.wikipedia.org/wiki/Hull_City_A.F.C."&gt;Hull City&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;


&lt;/div&gt;&lt;div&gt;
&lt;a title="Liverpool F.C." href="http://en.wikipedia.org/wiki/Liverpool_F.C."&gt;Liverpool&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;a title="Manchester City F.C." href="http://en.wikipedia.org/wiki/Manchester_City_F.C."&gt;Manchester City&lt;/a&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;


&lt;/div&gt;&lt;div&gt;&lt;a title="Manchester United F.C." href="http://en.wikipedia.org/wiki/Manchester_United_F.C."&gt;Manchester United&lt;/a&gt;&lt;/div&gt;&lt;div&gt;


&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;a title="Middlesbrough F.C." href="http://en.wikipedia.org/wiki/Middlesbrough_F.C."&gt;Middlesbrough&lt;/a&gt;&lt;/div&gt;&lt;div&gt;


&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;


&lt;/div&gt;&lt;div&gt;&lt;a title="Newcastle United F.C." href="http://en.wikipedia.org/wiki/Newcastle_United_F.C."&gt;Newcastle United&lt;/a&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;a title="Portsmouth F.C." href="http://en.wikipedia.org/wiki/Portsmouth_F.C."&gt;Portsmouth&lt;/a&gt;&lt;/div&gt;&lt;div&gt;


&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;a title="Stoke City F.C." href="http://en.wikipedia.org/wiki/Stoke_City_F.C."&gt;Stoke City&lt;/a&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;
&lt;a title="Sunderland A.F.C." href="http://en.wikipedia.org/wiki/Sunderland_A.F.C."&gt;Sunderland&lt;/a&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;
&lt;a title="Tottenham Hotspur F.C." href="http://en.wikipedia.org/wiki/Tottenham_Hotspur_F.C."&gt;Tottenham Hotspur&lt;/a&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;
&lt;a title="West Bromwich Albion F.C." href="http://en.wikipedia.org/wiki/West_Bromwich_Albion_F.C."&gt;West Bromwich Albion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;
&lt;a title="West Ham United F.C." href="http://en.wikipedia.org/wiki/West_Ham_United_F.C."&gt;West Ham United&lt;/a&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;
&lt;a title="Wigan Athletic F.C." href="http://en.wikipedia.org/wiki/Wigan_Athletic_F.C."&gt;Wigan Athletic&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6594534844154089684?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6594534844154089684/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6594534844154089684&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6594534844154089684'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6594534844154089684'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/04/clubes-ingleses-da-premier-league-na.html' title='Clubes ingleses da Premier League na atual temporada'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SdhNu3HComI/AAAAAAAABIA/c4bbt0d2AE0/s72-c/Clubes+ingleses+primeira+divis%C3%A3o.PNG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6692211002012900137</id><published>2009-03-29T12:22:00.000-07:00</published><updated>2009-03-29T13:39:46.598-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='da Ping Pong'/><category scheme='http://www.blogger.com/atom/ns#' term='A saudosa Ponte Preta no inesquecível album Futebol Cards'/><title type='text'>A saudosa Ponte Preta no inesquecível album Futebol Cards, da Ping Pong</title><content type='html'>&lt;div&gt;

&lt;div&gt;


&lt;div&gt;



&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_T37kkPFI/AAAAAAAABHI/MeG8PNVYYng/s1600-h/08_pont_ml_frente_big.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5318702642785172562" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 300px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_T37kkPFI/AAAAAAAABHI/MeG8PNVYYng/s400/08_pont_ml_frente_big.jpg" border="0" /&gt;&lt;/a&gt;




&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sc_TI2yivgI/AAAAAAAABHA/c3VyFjiE56s/s1600-h/ponte-preta-1993.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5318701834047766018" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 272px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sc_TI2yivgI/AAAAAAAABHA/c3VyFjiE56s/s400/ponte-preta-1993.JPG" border="0" /&gt;&lt;/a&gt;





&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_RaIXTgUI/AAAAAAAABG4/N97AOH_rpfY/s1600-h/paper-1024x768-11.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5318699931799880002" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 300px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_RaIXTgUI/AAAAAAAABG4/N97AOH_rpfY/s400/paper-1024x768-11.jpg" border="0" /&gt;&lt;/a&gt;






&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sc_PJUmbrVI/AAAAAAAABGw/poGNV72Hn_0/s1600-h/Fc+ponte+preta_28.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5318697444003523922" style="WIDTH: 286px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/Sc_PJUmbrVI/AAAAAAAABGw/poGNV72Hn_0/s400/Fc+ponte+preta_28.jpg" border="0" /&gt;&lt;/a&gt; &lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_OQkxh13I/AAAAAAAABGg/FkjE9DNBxuo/s1600-h/fc+ponte+preta+guaranipp_29.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5318696469092489074" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 371px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_OQkxh13I/AAAAAAAABGg/FkjE9DNBxuo/s400/fc+ponte+preta+guaranipp_29.jpg" border="0" /&gt;&lt;/a&gt;







&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_OsfQCdnI/AAAAAAAABGo/GomfQ_8fpsw/s1600-h/fc+ponte+preta+pp_27.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5318696948646180466" style="WIDTH: 290px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_OsfQCdnI/AAAAAAAABGo/GomfQ_8fpsw/s400/fc+ponte+preta+pp_27.jpg" border="0" /&gt;&lt;/a&gt;

TÍTULOS

1912 - Campeã Campineira de Futebol - Taça "Liga Operária de Foot - Ball".
1923 - Campeã da Zona Paulista (APEA)
1925 - Campeã da 4ª Região do Interior (APEA)
1927 - Campeã da Zona Mogiana (L.A.F.)
1928-1929 - Bicampeã Paulista da Divisão Principal - 2º quadro (L.A.F.)
1930 - Campeão Invicta da 4º Região APEA)
1931 - Campeã Campineira
1933 - Campeã Invicta da Subdivisão de Campinas da primitiva F.P.F.
1935-1936-1937 - Tri-campeã Campineira de Futebol - 1º e 2º quadro (L.C.F.)
1951 - Campeã Amadora do Estado (45 partidas invictas)
1969 - Campeã da Primeira Divisão de Profissionais - Acesso à divisão especial F.P.F.
1970 - Vice- Campeã Paulista de Futebol - Primeiro clube do Interior Paulista a conseguir esta façanha em curto espaço após o acesso
1970 - Primeiro clube do Interior a disputar o Campeonato Nacional
1977 - Vice - Campeã Paulista de Futebol - Decisão com o Corinthians
1979 - Vice-Campeã Paulista de Futebol - Decisão com o Corinthians
1981 - Vice- Campeã Paulista de Futebol - Decisão com o São Paulo
1981- Campeã da Copa São Paulo de Futebol Jr.
1981- Campeã Paulista das Categorias Infantil, Juvenil e Júnior (F.P.F.)
1981 - Campeonato Brasileiro - Terceiro Lugar
1982- Bi-Campeã da Copa São Paulo de Futebol Jr.
1989- Vice-Campeã da Intermediária Paulista. Decisão com o Ituano
1991 - Campeã da Taça São Paulo de Futebol Infantil
1991 - Campeã do Campeonato de Aspirantes da F.P.F.
1993 - Campeã da Copa Luciano do Valle de Futebol Infantil
1993 - Campeã do Campeonato Paulista Juvenil
1995 - Vice - Campeã da Taça São Paulo de Juniores
1997 - Campeã nas categorias Infantil e Juvenil da Taça Osmar Santos
1997 - Vice-Campeã do CAMPEONATO BRASILEIRO DA SÉRIE "B"
1998 - Vice-Campeã da XXIX COPA SÃO PAULO DE FUTEBOL JUNIOR
1998 - Vice- Campeã da X COPA SÃO PAULO DE FUTEBOL INFANTIL
1998 - Terceiro lugar no Campeonato Paulista Série A-2
1999 - Quarto lugar na XXX Copa São Paulo de Futebol Juniores
1999 - Vice- Campeã do Campeonato Paulista Série A-2
2000 - 1º lugar da 1ª Fase do Campeonato Paulista Série A-1 - Troféu "Brasil 500 Anos da F.P.F.. - Troféu LANCE! Rei do Interior
2001 - Terceiro lugar na Copa São Paulo de Futebol de Juniores
2001- Terceiro lugar no Campeonato Paulista
2001- Terceiro lugar na Copa do Brasil
2008- Vice-Campeã Paulista
&lt;/div&gt;

&lt;img id="BLOGGER_PHOTO_ID_5318708590056406002" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 202px; CURSOR: hand; HEIGHT: 150px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sc_ZSG4he_I/AAAAAAAABHQ/w_Y0e87n7MA/s400/001.jpg" border="0" /&gt;&lt;img id="BLOGGER_PHOTO_ID_5318710681638736962" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 150px; CURSOR: hand; HEIGHT: 100px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/Sc_bL2onFEI/AAAAAAAABHg/lyUat_sTUlE/s400/003.jpg" border="0" /&gt;

&lt;div&gt;
HISTÓRIA:&lt;/div&gt;



&lt;div&gt;
Estamos no ano de 1900. Bem perto de uma uma ponte de madeira, pintada de negro, nasceu a Associação Atlética Ponte Preta. Os jovens Miguel do Carmo o “Migué", Luiz Garibaldi Burghi, o "Gigette" e Antonio de Oliveira, o "Tonico Campeão", resolveram fundar o que
é hoje, o mais antigo clube de futebol do país, tendo como inspiração para o nome, a velha ponte da ferrovia.
A Associação Atlética Ponte Preta confunde-se com a própria expansão do futebol no Brasil e mantém atividades ininterruptas até hoje. Ao longo do tempo, fortaleceu o futebol regional e é um dos grandes clubes brasileiros, gozando do reconhecimento internacional pela formação de atletas.
A Associação Atlética Ponte Preta possui a maior torcida do interior do Brasil e é a primeira democracia racial em um time de futebol na América do Sul e desde 2003, a FIFA iniciou o processo para seu reconhecimento.
&lt;/div&gt;



&lt;div&gt;&lt;img id="BLOGGER_PHOTO_ID_5318711264249038194" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 150px; CURSOR: hand; HEIGHT: 100px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/Sc_btxBuxXI/AAAAAAAABHo/EGK1q6FdYc8/s400/004.jpg" border="0" /&gt;



&lt;img id="BLOGGER_PHOTO_ID_5318709848556290802" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 150px; CURSOR: hand; HEIGHT: 100px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/Sc_abXKRwvI/AAAAAAAABHY/xnaxdPX-TA8/s400/002.jpg" border="0" /&gt;





&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6692211002012900137?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6692211002012900137/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6692211002012900137&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6692211002012900137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6692211002012900137'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/03/saudosa-ponte-preta-no-inesquecivel.html' title='A saudosa Ponte Preta no inesquecível album Futebol Cards, da Ping Pong'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/Sc_T37kkPFI/AAAAAAAABHI/MeG8PNVYYng/s72-c/08_pont_ml_frente_big.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-4585408904896797958</id><published>2009-02-17T18:23:00.000-08:00</published><updated>2009-02-18T03:18:30.096-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='The Full Dialectician website'/><title type='text'>Website The Full Dialectician</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SZt0CQm7YOI/AAAAAAAABF4/c1JfwXpbpxk/s1600-h/full+dialectician+imagem.bmp"&gt;&lt;img id="BLOGGER_PHOTO_ID_5303960568325693666" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 300px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SZt0CQm7YOI/AAAAAAAABF4/c1JfwXpbpxk/s400/full+dialectician+imagem.bmp" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://thefulldialectician.synthasite.com/"&gt;Link para The Full Dialectician &lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div align="justify"&gt;Este site foi criado com o propósito de reunir o maior acervo possível de material bibliográfico sobre dialética, pondo à disposição estudos acadêmicos e obras clássicas que tratem de elucidar a natureza de tão excelsa arte e, em especial, de determinar o seu estatuto no âmbito da lógica formal. Aqui, portanto, você poderá encontrar tudo quanto for teoricamente relevante não apenas sobre a lógica tradicional mas também, e principalmente, sobre essa arte de raciocinar acerca de toda sorte de problemas a partir de premissas geralmente aceitas, ou seja, sobre os procedimentos argumentativos que podem ser empregados para o exame crítico de opiniões e definidos a partir daquilo que Aristóteles chamou de topoi ou loci, os "lugares" que circunscrevem a aplicação possível dos princípios supremos do silogismo, o dictum de omini e o dictum de nullo, a raciocínios cujos termos não se relacionam entre si com aquela evidência que impõem os princípios da verdadeira demonstração.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-4585408904896797958?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/4585408904896797958/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=4585408904896797958&amp;isPopup=true' title='2 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4585408904896797958'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4585408904896797958'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/02/website-full-dialectician.html' title='Website The Full Dialectician'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SZt0CQm7YOI/AAAAAAAABF4/c1JfwXpbpxk/s72-c/full+dialectician+imagem.bmp' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-653872868422270281</id><published>2009-02-03T00:34:00.000-08:00</published><updated>2009-02-03T00:40:52.890-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='O conflito Israel-Palestina na Nova Ordem Mundial'/><title type='text'>O conflito Israel-Palestina na Nova Ordem Mundial</title><content type='html'>&lt;div align="justify"&gt;Genial! Alguém postou isto aqui no orkut:&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;O que acontece quando uma mosca cai em uma xícara de café?&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;O italiano - joga a xícara fora e vai embora com raiva.&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;O francês - joga fora a mosca e bebe o café.&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;O chinês - come a mosca e joga fora o café.&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;O russo - bebe o café com a mosca, desde que não tenha que pagar mais pela mosca.&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;O judeu - vende o café para o francês, a mosca para os chineses, compra uma nova xícara de café e usa o dinheiro extra para inventar uma dispositivo que impeça que moscas caiam no café.&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;O palestino - culpa os judeus pela mosca ter caido no seu café, protesta este ato de agressão na ONU, toma um empréstimo na União Européia para comprar uma nova xícara de café, usa o dinheiro para comprar explosivos e, em seguida, explode a cafeteria onde o Italiano, o Francês, o Chinês e o Russo estão todos tentando explicar ao Judeu que ele deveria ceder o seu copo de café para o Palestino. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-653872868422270281?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/653872868422270281/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=653872868422270281&amp;isPopup=true' title='4 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/653872868422270281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/653872868422270281'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/02/o-conflito-israel-palestina-na-nova.html' title='O conflito Israel-Palestina na Nova Ordem Mundial'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-735998604774741646</id><published>2009-01-21T03:05:00.000-08:00</published><updated>2009-01-21T03:25:42.520-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Maranatha - same (1975) / Vindication - same ( 1970)'/><title type='text'>Maranatha - same (1975) / Vindication - same ( 1970)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXcFlptADiI/AAAAAAAABEk/HG2OkwJwM4Q/s1600-h/Maranatha.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293706031405207074" style="WIDTH: 320px; CURSOR: hand; HEIGHT: 319px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXcFlptADiI/AAAAAAAABEk/HG2OkwJwM4Q/s400/Maranatha.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SXcFbHogtaI/AAAAAAAABEc/CpIlwJCVxlY/s1600-h/Vindication.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293705850460878242" style="WIDTH: 320px; CURSOR: hand; HEIGHT: 319px" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SXcFbHogtaI/AAAAAAAABEc/CpIlwJCVxlY/s400/Vindication.jpg" border="0" /&gt;&lt;/a&gt;

&lt;div align="justify"&gt;&lt;a href="http://www.megaupload.com/?d=NRPVRNL0"&gt;Download Vindication&lt;/a&gt; &lt;/div&gt;

&lt;div align="justify"&gt;&lt;/div&gt;

&lt;div align="justify"&gt;&lt;/div&gt;

&lt;div align="justify"&gt;

&lt;a href="http://www.megaupload.com/?d=HK5IGTDM"&gt;Download Maranatha&lt;/a&gt;


Dois espantosamente bons albuns (por sinal, raríssimos) desses grupos cristãos de progressive rock, o alemão Maranatha e o americano Vindication. Destaque para "Satan´s song" e "Master Law" deste último e "Herr", minha preferida desse discaço do Maranatha.

Vai em homenagem ao recém empossado "deus" queniano, messiânico redendor de tudo que há de vivo no Universo, Mr. Obama, para que Deus proteja os norte-americanos dessa farsa ambulante ou, melhor, das forças globalistas que certamente irão agir através dele.

Vade retro Satanás!&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-735998604774741646?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/735998604774741646/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=735998604774741646&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/735998604774741646'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/735998604774741646'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/maranatha-same-1975-vindication-same.html' title='Maranatha - same (1975) / Vindication - same ( 1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SXcFlptADiI/AAAAAAAABEk/HG2OkwJwM4Q/s72-c/Maranatha.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8551564823778507608</id><published>2009-01-21T02:49:00.001-08:00</published><updated>2009-01-21T02:53:06.649-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Gate - Live (1977)'/><title type='text'>Gate - Live (1977)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb-RJhjEII/AAAAAAAABEU/Et2WVM177xY/s1600-h/Gate.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293697982588457090" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb-RJhjEII/AAAAAAAABEU/Et2WVM177xY/s400/Gate.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;Grupo alemão de hard-prog. Altamente recomendado, principalmente pelo nível de elaboração musical e pelo fato de o vocal ser no idioma de Goethe.&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?x195237974"&gt;http://paylesssofts.net/?x195237974&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8551564823778507608?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8551564823778507608/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8551564823778507608&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8551564823778507608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8551564823778507608'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/gate-live-1977.html' title='Gate - Live (1977)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb-RJhjEII/AAAAAAAABEU/Et2WVM177xY/s72-c/Gate.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2601007843907481724</id><published>2009-01-21T02:42:00.000-08:00</published><updated>2009-01-21T02:48:55.514-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Box Of Frogs - Box Of Frogs/Strange Land (1984/1986)'/><title type='text'>Box Of Frogs - Box Of Frogs/Strange Land (1984/1986)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb9TNmIIuI/AAAAAAAABEM/pSUakmcbrG8/s1600-h/box%2520frogs.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293696918529516258" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 194px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb9TNmIIuI/AAAAAAAABEM/pSUakmcbrG8/s400/box%2520frogs.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SXb9KDGdVwI/AAAAAAAABEE/0yZHSFGEJqU/s1600-h/BoxOfFrogs.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293696761093510914" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 199px" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SXb9KDGdVwI/AAAAAAAABEE/0yZHSFGEJqU/s400/BoxOfFrogs.jpg" border="0" /&gt;&lt;/a&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;Part 1: &lt;a href="http://paylesssofts.net/?id=63a37972"&gt;http://paylesssofts.net/?id=63a37972&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;
Part 2: &lt;a href="http://paylesssofts.net/?x160b37973"&gt;http://paylesssofts.net/?x160b37973&lt;/a&gt;
&lt;/div&gt;&lt;div&gt;Dois albuns desse grupo formado por 3 ex-Yardbirds (Chris Dreja, Paul Samwell-Smith, Jim McCarty) e o vocalista John Fiddler (ex-Medicine Head/British Lions )&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;Tem também participação de gente da magnitude de Rory Gallagher, Jeff Beck, Jimmy Page, Roger Chapman, Ian Dury, Graham Parker, Steve Hackett e outros mais.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2601007843907481724?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2601007843907481724/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2601007843907481724&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2601007843907481724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2601007843907481724'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/box-of-frogs-box-of-frogsstrange-land.html' title='Box Of Frogs - Box Of Frogs/Strange Land (1984/1986)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb9TNmIIuI/AAAAAAAABEM/pSUakmcbrG8/s72-c/box%2520frogs.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6648372050060405274</id><published>2009-01-21T02:40:00.001-08:00</published><updated>2009-01-21T02:42:43.758-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Van Der Graaf Generator - H To He'/><category scheme='http://www.blogger.com/atom/ns#' term='Who Am The Only One (1970)'/><title type='text'>Van Der Graaf Generator - H To He, Who Am The Only One (1970)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb735jJ2WI/AAAAAAAABD8/8-93BBR2sPA/s1600-h/vdgg.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293695349780240738" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 203px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb735jJ2WI/AAAAAAAABD8/8-93BBR2sPA/s400/vdgg.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb7x1g4ljI/AAAAAAAABD0/vFpqJ1RWGOg/s1600-h/vandergraaf.jpg"&gt;&lt;/a&gt;

&lt;div&gt;Part 1:&lt;a href="http://paylesssofts.net/?id=fb639057"&gt;http://paylesssofts.net/?id=fb639057&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Part 2: &lt;a href="http://paylesssofts.net/?x12fd39058"&gt;http://paylesssofts.net/?x12fd39058&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Sem comentários! É baixar e ouvir.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6648372050060405274?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6648372050060405274/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6648372050060405274&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6648372050060405274'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6648372050060405274'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/van-der-graaf-generator-h-to-he-who-am.html' title='Van Der Graaf Generator - H To He, Who Am The Only One (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb735jJ2WI/AAAAAAAABD8/8-93BBR2sPA/s72-c/vdgg.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1434468104771423037</id><published>2009-01-21T02:36:00.000-08:00</published><updated>2009-01-21T02:39:58.993-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Joy Unlimited - Schmetterlinge (1971)'/><title type='text'>Joy Unlimited - Schmetterlinge (1971)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb7dWGuD4I/AAAAAAAABDs/Az-XNgoz6Zc/s1600-h/joyunlimited.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293694893589139330" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb7dWGuD4I/AAAAAAAABDs/Az-XNgoz6Zc/s400/joyunlimited.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
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&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Part 1:&lt;a href="http://paylesssofts.net/?id=59439055"&gt;http://paylesssofts.net/?id=59439055&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;Part 2: &lt;a href="http://paylesssofts.net/?id=c8939056"&gt;http://paylesssofts.net/?id=c8939056&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Segundo album do grupo, já com uma orientação mais prog/jazz rock e menos blues.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1434468104771423037?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1434468104771423037/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1434468104771423037&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1434468104771423037'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1434468104771423037'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/joy-unlimited-schmetterlinge-1971.html' title='Joy Unlimited - Schmetterlinge (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb7dWGuD4I/AAAAAAAABDs/Az-XNgoz6Zc/s72-c/joyunlimited.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1750422055781314348</id><published>2009-01-21T02:33:00.000-08:00</published><updated>2009-01-21T02:36:02.422-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Faust - Faust (1971)'/><title type='text'>Faust - Faust (1971)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb6UQqeOiI/AAAAAAAABDk/77Fu2s_sXuI/s1600-h/faust.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293693637998033442" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 201px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb6UQqeOiI/AAAAAAAABDk/77Fu2s_sXuI/s400/faust.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?id=fda39292"&gt;http://paylesssofts.net/?id=fda39292&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Primeirão do Faust.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1750422055781314348?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1750422055781314348/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1750422055781314348&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1750422055781314348'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1750422055781314348'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/faust-faust-1971.html' title='Faust - Faust (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb6UQqeOiI/AAAAAAAABDk/77Fu2s_sXuI/s72-c/faust.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7608631218855518020</id><published>2009-01-21T02:30:00.000-08:00</published><updated>2009-01-21T02:33:31.497-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Brainstorm - Last Smile (1974)'/><title type='text'>Brainstorm - Last Smile (1974)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb5pstd5cI/AAAAAAAABDc/FJFTRdOrZUg/s1600-h/brainstorm.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293692906792412610" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 196px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb5pstd5cI/AAAAAAAABDc/FJFTRdOrZUg/s400/brainstorm.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?id=10f39051"&gt;http://paylesssofts.net/?id=10f39051&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Grupo alemão de jazz rock. Parece que este é seu último album. Excelente, sobretudo pra quem gosta de Guru Guru, Frank Zappa....&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7608631218855518020?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7608631218855518020/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7608631218855518020&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7608631218855518020'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7608631218855518020'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/brainstorm-last-smile-1974.html' title='Brainstorm - Last Smile (1974)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb5pstd5cI/AAAAAAAABDc/FJFTRdOrZUg/s72-c/brainstorm.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7138773426452095732</id><published>2009-01-21T02:23:00.000-08:00</published><updated>2009-01-21T02:28:37.173-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Downlaod Masters Of The Airwaves - Masters Of The Airwaves (1974)'/><title type='text'>Masters Of The Airwaves - Masters Of The Airwaves (1974)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SXb4p6rHv0I/AAAAAAAABDU/sCDsJKPcdDM/s1600-h/mastersoftheairwaves.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293691811029040962" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SXb4p6rHv0I/AAAAAAAABDU/sCDsJKPcdDM/s400/mastersoftheairwaves.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?x1bf539050"&gt;http://paylesssofts.net/?x1bf539050&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Rock melódico muito interessante e sofisticado dessa banda do norte da Califórnia, da qual pouca informação há na internet.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7138773426452095732?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7138773426452095732/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7138773426452095732&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7138773426452095732'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7138773426452095732'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/masters-of-airwaves-masters-of-airwaves.html' title='Masters Of The Airwaves - Masters Of The Airwaves (1974)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SXb4p6rHv0I/AAAAAAAABDU/sCDsJKPcdDM/s72-c/mastersoftheairwaves.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-4860095937575277781</id><published>2009-01-21T02:19:00.000-08:00</published><updated>2009-01-21T02:23:50.309-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Midnight Circus - Midnight Circus (1972)'/><title type='text'>Midnight Circus - Midnight Circus (1972)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SXb3pGuNzLI/AAAAAAAABDM/z611-ccRCZg/s1600-h/midnightcircus.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293690697571749042" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 201px" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SXb3pGuNzLI/AAAAAAAABDM/z611-ccRCZg/s400/midnightcircus.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div align="justify"&gt;Obscuro grupo alemão, na verdade um duo com músicos convidados, que faz um som bem a la King Crimson, com uma certo clima dark, meio folk, meio cosmic, mas no fim das contas com uma orientação básica de rock&lt;/div&gt;
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&lt;div&gt;&lt;a href="http://paylesssofts.net/?x16f139762"&gt;http://paylesssofts.net/?x16f139762&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-4860095937575277781?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/4860095937575277781/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=4860095937575277781&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4860095937575277781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4860095937575277781'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/midnight-circus-midnight-circus-1972.html' title='Midnight Circus - Midnight Circus (1972)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SXb3pGuNzLI/AAAAAAAABDM/z611-ccRCZg/s72-c/midnightcircus.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8231024644391486049</id><published>2009-01-21T02:14:00.000-08:00</published><updated>2009-01-21T02:18:54.934-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Cyklus - Planet Of Two Suns (1979)'/><title type='text'>Cyklus - Planet Of Two Suns (1979)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb2alfa7JI/AAAAAAAABDE/LWV3X_f0jVg/s1600-h/cyklus.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293689348621528210" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 198px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb2alfa7JI/AAAAAAAABDE/LWV3X_f0jVg/s400/cyklus.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;a href="http://paylesssofts.net/?x176739691"&gt;http://paylesssofts.net/?x176739691&lt;/a&gt;&lt;/div&gt;
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&lt;div&gt;Banda de Washington que faz uma espécie de free jazz com toques psicodélicos. Bastante pesada e selvagem. Vale a pena conferir.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8231024644391486049?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8231024644391486049/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8231024644391486049&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8231024644391486049'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8231024644391486049'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/cyklus-planet-of-two-suns-1979.html' title='Cyklus - Planet Of Two Suns (1979)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SXb2alfa7JI/AAAAAAAABDE/LWV3X_f0jVg/s72-c/cyklus.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6466984800777748475</id><published>2009-01-21T02:09:00.000-08:00</published><updated>2009-01-21T02:13:56.835-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Osibisa - Paris Theatre'/><category scheme='http://www.blogger.com/atom/ns#' term='1972'/><category scheme='http://www.blogger.com/atom/ns#' term='London'/><title type='text'>Osibisa - Paris Theatre, London, 1972</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb0-7K8z_I/AAAAAAAABC8/H4MNubBV-6w/s1600-h/osibisa_002.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293687773893283826" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 199px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb0-7K8z_I/AAAAAAAABC8/H4MNubBV-6w/s400/osibisa_002.jpg" border="0" /&gt;&lt;/a&gt; Gravação de 72 feita para a BBC e recentemente transmitida por uma rádio a cabo da Suiça.
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&lt;div&gt;&lt;a href="http://paylesssofts.net/?x153c41131"&gt;http://paylesssofts.net/?x153c41131&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6466984800777748475?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6466984800777748475/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6466984800777748475&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6466984800777748475'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6466984800777748475'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/osibisa-paris-theatre-london-1972.html' title='Osibisa - Paris Theatre, London, 1972'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SXb0-7K8z_I/AAAAAAAABC8/H4MNubBV-6w/s72-c/osibisa_002.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-5675407398315619176</id><published>2009-01-21T02:01:00.000-08:00</published><updated>2009-01-21T02:09:01.297-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Violence Fog/Jerusalem - SWF Sessions Vol 6 (1971)'/><title type='text'>Violence Fog/Jerusalem - SWF Sessions Vol 6 (1971)</title><content type='html'>&lt;div align="justify"&gt;&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXbzVW2aWiI/AAAAAAAABC0/iAthfFHYJow/s1600-h/violencefogjerusalem.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5293685960257198626" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 198px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SXbzVW2aWiI/AAAAAAAABC0/iAthfFHYJow/s400/violencefogjerusalem.jpg" border="0" /&gt;&lt;/a&gt; Único registro desses dois grupos alemães, que não chegaram a gravar nenhum disco. Kraut eficiente e, como não poderia deixar de ser, bastante técnico, porém nada de excepcional. Deve agradar a quem já gosta da sonoridade "germânica" de grupos hard/prog setentistas.
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&lt;a href="http://paylesssofts.net/?x11e441129"&gt;http://paylesssofts.net/?x11e441129&lt;/a&gt;





&lt;a href="http://paylesssofts.net/?x1b0b41130"&gt;http://paylesssofts.net/?x1b0b41130&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-5675407398315619176?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/5675407398315619176/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=5675407398315619176&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5675407398315619176'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5675407398315619176'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/violence-fogjerusalem-swf-sessions-vol.html' title='Violence Fog/Jerusalem - SWF Sessions Vol 6 (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SXbzVW2aWiI/AAAAAAAABC0/iAthfFHYJow/s72-c/violencefogjerusalem.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1913691601192142928</id><published>2009-01-19T00:03:00.000-08:00</published><updated>2009-01-19T00:20:06.757-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='History of the Jesus Movement / Christian Rock Music´s Short History'/><title type='text'>History of the Jesus Movement / Christian Rock Music´s Short History</title><content type='html'>&lt;div align="justify"&gt;&lt;em&gt;David de Sabatino&lt;/em&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;For more information on the Jesus Movement, order "The Jesus People Movement: An Annotated Bibliography and General Resource" - now available.
By most accounts, the Jesus People Movement began in 1967 with the opening of a small storefront evangelical mission called the Living Room in San Francisco's Haight Ashbury district. Though other missionary type organizations had preceded them in the area, this was the first one run solely by street Christians.

Within a short time of these first stirrings a number of independent Christian communities sprang up all across North America. In Seattle, the Jesus People Army was born in response to a vision experienced by evangelist Linda Meissner, who had seen an "army of teenagers marching for Jesus." On the Sunset Strip, evangelist Arthur Blessitt opened the His Place nightclub and coffeehouse as a 24 hour way station for youth. At the University of California at Berkeley, Dr. Jack Sparks and some other members of Campus Crusade decided to begin a countercultural outreach program called the Christian Liberation World Front (CWLF) directed towards reaching campus radicals.

The ensuing groundswell of activity spawned a number of other developments as well. Realizing the need to open their churches to the hippie generation, many conservative pastors recruited hippie liaisons to their ministerial staff. Both Chuck Smith of Calvary Chapel (in Santa Ana, California) with the recruitment of Lonnie Frisbee, and Lyle Steenis of Bethel Tabernacle (in Redondo Beach) with the recruitment of Breck Stevens found their churches radically transformed in the wake of their decisions.

In order to proclaim the message of the gospel, hippie Christians simply adopted existing forms of communication. Mirroring the development of underground newspapers such as the Berkeley Barb, in 1969 evangelist Duane Pederson began publishing the Hollywood Free Paper as an evangelistic tool. Jesus papers with names like Right On!, The Fish, Street Level, and Cornerstone became a fundamental component of each street Christian community.




[..............................................................]






The following is an admittedly subjective list of Jesus Music albums. This list concentrates on roughly a 15 year period (1965 - 1980), so there are some collectible CCM lps that obviously won't be included. Albums were picked for both their quality and their market value. Thus, if your favorite album doesn't appear, please remember this reflects my personal tastes more than anything else. It is my hope that you will find some (or all. . . good luck) of these gems in your searching. They represent a formative time that many CCM fans know little or nothing about. I hope you are enriched by this music as I have been over the years. Maranatha! - David Di Sabatino


&lt;strong&gt;Agape - Victims of Tradition (Renrut, 1972)&lt;/strong&gt;
I am admittedly biased on placing this one first (seeing as we are responsible for reissuing both of Agape's albums on CD), but it definitely deserves to be here. This is the 2nd of Agape's lps and is a more progressive lp than the first adding jazz keyboardist Jim Hess to the already tight musical lineup. Fred Caban on lead guitar and vocals, Mike Jungman on drums and Jim Peckhart on bass make up the rest of the band.


&lt;strong&gt;Wilson McKinley - Spirit of Elijah (Voice of Elijah, 1973)&lt;/strong&gt;
The members of Wilson McKinley were saved as the result of the ministry of Carl Parks, one of the leaders of the Jesus People Army in Seattle. The Jesus People Army was the vision of Linda Meissner, a former staff worker of David Wilkerson's Teen Challenge ministry, who saw 'an army of young people marching for Jesus.' While on crusade through the Pacific Northwest, the members of the band wandered into a park to heckle Carl Parks' preaching. They ended up becoming Christians and becoming the JPA band. Though the quality is admittedly sub-par, the band has elements of the west-coast guitar scene.


&lt;strong&gt;Randy Stonehill - Get Me Out of Hollywood (Phonogram, 1973)&lt;/strong&gt;
In this list because of its absolute scarcity. In 1973, or thereabouts, Randy left California to search out a recording contract in England. He recorded this over there and scrapped it just before release. The story is that most of the copies were destroyed, but a few survived and are floating around out there. Album includes the song 'Vegetables' which ended up being included in the Lonesome Stone Musical performed by The Sheep over in England as a part of Jim Palosaari's wandering Jesus People group. Good luck finding copies of this album.


&lt;strong&gt;All Saved Freak Band - Brainwashed (Rock the World, 1975)&lt;/strong&gt;
Interesting story. This was a communal group of Jesus freaks from Ohio who revolved around the leadership of Larry Hill and included former lead guitarist for Pacific Gas &amp;amp; Electric, Glenn Schwarz. The group became intensely prophetic and apocalyptic, believing that their group was the sole remnant of Christianity. The band had 3 other albums, one of which also appears on this list.


&lt;strong&gt;Out of Darkness - same (Key, 1970)&lt;/strong&gt;
English band sounding very much like Jimi Hendrix. A live CD of their music was just reissued by Plankton Records in England called the Celebration Sessions.


&lt;strong&gt;Azitis - Help (Elco, 1971)&lt;/strong&gt;
The rumor is that this band won a music contest to record an album, but could only do so if they changed their lyrics to Christian themes. A really startling story because the content is very strong and seems to be penned by someone who is on the ball. Other than that, it is an excellent psychedelic album.


&lt;strong&gt;Water Into Wine Band - Harvest Time&lt;/strong&gt;
Don't know a heck of a whole lot about this band or this album except that it is English folk rock and was sold solely at the first Greenbelt festival in 1972. It now sells for over $750. By virtue of its price alone it merits inclusion in this list. Yikes!


&lt;strong&gt;Larry Norman - Street Level (One Way, 1971)&lt;/strong&gt;
One of the three albums he and Stonehill recorded with the money given to One Way by Pat Boone. There are two different versions of this lp (and numerous different label and numerical permutations). The more rare version is the 'Gold Label Underground Edition' which has songs from the musical 'Lion's Breath.' The more common version includes one side of a live concert recorded at Hollywood's First Presbyterian Church which ran a nightclub called the Salt Company. Larry got into some trouble with the hierarchy of the church after singing the song 'Right Here in America.'


&lt;strong&gt;Harvest Flight - One Way (Destiny, 1971)&lt;/strong&gt;
Led by Evan Williams, who later went on to be in Phoenix Sonshine. Album includes excellent rendition of then popular 'One in the Spirit' (". . .and they'll know we are Christians by our love.").


&lt;strong&gt;The Exkursions - same (custom, 1971)&lt;/strong&gt;
Chicago based psychedelic blues band with heavy fuzz guitar sound. Led by Mike Johnson who later went on to record solo projects and even earn songwriter of the year award. Band broke up because the other two members wavered in their faith. Since a number of sealed copies were unearthed last year, the value has gone down.


&lt;strong&gt;Earthen Vessel - Hard Rock / Everlasting Life (NRS, 1970)&lt;/strong&gt;
Hard rock garage band with heavy fuzz guitar and female lead vocals.


&lt;strong&gt;Wilson McKinley - Heaven's Gonna Be A Blast (Voice of Elijah, 1973)&lt;/strong&gt;
Their first real studio album after two earlier releases that were rather low budget. The group became Christians almost en masse when Linda Meissner's Jesus People Army troupe set up an evangelistic rally in High Bridge Park in Spokane. The group became the musical arm of evangelist Carl Parks' Voice of Elijah community.


&lt;strong&gt;Last Call of Shiloh - same (Last Call, 1969)&lt;/strong&gt;
Affiliated with the Jesus People Army group out of Idaho. This release is among the earliest Jesus rock albums.


&lt;strong&gt;Randy Stonehill - Born Twice (One Way, 1971)&lt;/strong&gt;
Released along with Larry Norman's Street Level and the Son Worshipers soundtrack on a very low budget. Three versions exist of this album. The most common one includes the song 'Christmastime' which is a cut tempo of the same song that Larry included on So Long Ago The Garden. The more rare version includes 'He is A Friend of Mine' instead of 'Christmastime' which is a lyrically altered version of a Byrds tune. The final and most rare version is a mispressing which has the same live concert pressed on both sides.


&lt;strong&gt;The Sheep - Jeesus Rock (Finnlevy, 1972)&lt;/strong&gt;
The original Milwaukee Jesus People group split into three camps; the Jesus People USA (Resurrection Band), Bill Lowery's 'Christ is the Answer' ministry and a group that went over to Europe to evangelize. The Sheep were involved in the latter group and recorded this first album in less than 12 hours. Some songs are actually sung in Finnish. Very hard to find.


&lt;strong&gt;All Saved Freak Band - My Poor Generation (Rock the World, 1973)&lt;/strong&gt;
Their first lp dedicated to two members of the Church of the Risen Christ community (Randy Markko and Tom Miller) who died in a car crash on the way to a concert.

&lt;strong&gt;Vindication - same (custom, 1974)&lt;/strong&gt;
Trio of high school students doing what is referred to as 'monster rock.' A company in the Midwest is putting this album out on CD and reissuing it on vinyl.


&lt;strong&gt;Agape - Gospel Hard Rock (Mark, 1971)&lt;/strong&gt;
Their first lp with a more straight ahead blues rocking feel. Only a trio at this juncture.


&lt;strong&gt;Mustard Seed - same (Spectrum, 1971) &lt;/strong&gt;


&lt;strong&gt;Larry Norman - same (Starstorm/Rhema, 1977)&lt;/strong&gt;
This album is actually one of his that is worth the hunt. Released only in Australia (on either Starstorm or Rhema labels) it has different versions to some of the songs from 'So Long Ago The Garden' and a long version of If God is My Father.


&lt;strong&gt;Phil Keaggy - Love Broke Thru (New Song, 1976)&lt;/strong&gt;
Jointly produced by Michael Omartian and Buck Herring it is a much more aggressive album than Keaggy's first release. The album contains the studio version of the most requested Keaggy composition entitled 'Time' and includes the first recorded version of the classic song 'Love Broke Through' which was penned by Keith Green, Randy Stonehill, and Todd Fishkind.


&lt;strong&gt;Joshua - same (Impact, 1973)&lt;/strong&gt;
Good hard rock with some more mellow moments. Includes a great cover of Larry Norman's "I Wish We'd All Been Ready."


&lt;strong&gt;Larry Norman - Bootleg (One Way, 1973)&lt;/strong&gt;
Double album with many various label colors and numbers. An odd collection of songs and interview sessions that capture the essence of the Jesus movement and Larry's role.


&lt;strong&gt;The Sheep - same (Myrrh UK, 1973)&lt;/strong&gt;
Their second release, this group was one of the two bands to emerge from the Milwaukee Jesus People group (the other was Resurrection Band). The Sheep were under the leadership of Jim Palosaari's group which headed overseas to Europe to evangelize throughout Finland, Sweden, and eventually in England where they produced and performed the musical Lonesome Stone.


&lt;strong&gt;Wilson McKinley - On Stage (custom, 1971)&lt;/strong&gt;
This album goes for a lot of money because of its scarcity, but its production quality is really poor. Apparently, unbeknownst to the band, their manager recorded the concert on a cheap tape recorder and later released it without any further mixing.


&lt;strong&gt;Ron and Bill Moore - Lo and Behold (Martin, 1969)&lt;/strong&gt;
Included here because it is probably the very first indigenous Jesus music album ever recorded. Ron went on to record a number of his own albums on his homespun label Airborn. He also produced and helped a number of other artists get their start in Christian music such as Mark Heard whose original album was also released on Airborn.


&lt;strong&gt;The Son Worshipers Soundtrack (One Way, 1972)&lt;/strong&gt;
This is the soundtrack for a movie piecemealed together by Bob Cording and Weldon Hardenbrook and distributed through Larry Norman's One Way label. It is a half hour documentary of the Jesus People Movement featuring interview footage, some great moments on campus at University of California at Berkeley, some Calvary Chapel scenes shot of the early days at Calvary Chapel. The movie includes footage of Jack Sparks (of the Christian World Liberation Front), Duane Pederson (of the Hollywood Free Paper), the preaching of Os Guinness, some interview footage of Jesus freak evangelist Lonnie Frisbee interspersed with some music. The soundtrack is taken verbatim from the movie and is not worth the money that people are asking, but it is somewhat collectible.


&lt;strong&gt;Resurrection Band - Awaiting Your Reply (Star Song, 1978)&lt;/strong&gt;
One of the best releases from the Chicago based musical band of the Jesus People USA community. The band was originally called Charity but changed its name to Resurrection Band in the late stages of 1972 after the four-way split of the original Milwaukee Jesus People community led by Jim Palosaari. The JPUSA community still lives in Chicago doing very much the same things that they were doing back in 1972.


&lt;strong&gt;Fraction - Moonblood (Angelicus, 1971)&lt;/strong&gt;
This is an absolute killer album! If you can get a hold of a taped copy you will absolutely be blown away. When copies come up for sale in collector's circles they go for over $1500.


&lt;strong&gt;Overland Stage - same (Epic, 1972)&lt;/strong&gt;
A group of North Dakota Jesus freaks who were slammed by Rolling Stone in their first record review and were never heard from again.


&lt;strong&gt;Jesus People - Live at the Hollywood Palladium (Creative Sound, 1972)&lt;/strong&gt;
Includes a couple of live tunes by JC Power Outlet and the Morning Star Gospel Rock Band. The concert from which some of these tunes were taken from was put on by Duane Pederson and the folks behind the Hollywood Free Paper.


&lt;strong&gt;Arthur Blessitt and the Eternal Rush - Soul Session at His Place (Creative Sound, 1972&lt;/strong&gt;)
A kitschy album of rock music from the Eternal Rush (a band made up of ex-dopers) and sermonizing from Arthur Blessitt, the self-proclaimed minister of the Sunset Strip.

&lt;strong&gt;Agape - Live in 1973 (Renrut, 1973) 8-track only&lt;/strong&gt;
Not too many people are aware that this even exists. . . but it does. If you got an 8-track player and you can find a copy, then you have something that not too many people own.


&lt;strong&gt;Jeremy Spencer &amp;amp; Children of God (CBS, 1972)&lt;/strong&gt;
Former guitarist with Fleetwood Mac just up and left the band one night in Los Angeles. When the members finally found him, Jeremy had changed his name and joined the radical cult group who emerged from a Teen Challenge coffeehouse in Huntington Beach. Spencer still does all the group's music and has released number of COG projects over the years.


&lt;strong&gt;Larry Norman - Only Visiting This Planet (Verve, 1972)&lt;/strong&gt;
The most popular of all CCM albums ever released. Low on this list because of its availability.


&lt;strong&gt;All Saved Freak Band - Sower (War Again, 1980)&lt;/strong&gt;
The final record released by the ASFB although it was recorded much earlier. By 1980 the group's apocalyptic views had forced their retreat from any contact with mainstream society. In the commentary included with the album the group outlines the five visions that group leader Larry Hill had received between 1965 and 1971 about the impending end-time war which would come as divine judgment upon America because of her sins. By the release of this album, the group had disbanded due to internal conflicts concerning overly excessive child discipline and authoritarian leadership. Hill and a few remaining members are still located on the church's property in Orwell, Ohio.


&lt;strong&gt;Paul Clark - Good to Be Home (Seed, 1975)&lt;/strong&gt;
This album just sounds like they were having a good time recording it. Includes Phil Keaggy.


&lt;strong&gt;Larry Norman - Upon This Rock (Capitol, 1969)&lt;/strong&gt;
Reported to be the first Jesus rock lp in existence, but there are a couple of lps that predate it. It also must be stated that Larry Norman was not the only one doing Jesus rock at the time, but he did have the widest exposure because of his contract with Capitol. And, to be fair, his music effectively captured the essence of those days. The album stands as one of the great legacies of the Jesus People Movement.


&lt;strong&gt;Because I Am - same (Clear Light, 1973)&lt;/strong&gt;
A various artist album including a band called the 'e' band which featured future Petra singer Greg Volz.


&lt;strong&gt;The Everlastin' Living Jesus Music Concert Maranatha! Music, 1971)&lt;/strong&gt;
The Everlastin' Living Jesus Music Concert Maranatha! Music, 1971) The very first record that Maranatha! Music, a subsidiary company of Calvary Chapel of Costa Mesa, ever released. Maranatha!'s first two recordings (The Children of the Day's first album being the other one) initially sold 25,000 copies propelling the company into worldwide prominence in the area of contemporary Christian music. Musically, many of the Maranatha! groups patterned themselves after the stylistic lead of Love Song which was laid-back country rock sound although there were some exceptions (i.e. the jazz-rock of Sweet Comfort or the unique sound of the Children of the Day). Maranatha! Music also stressed the equation of music and ministry as more of an emphasis than the exploration of artistic creativity.


&lt;strong&gt;Love Song - Feel the Love (Good News, 1977)&lt;/strong&gt;
Double lp released after the band had broken up. Between 1971 and 1976 Love Song was the most popular of all the Jesus music bands obtaining a lot of exposure with their allegiance to Calvary Chapel.


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&lt;a href="http://www.ottawainnercityministries.ca/newsArticlesStats/Jesus_Movement.htm"&gt;Artigo completo&lt;/a&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1913691601192142928?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1913691601192142928/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1913691601192142928&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1913691601192142928'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1913691601192142928'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/history-of-jesus-movement-christian.html' title='History of the Jesus Movement / Christian Rock Music´s Short History'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-9040240048993056751</id><published>2009-01-17T00:35:00.000-08:00</published><updated>2009-01-17T00:48:17.059-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Giovanni Gabrieli /Cipriano de Rore - A Venetian Christmas'/><title type='text'>Giovanni Gabrieli /Cipriano de Rore - A Venetian Christmas</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXGbE2ren5I/AAAAAAAABCs/i4D7N3FDyiU/s1600-h/venetian.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5292181544836702098" style="WIDTH: 320px; CURSOR: hand; HEIGHT: 319px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SXGbE2ren5I/AAAAAAAABCs/i4D7N3FDyiU/s400/venetian.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;Para fazer o serviço completo de purificação estético-musical e, de que quebra, tornar a nossa alma um pouco mais receptiva ao símbolo metafísico do nascimento de Cristo, talvez até mais compassiva e menos aterrorizada com o "escândalo" da Cruz, do qual nós, humanos, definitivamente provamos não ser dignos, segue isto aqui:&lt;/div&gt;
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&lt;div&gt;&lt;a href="http://rapidshare.com/files/79042430/VenetianChristmas.part1.rar"&gt;Part 1: download here&lt;/a&gt;&lt;/div&gt;
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&lt;div&gt;&lt;a href="http://rapidshare.com/files/79055225/VenetianChristmas.part2.rar"&gt;Part 2: download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-9040240048993056751?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/9040240048993056751/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=9040240048993056751&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/9040240048993056751'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/9040240048993056751'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/giovanni-gabrieli-cipriano-de-rore.html' title='Giovanni Gabrieli /Cipriano de Rore - A Venetian Christmas'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SXGbE2ren5I/AAAAAAAABCs/i4D7N3FDyiU/s72-c/venetian.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-752502547263261508</id><published>2009-01-16T23:59:00.000-08:00</published><updated>2009-01-18T18:49:52.897-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Paganini - The 15 Quartets for Strings and Guitar'/><title type='text'>Paganini - The 15 Quartets for Strings and Guitar</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SXGRMyqUCsI/AAAAAAAABCk/Xj_SRZM4My8/s1600-h/Paganini_box1.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5292170686080748226" style="WIDTH: 320px; CURSOR: hand; HEIGHT: 305px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SXGRMyqUCsI/AAAAAAAABCk/Xj_SRZM4My8/s400/Paganini_box1.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;Por falar em boa música, quer dizer, em música de verdade, segue algo para purificar corações e ouvidos emporcalhados com a barulheira do "rock music". Feita a catarse, podemos voltar livres, leves soltos para curtir o bom e velho rock´n´roll&lt;/div&gt;
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&lt;div&gt;&lt;a href="http://rapidshare.com/files/177794635/http.txt"&gt;download here&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Obs.: este link é para o arquivo texto com a lista de links do rapidshare, totalizando 16 arquivos, 1 com capas e os outros 15 de música em formato flac.  A lista se encontra tb nos comentários a este post.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-752502547263261508?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/752502547263261508/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=752502547263261508&amp;isPopup=true' title='3 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/752502547263261508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/752502547263261508'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/paganini-15-quartets-for-strings-and.html' title='Paganini - The 15 Quartets for Strings and Guitar'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SXGRMyqUCsI/AAAAAAAABCk/Xj_SRZM4My8/s72-c/Paganini_box1.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7826289625271595878</id><published>2009-01-16T23:06:00.000-08:00</published><updated>2009-01-16T23:29:31.421-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='compositor de &quot;Funeral Memories&quot;?'/><category scheme='http://www.blogger.com/atom/ns#' term='Quem é Igor Maia'/><title type='text'>Quem é Igor Maia, compositor de "Funeral Memories"?</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SXGDsyrYGaI/AAAAAAAABCc/_a_Ez0RMrIE/s1600-h/noticia1_2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5292155842678233506" style="WIDTH: 157px; CURSOR: hand; HEIGHT: 199px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SXGDsyrYGaI/AAAAAAAABCc/_a_Ez0RMrIE/s400/noticia1_2.jpg" border="0" /&gt;&lt;/a&gt;

&lt;div align="justify"&gt;&lt;span style="color:#663300;"&gt;&lt;/span&gt;&lt;/div&gt;

&lt;div align="justify"&gt;&lt;span style="color:#663300;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Eis o garotão responsável por trazer à luz "Funeral Memories", que se pode ouvir no final desta página. Herdou o refinado gosto musical do pai, mas lhe acrescentou algo que este está longe de possuir: gênio criativo (ao menos, no que diz respeito ao mundo supra-sensvel das harmonias, porque o mundo, também supra-sensível, das proporções matemáticas é com ele mesmo, Adolfo Maia. Se bem que a descoberta destas últimas, caso se adote uma perspectiva platônica, é pura reminiscência daquilo que orginariamente já sabíamos, não sendo, pois, produção livre, embora regrada, de uma nova realidade). Enfim, pai com números, filho com notas musicais, quem sai ganhando é quem ama o que em si é belo e verdadeiro. Espero que este seja o meu caso e dos demais membros da família!
&lt;/div&gt;&lt;/span&gt;&lt;div align="justify"&gt;&lt;span style="color:#663300;"&gt;&lt;/span&gt;&lt;/div&gt;

&lt;div align="justify"&gt;&lt;span style="color:#663300;"&gt;IGOR LEÃO MAIA (Campinas, 1988) Dispersões para violino, cordas e percussão
Maia começou sua carreira como violinista em 1997 na Martin Luther King School em Providence nos Estados Unidos. Em 1998 retornou ao Brasil, onde continuou seus estudos de violino na UNICAMP e iniciou sua carreira de compositor. Em 2004 transferiu-se para Plymouth na Inglaterra onde estudou violino com Fiona Mc Lean e composição com Patrício da Silva. Duas de suas obras estrearam na Universidade de Plymouth e parte de sua Sonata para Cordas foi executada pela Orquestra Sinfônica Jovem da UNICAMP em 2006. Neste mesmo ano foi admitido no curso de bacharelado em composição no Conservatório Real de Haia, Holanda, onde estuda atualmente sob orientação de Diderik Wagenaar, Cornelis de Bondt e Gilius van Bergeijk. Sua obra Funeral Memories foi finalista do concurso Jovens Compositores da Holland Symfonia (Holanda) e foi executada pela orquestra Holland Symfonia no Festival Gaudeamus (Amsterdam) em 2007. Participou do “Spring Festival” de Haia nos anos de 2007 e 2008.
Desde 2007 cursa regência com o maestro Jos Vermunt e dirigiu concertos de música latina com alunos do conservatório de Haia em 2007 e 2008. Também regeu a Orquestra Filarmônica Nazarena de Campinas. Sua peça Horizontes foi executada em Maio de 2008 na Muziekgebouw em Amsterdam.
Segundo o compositor,Dispersões “é uma obra que incorpora relações de espaço e de tempo. Ela foi escrita para violino solo, conjunto de cordas e percussão e é dedicada a Samuel Lima, violinista que incentivou a criação da obra. A obra foi escrita no começo dos meus estudos na Holanda em um momento de transição da minha escrita musical, possuindo assim as mais diversas influências. De uma forma geral, nessa obra, as idéias musicais são dispersas pelo conjunto instrumental (vertente espaço) e no decorrer da peça (vertente tempo).
O tema, tratado no começo quase como uma série, começa a adquirir novas formas e é interrompido por comentários da orquestra, esses mesmos comentários por sua vez são dispersos da mesma forma que o tema, isto é, sua estrutura é espalhada temporalmente pela orquestra. A obra tem um total de quatro seções, com uma transição e uma cadência. Todas as seções possuem elementos de dispersão, o que é um elemento unificador da obra.”&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#663300;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#663300;"&gt;Fonte: &lt;a href="http://www.osmc.com.br/informativo/014/noticia_1.html"&gt;http://www.osmc.com.br/informativo/014/noticia_1.html&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7826289625271595878?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7826289625271595878/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7826289625271595878&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7826289625271595878'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7826289625271595878'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/quem-igor-maia-compositor-de-funeral.html' title='Quem é Igor Maia, compositor de &quot;Funeral Memories&quot;?'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SXGDsyrYGaI/AAAAAAAABCc/_a_Ez0RMrIE/s72-c/noticia1_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6262212483631257452</id><published>2009-01-11T11:51:00.000-08:00</published><updated>2009-01-11T12:19:44.970-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ideologia'/><category scheme='http://www.blogger.com/atom/ns#' term='loucura'/><category scheme='http://www.blogger.com/atom/ns#' term='picaretagem ou tudo isso junto'/><title type='text'>Ideologia, loucura, picaretagem ou tudo isso junto</title><content type='html'>&lt;div align="justify"&gt;Freud era pervertido? Tudo indica que sim. Nietzsche era louco? Nos seus últimos anos de vida, com certeza. Marx era um megalomaníaco obcecado em destronar o Deus cristão? As teses de Richard Wurmbrand são um tanto difíceis de refutar. Os tres pensadores podem ser qualificados igualmente de ideólogos?Aí começa minha dúvida. &lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;Primeiro, teríamos que ter um conceito bem definido do que é ideologia. A definição marxista tá fora, porque é feita sob medida para livrar sua própria doutrina e enquadrar todas as demais. Se se entende por ideologia uma doutrina, verdadeira ou falsa não importa (porque para saber disso teríamos antes que examinar as teses de que ela se compõe enquanto teses, isto é, proposições puramente teóricas), dirigida a MUDAR um estado de coisas, isto é, a TRANSFORMAR a realidade, mobilizando-se a vontade das massas, o que só pode ser feito através da PROPAGANDA (que é sempre política), então:&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;1) não há dúvidas de que a doutrina marxiana e todas as suas derivações são ideologias.De fato, a tese básica de que a história humana caminha inexoravelmente para o estabelecimento definitivo de uma sociedade sem classes, não é uma tese, mas uma CAUSA a ser defendida intransigentemente por seus adeptos, inclusive em detrimento da realidade. &lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;2) o pensamento de Nietzsche não diz como as coisas DEVEM SER, mas propõe uma visão (repito: independentemente de em si mesma ser verdadeira ou falsa), de como elas, num nível metafísico, SÃO. Portanto, esse pensamento, pelo critério acima, não é ideológico.&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;3) No entanto, as teses de Nietzsche (assim como qualquer tese puramente teórica, seja filosófica seja científica) podem ser empregadas ideologicamente.Por exemplo, quando as análises que Nietzsche faz do cristianismo (por sinal, muito perpicazes e interessantes em alguns casos) se convertem em diretrizes de uma ação política anti-cristã. &lt;/div&gt;&lt;div align="justify"&gt;
É claro que o atacar ou defender causas não necessariamente se constituem em procedimentos ideológicos. Para que sejam ideológicos a defesa ou o ataque de causas, estas têm que ser representadas como algo do interesse de grupos inteiros de pessoas sem que estas, contudo, tenham passado procuração a quem quer que seja para falar em nome delas. Tá excluído, portanto, a atividade advocatícia, que por sinal é muito bem remunerada!Assim, as causas a que se atem o discurso ideológico só podem ser princípios gerais de conduta que os ideológos supõem ser bons para todo mundo. Mais: que eles querem, por meio da propaganda, impor sobre a vontade dos outros com o propósito óbvio de controlar essa vontade e submetê-la aos seus caprichos.Por isso, os princípios pressupostos pela economia de mercado não são ideológicos! Quer você queira, quer não, o que determina objetivamente que algo é útil e, portanto, possui valor de troca, é a lei de oferta e procura! Viole-a e você, como agente econômico, irá à bancarrota! Esta lei não vale ou passa a valer porque o teórico liberal assim o deseja!

Por isso também os princípios morais defendidos pela maioria dos conservadores não são ideológicos, justamente porque VIGORAM NOS COSTUMES dos povos ocidentais desde longa data, fazendo parte do corpo de toda uma TRADIÇAO, esta, sim, o objeto de ataque dos ideólogos, que, desse modo, querem nos fazer crer que ela, a tradição, não passa também de uma causa entre outras.
&lt;a href="http://www.orkut.com.br/Main#Profile.aspx?uid=13727188929555541819"&gt;&lt;/a&gt;
Especificamente quanto a Nietzsche, tenho a seguinte opinião: ele foi, sem dúvida, um grande escritor que, ocasionalmente, teve lá seus &lt;em&gt;insights&lt;/em&gt; filosóficos, entre os quais eu incluo sua metafísica da vontade de potência, que Nietzsche põe à base da transvaloração dos valores como signo de nobreza do homem que, recusando a "moral dos fracos", cria seus próprios valores. Ora, esse "ideal" só pode provir mesmo de uma mente conturbada.Qualquer pessoa normal sabe que a palavra "vontade" designa a nossa humana capacidade de agir. Alguns filósofos chamam de vontade essa capacidade na medida em que está submetida a regras da razão ou então dirigida a fins que só a razão como tal pode propor. Ok. Se assim, que sentido tem uma "vontade" que atua, metafisicamente, por "detrás" da própria faculdade de agir humana? Pior, que não tem outro fim senão incrementar o seu prório poder? Pior ainda, que não está submetida a qualquer regra e, ademais, se impõe sobre toda regra?Ao menos, Schopenhauer, que falou pela primeira vez de uma "vontade na natureza", entendeu por esta uma força cega e infinita, que não só não possui limite determinado como também não se dirige a qualquer fim, sendo, pois, fonte de todo o Mal. De modo que agir moralmente bem é, em alguma medida, resistir a esse poder em nós, arrefecendo a "nossa" vontade, subtraindo-nos da inclinação, comum a todos os entes, de perdurar em nosso ser. O que só é possivel pela percepção mística de que Ser se identifica com Mal e Nada, com Bem. &lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;
&lt;a href="http://www.orkut.com.br/Main#Profile.aspx?uid=13727188929555541819"&gt;&lt;/a&gt;***************&lt;/div&gt;&lt;div align="justify"&gt;
Uma prova de que Nietzsche não foi um gênio ou que Deus não existe! hehehehehe:&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;Deus, sendo omnipotente e omnisciente, não pode permitir que os entes criados pensem absurdos acerca Dele, o Criador.&lt;/div&gt;&lt;div align="justify"&gt;Ora, Nietzsche, que existiu e era louco, pensava que Deus está morto e que, portanto, não há valores eternos.&lt;/div&gt;&lt;div align="justify"&gt;Logo, Deus não existe (no máximo, é alucinação de Nietzsche)&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;Mas se Deus não existe e Nietzsche insistia em atacar quimeras (transvalorando o que, no fim das contas, não vale nada),então Nietzsche é um fanático lutantdo contra moinhos de vento, não um gênio. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6262212483631257452?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6262212483631257452/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6262212483631257452&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6262212483631257452'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6262212483631257452'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/ideologia-loucura-picaretagem-ou-tudo.html' title='Ideologia, loucura, picaretagem ou tudo isso junto'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7959214794321724784</id><published>2009-01-11T11:42:00.000-08:00</published><updated>2009-01-11T12:18:04.684-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sobre Hegel'/><title type='text'>Sobre Hegel</title><content type='html'>&lt;div align="justify"&gt;A filosofia hegeliana, no todo e nas partes, é um completo embuste. O cara, primeiro, diz que as antinomias (conflitos da razão pura consigo mesma, que Kant descobriu ser uma consequência inevitável da tese semântica que identifica coisas em geral com coisas em si) são inerentes à razão. Conclui daí que o que move a razão não é o fato de ela trazer no seu bojo certos problemas &lt;em&gt;a priori&lt;/em&gt;, mas a própria contradição. Ok, se se assume a premissa acima.Depois o filósofo, que acelerou a redação da sua "Ciência da lógica" (livro pouco lido, quase nada compreendido, mas muito mencionado) para poder pagar as contas, identifica o racional com o real.Conclusão incontornável: a própria realidade encerra contradições!Isso é um total disparate: há, certamente, oposições na realidade, mas contradição é uma tal que só tem lugar no discurso, que, se permite um afirmar e um negar sobre um mesmo sujeito, se auto-anula como discurso.O próprio Kant diz que as antinomias se constituem em uma anomalia cuja causa é o pressuposto semântico acima mencionado (que ele chama realismo transcendental) e não a própria estrutura da razão, que está submetida aos princípios básicos da lógica formal (de não contradição, terceiro excluso, identidade, bivalência, modus tollens, modus ponens, dictum de nullo e dictum de omini) A violação desses princípios acarreta a própria destruição do discurso na sua pretensão de validade objetiva, sendo esses princípios, condições necessárias, embora não suficientes, da verdade.Das duas uma, ou Hegel tá errado ou 2000 anos de estudos de lógica e de exercício do puro e simples bom senso foram em vão!E eis aí a fonte mais famosa da porralouquice esquerdopata: "Eu conheço a estrutura profunda do real, ela é a contradição que arrasta a história humana no redomoinho da tese-antítese-síntese; logo nada me resta fazer, como "intelectual", senão transformar essa realidade de modo que ela chegue mais rapidamente ao seu epílogo: o espírito absoluto, a sociedade comunista ou qualquer outra utopia gnóstico-messiânica. Enquanto isso não vêm, faço ´crítica´social e música de protesto" &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;
Um atenuante: houve apropriação indébita de Hegel por Marx, o sujeito que jurava de pé juntos que as condições de vida da classe operária iria piorar mais e mais até suscitar espontaneamente a revolução socialista e a conseqüente abolição da propriedade privada. Dele, que mais se pode esperar!É certo que a idéia de um Espírito absoluto, em Hegel, se refere ao Ser como tal, não se reduzindo a imbróglios políticos.Agora, Hegel escrever tudo o que escreveu, de uma prolixilidade e obscuridade incríveis, para depois concluir no panteísmo! Ou seja, num ateísmo de quem não consegue se livrar da idéia de Deus!Mas ora, se os princípios supremos da filosofia hegeliana são uma &lt;em&gt;contradictio in adjecto&lt;/em&gt;, então ele, coerente como todo bom pensador, não poderia chegar a outra coisa senão uma conclusão contraditória (esse coisa spinoziana de Deus sive Natura, hahahahaha). Os erros de Hegel só vêm corroborar que 1) a contradição repugna a Razão e não tem lugar na natureza, 2) que a lógica é a ciência que estuda as leis a que o discurso tem que se submeter para manter-se em sua pretensão de verdade, isto é, para não se auto-anular como discurso teórico, 3) que é uma coisa completamente estapafurdia identificar a natureza com aquilo que, por definição, a transcende, a não ser que o propósito fosse justamente negar a transcendência.
 &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7959214794321724784?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7959214794321724784/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7959214794321724784&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7959214794321724784'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7959214794321724784'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/sobre-hegel.html' title='Sobre Hegel'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1126151354538207938</id><published>2009-01-11T11:04:00.000-08:00</published><updated>2009-01-11T11:42:38.053-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Da desqualificação dos sentidos à recusa da realidade'/><title type='text'>Da desqualificação dos sentidos à recusa da realidade</title><content type='html'>&lt;div align="justify"&gt;
A desqualificação cartesiana dos sentidos é feita nas Meditações de filosofia primeira, quando o filósofo francês diz que os sentidos, por nos terem enganado alguma vez (ele evoca o fenômeno da refração da luz), não são epistemologicamente confiáveis. Em Regras para direção do intelecto, ele propõe a matemática como organon do entendimento puro para a correção dos dados sensoriais.Conclusão minha: os võos especulativos que Descartes faz no céu supra-sensível são milimetricamente calculados para fazer o entendimento aterrissar, com toda segurança, no aeroporto da física experimental, de onde não será mais preciso decolar, já que se possui um fundamento inconcusso para a ciência: a certeza do cogito, ergo suum, proposição cuja verdade resiste tanto à dúvida natural quanto à dúvida metafísica, da qual não escapam nem mesmo as verdades matemáticas.
Numa carta de 28 de junho de 1643, dirigida à rainha Elisabeth, com quem mantinha intenso intercâmbio intelectual, Descartes abre o peito:
"E eu posso dizer, em verdade, que a principal regra que sempre observei em meus estudos e aquela que creio ter sido a mais útil para aquisição de todo sorte de conhecimento, consiste em nunca empregar senão pouquíssimas horas, por dia, aos pensamentos que ocupam a imaginação [ao exame de questões científicas. tanto de física quanto de matemática - colchetes meus] e pouquíssimas horas, por ano, aos pensamentos que ocupam apenas o entendimento [ ao uso do entendimento puro, no exame de questões metafísicas ou filosóficas - colchetes meus], reservando todo o resto de meu tempo ao relaxamento dos sentidos e ao repouso do espírito; inclusive eu conto, entre os exercícios da imaginação, todas as conversações sérias e tudo aquilo a que é preciso dar atenção"Entenderam? Descartes fala uma coisa que deveria chocar todo estudante e professor de filosofia: que esta não pode ser uma atividade vulgar, a ser desenvolvida quotidianamente ou, pior, sob à tutela da disciplina acadêmica!
Este, ao meu ver, é o lado inequivocamente bom da epístola. O lado "ruim" é que Descartes propõe, sem nenhum constrangimento, a subordinação das questões metafísicas às questões que só se podem formular empírica e matematicamente.
Outro aspecto deletério é que ele estimula a vagabundagem estudantil*: espairecer o espírito e relaxar os sentidos são tudo o que essa turba "revolucionária" (que quer transformar a realidade para só depois conhecê-la) sabe fazer, luxos "burgueses" que uma mente teoricamente obstinada, séria e honesta não se pode permitir.Descartes parece aí até um herdeiro direto dos goliardos medievais, protótipos do famigerado intelectual boêmio, crítico da ordem estabelecida e propagandista de “um outro mundo possível” (graças, é claro, às facilidades do prelo e ao conforto proporcionado pela economia de mercado), do qual o ideólogo de esquerda é a expressão mais acabada. &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;_____________&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;*Não acredito que Descartes fosse tão pouco dado aos estudos, hehehehe! Dizem que ele tinha boa penetração e desenvoltura nas cortes, mas, definitivamente, ele é um homem de ciência e muito mais afeito aos rigores da escolástica do que às amenidades do turismo cultural.Com certeza era o cdf da escola! O fato é que ele, também, queria impressionar a tal Elisabeth e, como não poderia deixar de ser, um quê de boêmia e de proximidade do homem ordinário, "do povo", amante dos momentos singelos da vida, sempre caem bem nessa hora. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1126151354538207938?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1126151354538207938/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1126151354538207938&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1126151354538207938'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1126151354538207938'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/da-desqualificao-dos-sentidos-recusa-da.html' title='Da desqualificação dos sentidos à recusa da realidade'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8112455922224425934</id><published>2009-01-11T10:58:00.000-08:00</published><updated>2009-01-11T11:04:04.257-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='O emblema metafísico da condição humana'/><title type='text'>O emblema metafísico da condição humana</title><content type='html'>&lt;div align="justify"&gt;
Embora não comportem nenhuma solução positiva e definitiva (e foi isso que Kant procurou mostrar na Crp), o fato mesmo de emanarem da própria razão humana e esta ser obrigada, se quiser se furtar ao dogmatismo e ao ceticismo fácil, a provar sua insolubilidade (também isto é o que Kant nos ensina), deixa bem claro o quanto os problemas ditos metafísicos - por mais toscos que sejam em sua formulação - são relevantes para a nossa própria auto-consciência.&lt;/div&gt;&lt;div align="justify"&gt;
Essas questões nos acossam, sobretudo quanto estamos em "crise existencial", ou seja, quando o "sentido" do existir como tal se torna algo problemático. Em termos heideggerianos, quando o sentido do Ser é, literalmente, sentido pelo homem, recebido afetivamente, o que nos põe diante do abismo do Nada e da possibilidade de "não mais estar aí".&lt;/div&gt;&lt;div align="justify"&gt;
Fechar os olhos para as questões metafísicas, fixando-se obstinadamente sobre as nossas carências materiais, é LOUCURA tanto quanto (ou até muito mais que) ser sugado por elas, descuidando-se por completo das exigências da vida quotidiana.Quem lhes é indiferente perde toda a autenticidade enquanto ser humano, transformando-se em outro que ele mesmo.E isso que é ALIENAÇÃO RADICAL: o cara deixa de ser ELE PRÓPRIO, esquivando-se do peso existencial que tal condição implica, para ser uma OUTRA COISA entre outras (líder sindical, pedreiro, médico ou policial ou ... salvador da humanidade) &lt;/div&gt;&lt;div align="justify"&gt;
Não podemos ter uma exata medida da nossa finitude, senão por comparação com o infinito transcendente, por força do qual somente somos obrigados a tomar consciência de que há um LIMITE para o humano, mesmo para o demasiado humano.&lt;/div&gt;&lt;div align="justify"&gt;
Querer ultrapassar esse limite, esse &lt;em&gt;métron&lt;/em&gt;, é o que os gregos antigos chamavam de &lt;em&gt;hybris&lt;/em&gt;, uma falta grave (soberba impiedade) cometida contra os deuses imortais, que, para se vingarem, fazem o destino cego se voltar contra o infrator original (ou seus descendentes), mesmo que este, do ponto de vista moral, seja um sujeito digno de apreço, a cujos atos mais virtuosos se seguirão conseqüências imprevisíveis e desastrosas.&lt;/div&gt;&lt;div align="justify"&gt;
Marx, pretendendo empunhar o cetro da justiça eterna e destronar o Deus cristão, acabou por patologicamente incorporar a &lt;em&gt;némesis&lt;/em&gt; divina, sob a forma de um ódio ressentido à obra do Criador. Maior soberba que essa não consigo imaginar. E veja quanta tragédia ele trouxe para os membros de sua família e até para algumas pessoas que faziam parte do seu círculo de amizade.&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt; A tragédia de Marx, infelizmente, se estendeu a toda humanidade: 150 milhões de mortos causados por uma utopia insana provocam em mim as mesmas paixões que acometiam os espectadores da poesia trágica de Sófocles e Eurípedes: terror e compaixão, só que com o agravante de que hoje ela não permite nenhuma catarse da nossa alma, exatamente porque o drama é real e os personagens são representados compulsoriamente pela própria platéia. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8112455922224425934?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8112455922224425934/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8112455922224425934&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8112455922224425934'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8112455922224425934'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/o-emblema-metafsico-da-condio-humana.html' title='O emblema metafísico da condição humana'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2855009631481917937</id><published>2009-01-11T10:25:00.000-08:00</published><updated>2009-01-11T10:40:23.597-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Metafísica'/><category scheme='http://www.blogger.com/atom/ns#' term='pensamento revolucionário e relativismo moral.'/><title type='text'>Metafísica, pensamento revolucionário e relativismo moral.</title><content type='html'>&lt;div align="justify"&gt;Seguem, doravante, alguns textos que escrevi sob a forma de comentários na comunidade do Orkut "Marx é inquestionável"&lt;/div&gt;&lt;div align="justify"&gt;
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A chave para se entender a mentalidade revolucionária, e não apenas o marxismo, é exatamente essa apontada por Voegelin: a proibição do questionar metafísico, questionar esse que orientou a especulação filosófica desde os gregos e que foi, por assim dizer, arrefecendo sob a influência, cada vez mais forte, de um pensamento esquizofrênico que acabou se voltando para o sujeito e a subjetividade humanos, em detrimento da própria realidade, que, em seu todo, ultrapassa (transcende) o mundo imediato dos sentidos.&lt;/div&gt;&lt;div align="justify"&gt;
Isso já transparece no vocabulário cartesiano, que, a despeito de se mover dentro dos marcos definidos pelo pensamento medieval, para o qual o fundamento (o&lt;em&gt; subjectum&lt;/em&gt;, o &lt;em&gt;hypokeimenon&lt;/em&gt;) é sempre o modo de ser em si e por si da res (coisa)) - em oposição ao modo de ser objetivo, próprio das coisas enquanto mero conteúdo de pensamento - , privilegia a capacidade representativa (pensar para Descartes é representar) do homem e tudo que é posto como correlato de nossas representações (idéias), que Descartes chama também de realidade objetiva. &lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;A partir de então a &lt;em&gt;res cogitans&lt;/em&gt; não apenas se torna fundamento, mas um fundamento inconcusso, sobre o qual se mantém tudo o mais, tanto a &lt;em&gt;res extensa&lt;/em&gt; quanto a &lt;em&gt;res infinita&lt;/em&gt;.A posição cartesiana sustenta que tudo que se pode conhecer apoditicamente acerca da natureza e de Deus está atrelado à certeza de si como sujeito ou substância pensante. Embora Descartes, de certa forma, desqualifique os sentidos, apenas o faz para mostrar que o papel do intelecto é corrigir o que, nesse domínio, é intrinsecamente ilusório, fazendo com que todo questionar metafísico desemboque, ao fim e ao cabo, na elaboração de procedimentos matemáticos para a pesquisa empírica.&lt;/div&gt;&lt;div align="justify"&gt;
Há uma carta interessante de Descartes, dirigida à rainha da Suécia, em que ele diz que a especulação metafísica só pode ocorrer em poucos momentos da vida e que todo o tempo restante deve ser dedicado às questões que concernem à imaginação (isto é, ás questões científicas) e aos afazeres quotidianos, a que nenhum mortal, evidentemente, pode de todo se furtar.

Não é à toa que a reflexão cartesiana sobre problemas morais é extremamente incipiente, reduzindo-se, no fim das contas, à decisão voluntária de por tudo sob parêntesis, a famosa dúvida metafísica ou hiperbólica, a qual, curiosamente, se apóia da hipótese de um Deus enganador, embusteiro, da qual temos de desvencilharmos através da conquista de uma verdade inabalável (o bem conhecido "se duvido, eu penso; e se penso, eu necessariamente existo enquanto substância pensante).&lt;/div&gt;&lt;div align="justify"&gt;
O ataque moderno à transcendência do ser é continuado por Immanuel Kant, que, não obstante, reconhece que a metafísica é não só possível mas mesmo efetiva enquanto uma mera propensão (ele usa o termo alemão "Anlage") da razão humana. Para ele, a metafísica, assim como a matemática, nada mais é que o discurso logicamente articulado acerca de problemas &lt;em&gt;a priori&lt;/em&gt; constitutivos da razão pura, para cuja solução esta é inevitavelmente compelida sem, no entanto, ter garantia alguma de que, e como, os objetos de suas perguntas são possíveis. Daí, a necessidade de uma crítica da razão pura teórica.&lt;/div&gt;&lt;div align="justify"&gt;
Como ciência, diz Kant, a metafísica é possível se, e somente se, abandonar o "soberbo nome de ontologia", ciência do ente enquanto ente (dos objetos em geral), e se restringir a uma tarefa mais modesta, a saber, a de expor os objetos da experiência (os fenômenos) em conceitos puros do entendimento, tarefa que cabe à parte da lógica transcendental denominada por ele analítica transcendental, que é uma teoria das condições de possibilidade dessa experiência. Também aqui a metafísica é reduzida a um cânon do uso empírico do entendimento, com vistas a explicar a eficácia heurística dos procedimentos metodológicos empregados pela física moderna. &lt;/div&gt;&lt;div align="justify"&gt;
Tanto Kant quanto Descartes, porém, não negam a existência de Deus: para o primeiro, a idéia de Deus é a idéia de um ente incondicionado com que a razão inevitavelmente topa por força de uma máxima lógica que exige, para qualquer item condicionado do entendimento, a busca da totalidade das condições e sua unidade absoluta, idéia que, embora destituída de significação objetiva de um ponto de vista teórico, refere-se a um objeto necessário da vontade, na medida em que esta é determinada ao cumprimento do dever pelo imperativo categórico. Para o segundo, Deus é, ao menos, a garantia  última da adequação das nossas representações às próprias coisas, isto é, o fundamento supremo da verdade e o mantenedor da ordem cósmica.&lt;/div&gt;&lt;div align="justify"&gt;
O materialismo do século XIX é o responsável pela rejeição completa de Deus e da realidade transcendente. Pois, agora, Deus nem pode desempenhar um papel heurístico na pesquisa experimental (como uma idéia em si problemática, mas em vista da qual podemos nos orientar na inquirição dos fenômenos) nem pode ser postulado como condição de possibilidade do sumo bem do homem (a felicidade como prêmio máximo a uma vida moralmente boa).O homem não é mais livre, sendo apenas um joguete nas mãos de forças naturais e sociais. A alma do homem também não é mais imortal, pois este, e todos os valores que alimentam sua vida espiritual, é concebido como um arranjo provisório e contingente, útil para a perpetuação da espécie, mas dispensável tão logo a "natureza" ou a "história" alcance os seus propósitos. Nossa existência individual é passageira e efêmera. Não nos resta, então, outra saída que sacrificar nossa vida pessoal ao "bem" da coletividade, eufemismo para espécie humana. Nesse contexto, a &lt;em&gt;mens revolubilis &lt;/em&gt;é aquela que, seduzida pela vã presunção de conhecer toda a realidade (reduzida ao mundo dos sentidos), não tem outro fim supremo senão transformá-la, isto é, ajudar na precipitação do "mundo que virá", admirável aos seus olhos, terrível aos olhos daqueles que, conhecendo o limite do humano, sabem o abismo incomensurável que separa o infinito transcendente do finito imanente.

Não nos enganemos: todo espírito revolucionário é um gnóstico.

Um exemplo claro disso temos na crítica de Marx ao sistema capitalista e  na tese (na verdade, de Proudhon) segundo a qual a propriedade privada (desnecessário dizer dos meios de produção) é em si um roubo.Ora, a idéia de roubo pressupõe a idéia de propriedade. A rigor, roubo é uma espécie de propriedade, a propriedade indébita ou ilegítima, sendo a propriedade legítima um direito natural do homem como tal, o direito de ter algo como seu, uma vez que, desde que considerado útil e, por conseguinte, objeto de desejo, algo não pode ser ao mesmo tempo em si inapropriável (uma &lt;em&gt;res nulius&lt;/em&gt;).&lt;/div&gt;&lt;div align="justify"&gt;
Marx evidentemente troca o gênero pela espécie, engatando a isso um outro absurdo: a idéia de propriedade coletiva, pois dizer que todos possuem algo (cujo uso justo seria o uso comum) é o mesmo que dizer que esse algo não é de ninguém e que, portanto, é em si inapropriável. Sem uma esfera externa de liberdade, o homem deixa de ser homem. Essa esfera abrange, além da propriedade ou direito de posse (de ter algo como seu, isto é, para uso exclusivo), também o direito à integridade de seu corpo (direito à vida) e o direito à honra (isto é, á personalidade moral e jurídica), que é o direito de ser considerado, antes de qualquer decisão judicial em contrário, pessoa irrepreensível, o que, em última instância, é a idéia de presunção de inocência conjugada à idéia de imputalibilidade das ações livres (pelas quais a pessoa honrada tem responsabilidade).&lt;/div&gt;&lt;div align="justify"&gt;
Enfim, se nenhuma ação é imputável, se nenhuma coisa útil pode ser possuída e se o próprio corpo não pode ocupar um lugar no espaço, as palavras "roubo", "furto", "homicídio" e "calúnia" teriam que ser banida de nosso vocabulário jurídico e, em conseqüência, NINGUÉM PODERIA LEGITIMAMENTE ALEGAR TER SOFRIDO UMA INJUSTIÇA.&lt;/div&gt;&lt;div align="justify"&gt;
Se Marx tiver razão, todos os mais caros valores morais seriam quimeras sem sentido e a raça humana não passaria de um bando de loucos a se baterem uns contra os outros nesse minúsculo rincão do Universo. E isso, obviamente, incluiria o dito cujo e sua utopia socialista!
 &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2855009631481917937?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2855009631481917937/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2855009631481917937&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2855009631481917937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2855009631481917937'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/metafsica-pensamento-revolucionrio-e.html' title='Metafísica, pensamento revolucionário e relativismo moral.'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-539724225025070056</id><published>2009-01-01T17:04:00.000-08:00</published><updated>2009-01-01T17:14:50.250-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='A verdade da corriola'/><title type='text'>A verdade da corriola</title><content type='html'>&lt;div align="justify"&gt;Finalmente, alguém tocou no ponto nevrálgico do grande bacanal em que se converteu o mundo acadêmico, pra variar Olavo de Carvalho:&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;&lt;em&gt;&lt;/em&gt; &lt;/div&gt;&lt;div align="justify"&gt;&lt;em&gt;A arma da pseudociência&lt;/em&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;em&gt;&lt;/em&gt; &lt;/div&gt;&lt;div align="justify"&gt;&lt;em&gt;"A quase totalidade das pessoas que conheço nas classes opinantes jamais dedicou um só minuto a examinar os meios e critérios da busca da verdade – seja no sentido mais geral e filosófico da coisa, seja no que se refere à veracidade dos meros fatos que se alegam, na mídia e nas conversas do dia a dia, como provas disto ou daquilo..."&lt;/em&gt; (texto integral aqui: &lt;a href="http://www.olavodecarvalho.org/semana/081229dce.html"&gt;http://www.olavodecarvalho.org/semana/081229dce.html&lt;/a&gt;)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-539724225025070056?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/539724225025070056/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=539724225025070056&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/539724225025070056'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/539724225025070056'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2009/01/verdade-da-corriola.html' title='A verdade da corriola'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6940943108550665968</id><published>2008-12-31T23:14:00.000-08:00</published><updated>2009-01-01T17:27:19.756-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Rainbow - Finyl Vinyl (1986) / Live in Munich (1977)'/><title type='text'>Rainbow - Finyl Vinyl (1986) / Live in Munich (1977)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVxwL3lcauI/AAAAAAAABCQ/Nujn7458M1A/s1600-h/RainbowMunich.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5286223411827993314" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVxwL3lcauI/AAAAAAAABCQ/Nujn7458M1A/s400/RainbowMunich.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;No primeiro post de 2009, seguem esses dois petardos como votos de um próspero ano novo a todos, sem nenhuma Difficult to Cure os nossos males.
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&lt;/div&gt;&lt;div&gt;Live in Munich part 1: &lt;a href="http://rapidshare.com/files/130264866/Rainbow_-_Live_in_Munich_1977__Disc_1__thym.rar"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div&gt;
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&lt;/div&gt;&lt;div&gt;Live in Munich part 2: &lt;a href="http://rapidshare.com/files/130267170/Rainbow_-_Live_in_Munich_1977__Disc_2__thym.rar"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div&gt;
&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6940943108550665968?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6940943108550665968/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6940943108550665968&amp;isPopup=true' title='2 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6940943108550665968'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6940943108550665968'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/rainbow-finyl-vinyl-1986-live-in-munich.html' title='Rainbow - Finyl Vinyl (1986) / Live in Munich (1977)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVxwL3lcauI/AAAAAAAABCQ/Nujn7458M1A/s72-c/RainbowMunich.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2821091071837411381</id><published>2008-12-30T22:40:00.000-08:00</published><updated>2008-12-30T22:53:11.723-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Casa das Máquinas - Casa das Máquinas (1974)'/><title type='text'>Casa das Máquinas - Casa das Máquinas (1974)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVsUOGeaEDI/AAAAAAAABB4/KKIeSGMcRU4/s1600-h/Casa_Das_Mquinas_1974_Casa_Das_Mquinas_Remasterizado_opt.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285840820138283058" style="WIDTH: 300px; CURSOR: hand; HEIGHT: 300px" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVsUOGeaEDI/AAAAAAAABB4/KKIeSGMcRU4/s400/Casa_Das_Mquinas_1974_Casa_Das_Mquinas_Remasterizado_opt.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://rapidshare.com/files/97322382/Casa_Das_M_quinas__1974__Casa_Das_M_quinas_por_Mactatus.rar.html"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Primeirão do Casa, com a bela e um tanto apelativa "Tudo porque eu te amo", um hinozinho juvenil-hiponga ensinando o paizão super-protetor a não abusar do pátreo poder&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2821091071837411381?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2821091071837411381/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2821091071837411381&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2821091071837411381'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2821091071837411381'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/casa-das-mquinas-casa-das-mquinas-1974.html' title='Casa das Máquinas - Casa das Máquinas (1974)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVsUOGeaEDI/AAAAAAAABB4/KKIeSGMcRU4/s72-c/Casa_Das_Mquinas_1974_Casa_Das_Mquinas_Remasterizado_opt.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-3357972708635201016</id><published>2008-12-30T22:14:00.000-08:00</published><updated>2008-12-30T22:21:31.227-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Casa das Máquinas - Casa de Rock (1976)'/><title type='text'>Casa das Máquinas - Casa de Rock (1976)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVsPDeKOa_I/AAAAAAAABBw/odWrneJ2KdA/s1600-h/casa+das+maquinas+2jeb784.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285835139959385074" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 265px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVsPDeKOa_I/AAAAAAAABBw/odWrneJ2KdA/s400/casa+das+maquinas+2jeb784.jpg" border="0" /&gt;&lt;/a&gt;
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Para nos redimir dos pecados banais...
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&lt;div&gt;&lt;a href="http://rs402.rapidshare.com/files/170444179/Kaveret-1975-Tsafuf_BaOzen.rar"&gt;Download&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Tracklisting:
1

Goli'yat (Goliath) (3:22)
2

Shir Malachim (Sailor Song) (3:22)
3

Medina Ktana (Little Kingdom) (3:06)

Written-By - &lt;a href="http://www.discogs.com/artist/Yoni+Rechter?anv=Y.+Rechter"&gt;Y. Rechter&lt;/a&gt;*
4

Tango Tzfarde'im (Frog Tango) (3:50)
5

Inspector Pike'ach (Inspector Z. Greatest) (2:08)
6

Shi'oor Moledet (Childhood) (3:08)

Written-By - &lt;a href="http://www.discogs.com/artist/Efraim+Shamir?anv=E.+Shamir"&gt;E. Shamir&lt;/a&gt;* , &lt;a href="http://www.discogs.com/artist/Eli+Mohar?anv=E.+Mohar"&gt;E. Mohar&lt;/a&gt;*
7

Ha'Olam Same'ach (Samba) (3:32)

Percussion - &lt;a href="http://www.discogs.com/artist/Aharon+" anv="'Araleh+Kaminski"&gt;Araleh Kaminski&lt;/a&gt;* Written-By - &lt;a href="http://www.discogs.com/artist/Efraim+Shamir?anv=E.+Shamir"&gt;E. Shamir&lt;/a&gt;*
8

Ha'Ish Hachi Mahir (The Fastest Man Alive) (3:19)
9

Shir Ha'Tembel (Idiot's Lament) (2:32)
10

Lech Sahper La'Savta (Tell It To Your Grandmother) (3:10)
11

Heeh Kol-Kach Yafa (She's So Pretty) (3:12)
12

Lu Lu (3:28)
13

Sof Ha'Hatzaga Halaila (The Show Is Over) (0:48)

Written-By - &lt;a href="http://www.discogs.com/artist/Yoni+Rechter?anv=Y.+Rechter"&gt;Y. Rechter&lt;/a&gt;*
14

Kacha Heeh Ba'Emtza (Just What I Like) (4:44)

Written-By - &lt;a href="http://www.discogs.com/artist/Efraim+Shamir?anv=E.+Shamir"&gt;E. Shamir&lt;/a&gt;* , &lt;a href="http://www.discogs.com/artist/Menachem+Zilberman?anv=M.+Zilberman"&gt;M. Zilberman&lt;/a&gt;*
15

Hakdama Tizmortit / Tzafuf Ba'Ozen (Instrumental Tsafuf Ba'Ozen / Tsafuf Ba'Ozen) (5:27)
16

Aptchi [Live Improvisation] (0:17)
17

Ma Ata Ro'eh (What Do You See) [Live Improvisation] (0:42)
18

Tarzan [Live Improvisation] (1:51)

Written-By - &lt;a href="http://www.discogs.com/artist/Gidi+Gov?anv=G.+Gov"&gt;G. Gov&lt;/a&gt;*
19

Mechakim Leh'Shoola (Shula) [Live 1975] (2:51)&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2788251332153671520?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2788251332153671520/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2788251332153671520&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2788251332153671520'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2788251332153671520'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/kaveret-tsafuf-baozen-1975.html' title='Kaveret - Tsafuf BaOzen (1975)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVq8j6ldQjI/AAAAAAAABBg/631_FlfW0ng/s72-c/Kaveret+R-1405535-1217177167.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-5367598279960386201</id><published>2008-12-30T16:00:00.000-08:00</published><updated>2008-12-30T16:06:47.198-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Casa das Máquinas - Lar das Maravilhas (1975)'/><title type='text'>Casa das Máquinas - Lar das Maravilhas (1975)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVq3ebbBAyI/AAAAAAAABBY/MfQ8o9wOqkk/s1600-h/casa+das+maquinas+larlp.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285738846057726754" style="WIDTH: 300px; CURSOR: hand; HEIGHT: 300px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVq3ebbBAyI/AAAAAAAABBY/MfQ8o9wOqkk/s400/casa+das+maquinas+larlp.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://rapidshare.com/files/152641473/Casa_das_Maquinas_-_Lar_das_Maravilhas__1975.rar"&gt;Download&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-5367598279960386201?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/5367598279960386201/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=5367598279960386201&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5367598279960386201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5367598279960386201'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/casa-das-mquinas-lar-das-maravilhas.html' title='Casa das Máquinas - Lar das Maravilhas (1975)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVq3ebbBAyI/AAAAAAAABBY/MfQ8o9wOqkk/s72-c/casa+das+maquinas+larlp.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6791686761662700732</id><published>2008-12-29T20:17:00.000-08:00</published><updated>2009-01-01T17:28:10.141-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Deep Purple - Come Taste the Band (1976)'/><title type='text'>Deep Purple - Come Taste the Band (1976)</title><content type='html'>&lt;a href="http://hosting04.imagecross.com/image-hosting-16/4092deep-purple-427475fe.gif"&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://hosting04.imagecross.com/image-hosting-16/4092deep-purple-427475fe.gif"&gt;&lt;/a&gt;

&lt;div&gt;&lt;a href="http://hosting04.imagecross.com/image-hosting-16/4092deep-purple-427475fe.gif"&gt;&lt;img style="WIDTH: 360px; CURSOR: hand; HEIGHT: 211px" alt="" src="http://hosting04.imagecross.com/image-hosting-16/4092deep-purple-427475fe.gif" border="0" /&gt;&lt;/a&gt; &lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVmil1h4QxI/AAAAAAAABBQ/rWIURi50fEs/s1600-h/Come_Taste_the_Band.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285434408604025618" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 199px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVmil1h4QxI/AAAAAAAABBQ/rWIURi50fEs/s400/Come_Taste_the_Band.jpg" border="0" /&gt;&lt;/a&gt;


&lt;div&gt;
&lt;div&gt;&lt;div&gt;
&lt;div&gt;&lt;/div&gt;Um disco muito especial do grupo que fez com que me apaixonasse pelo hard rock setentista. Senti o sabor e, depois disso, pouca coisa consegue suprir totalmente o meu apetite musical




&lt;div&gt;&lt;a href="http://rapidshare.com/files/74120398/DeepPurple-ComeTasteTheBand_DZ.rar"&gt;download here&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6791686761662700732?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6791686761662700732/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6791686761662700732&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6791686761662700732'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6791686761662700732'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/deep-purple-come-taste-band-1976.html' title='Deep Purple - Come Taste the Band (1976)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVmil1h4QxI/AAAAAAAABBQ/rWIURi50fEs/s72-c/Come_Taste_the_Band.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-4419908313906576502</id><published>2008-12-29T05:05:00.000-08:00</published><updated>2008-12-29T05:11:50.570-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Impellitteri - System X 2002'/><title type='text'>Impellitteri - System X (2002)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVjLywadivI/AAAAAAAABBA/i6PrhEaNLVA/s1600-h/impellitteri+system+x420_11_16_2006_1_47_45_systemx.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285198235569064690" style="WIDTH: 351px; CURSOR: hand; HEIGHT: 350px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVjLywadivI/AAAAAAAABBA/i6PrhEaNLVA/s400/impellitteri+system+x420_11_16_2006_1_47_45_systemx.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://rapidshare.com/files/3484981/I-M-P-E-L-L-I-T-T-E-R-I.SystemX.MET.rar"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Sem exageros, um dos melhores discos dos últimos anos. Bem que essa parceria Chris Impellitteri/ Graham Bonnet poderia continuar...&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-4419908313906576502?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/4419908313906576502/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=4419908313906576502&amp;isPopup=true' title='1 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4419908313906576502'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4419908313906576502'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/impellitteri-system-x-2002.html' title='Impellitteri - System X (2002)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVjLywadivI/AAAAAAAABBA/i6PrhEaNLVA/s72-c/impellitteri+system+x420_11_16_2006_1_47_45_systemx.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6350495220857073440</id><published>2008-12-29T04:56:00.000-08:00</published><updated>2008-12-29T05:14:20.163-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Impellitteri - Pedal to the Metal 2004'/><title type='text'>Impellitteri - Pedal to the Metal (2004)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVjJbn6wAuI/AAAAAAAABA4/0lLqHEL08Gg/s1600-h/impellitteri+pedal61dIRikbzmL__SS400_.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285195639128326882" style="WIDTH: 400px; CURSOR: hand; HEIGHT: 400px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVjJbn6wAuI/AAAAAAAABA4/0lLqHEL08Gg/s400/impellitteri+pedal61dIRikbzmL__SS400_.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://rapidshare.com/files/170180667/imp-pedmetal.rar"&gt;Download here&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Tracklist:&lt;/div&gt;
&lt;div&gt;1. The Writings on the Wall&lt;/div&gt;
&lt;div&gt;2. Crushing Daze&lt;/div&gt;
&lt;div&gt;3. Destruction&lt;/div&gt;
&lt;div&gt;4. Dance With the Devil&lt;/div&gt;
&lt;div&gt;5. Hurricane&lt;/div&gt;
&lt;div&gt;6. Judgement Day&lt;/div&gt;
&lt;div&gt;7. The Iceman Cometh&lt;/div&gt;
&lt;div&gt;8. Punk&lt;/div&gt;
&lt;div&gt;9. Propaganda Mind&lt;/div&gt;
&lt;div&gt;10. Stay Tonight&lt;/div&gt;
&lt;div&gt;11. The Fall of Titus &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6350495220857073440?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6350495220857073440/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6350495220857073440&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6350495220857073440'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6350495220857073440'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/impellitteri-pedal-to-metal.html' title='Impellitteri - Pedal to the Metal (2004)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVjJbn6wAuI/AAAAAAAABA4/0lLqHEL08Gg/s72-c/impellitteri+pedal61dIRikbzmL__SS400_.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-3728176796402212090</id><published>2008-12-29T04:38:00.000-08:00</published><updated>2008-12-29T05:16:37.049-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Pink Floyd - Black Holes In The Sky - 1974'/><title type='text'>Pink Floyd - Black Holes In The Sky - 1974</title><content type='html'>&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;

&lt;div&gt;

&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;


&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVjFla5i2cI/AAAAAAAABAw/zRdS26f13Dk/s1600-h/pink+black_holes_in_the_sky-web.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285191409385789890" style="WIDTH: 384px; CURSOR: hand; HEIGHT: 334px" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVjFla5i2cI/AAAAAAAABAw/zRdS26f13Dk/s400/pink+black_holes_in_the_sky-web.jpg" border="0" /&gt;&lt;/a&gt; &lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif"&gt;&lt;img style="WIDTH: 97px; CURSOR: hand; HEIGHT: 97px" alt="" src="http://img353.imageshack.us/img353/1695/pinkfloydolhopfl9fp8.gif" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;









&lt;div&gt;Speak To Me&lt;/div&gt;









&lt;div&gt;Breathe&lt;/div&gt;









&lt;div&gt;On the RunTime&lt;/div&gt;









&lt;div&gt;Breathe(Reprise)&lt;/div&gt;









&lt;div&gt;The Great Gig In The Sky&lt;/div&gt;









&lt;div&gt;Money&lt;/div&gt;









&lt;div&gt;Us And Them&lt;/div&gt;









&lt;div&gt;Any Colour You Like&lt;/div&gt;









&lt;div&gt;Brain Damage&lt;/div&gt;









&lt;div&gt;Eclipse&lt;/div&gt;









&lt;div&gt;Echoes
&lt;/div&gt;









&lt;div&gt;&lt;a href="http://www.adrive.com/public/661c3e69fa39e81e57f07446bccd2ab57441f4e7feaefe493f72a93b7ac93c46.html"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-3728176796402212090?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/3728176796402212090/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=3728176796402212090&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3728176796402212090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3728176796402212090'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/black-holes-in-sky-1974.html' title='Pink Floyd - Black Holes In The Sky - 1974'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVjFla5i2cI/AAAAAAAABAw/zRdS26f13Dk/s72-c/pink+black_holes_in_the_sky-web.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2236200083167282393</id><published>2008-12-29T04:23:00.000-08:00</published><updated>2008-12-29T05:18:50.690-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Pink Floyd -  Masters of Rock - 1974'/><title type='text'>Pink Floyd - Masters of Rock - 1974</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVjDKykB05I/AAAAAAAABAo/JzNucyaYpug/s1600-h/pink+masters+cover_4122171162005.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285188752858272658" style="WIDTH: 200px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVjDKykB05I/AAAAAAAABAo/JzNucyaYpug/s400/pink+masters+cover_4122171162005.jpg" border="0" /&gt;&lt;/a&gt; &lt;a href="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif"&gt;&lt;img style="WIDTH: 80px; CURSOR: hand; HEIGHT: 80px" alt="" src="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif"&gt;&lt;img style="WIDTH: 80px; CURSOR: hand; HEIGHT: 80px" alt="" src="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif"&gt;&lt;img style="WIDTH: 80px; CURSOR: hand; HEIGHT: 80px" alt="" src="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif"&gt;&lt;img style="WIDTH: 80px; CURSOR: hand; HEIGHT: 80px" alt="" src="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif"&gt;&lt;img style="WIDTH: 80px; CURSOR: hand; HEIGHT: 80px" alt="" src="http://img356.imageshack.us/img356/5227/pinkfloydumagumapfgifh4rb9.gif" border="0" /&gt;&lt;/a&gt;
&lt;div align="left"&gt;

&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://www.adrive.com/public/f2d65f087950b1a9829b27f1cb7f14b9a93dd66fa03a82c1f5c8dae0db578cc8.html"&gt;Download here&lt;/a&gt;


&lt;div&gt;&lt;/div&gt;


&lt;div&gt;"Chapter 24" (from The Piper at the Gates of Dawn)&lt;/div&gt;






&lt;div&gt;"Matilda Mother" (misspelled "Mathilda Mother" on this album; from The Piper at the Gates of Dawn)&lt;/div&gt;






&lt;div&gt;"Arnold Layne"&lt;/div&gt;






&lt;div&gt;"Candy and a Currant Bun"&lt;/div&gt;






&lt;div&gt;"The Scarecrow"&lt;/div&gt;






&lt;div&gt;"Apples and Oranges" (stereo mix)&lt;/div&gt;






&lt;div&gt;"It Would Be So Nice" (alternative version for radio) (Richard Wright)&lt;/div&gt;






&lt;div&gt;"Paint Box" (stereo mix) (Richard Wright)&lt;/div&gt;






&lt;div&gt;"Julia Dream" (Roger Waters)&lt;/div&gt;






&lt;div&gt;"See Emily Play&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2236200083167282393?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2236200083167282393/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2236200083167282393&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2236200083167282393'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2236200083167282393'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/masters-of-rock-1974.html' title='Pink Floyd - Masters of Rock - 1974'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVjDKykB05I/AAAAAAAABAo/JzNucyaYpug/s72-c/pink+masters+cover_4122171162005.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2581830050680037251</id><published>2008-12-29T03:56:00.000-08:00</published><updated>2008-12-29T04:11:02.933-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Pink Floyd - Breakdown Co-ordinator'/><title type='text'>Pink Floyd - Breakdown Co-ordinator</title><content type='html'>&lt;a href="http://img187.imageshack.us/img187/2840/pinkfloydkuri03rz6.gif"&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 130px; CURSOR: hand; HEIGHT: 100px; TEXT-ALIGN: center" alt="" src="http://img187.imageshack.us/img187/2840/pinkfloydkuri03rz6.gif" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://img187.imageshack.us/img187/2840/pinkfloydkuri03rz6.gif"&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 130px; CURSOR: hand; HEIGHT: 100px; TEXT-ALIGN: center" alt="" src="http://img187.imageshack.us/img187/2840/pinkfloydkuri03rz6.gif" border="0" /&gt;&lt;/a&gt;

&lt;div&gt;


&lt;div&gt;

&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVi7haHB-5I/AAAAAAAABAg/70noT3ToAv8/s1600-h/pink+breakdownco-ordinator.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285180345338166162" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 346px; CURSOR: hand; HEIGHT: 336px" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVi7haHB-5I/AAAAAAAABAg/70noT3ToAv8/s400/pink+breakdownco-ordinator.jpg" border="0" /&gt;&lt;/a&gt; &lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 130px; CURSOR: hand; HEIGHT: 100px; TEXT-ALIGN: center" alt="" src="http://img187.imageshack.us/img187/2840/pinkfloydkuri03rz6.gif" border="0" /&gt;




&lt;div&gt;&lt;/div&gt;




&lt;div&gt;&lt;/div&gt;&lt;img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 130px; CURSOR: hand; HEIGHT: 100px; TEXT-ALIGN: center" alt="" src="http://img187.imageshack.us/img187/2840/pinkfloydkuri03rz6.gif" border="0" /&gt;




&lt;div&gt;&lt;a href="http://www.adrive.com/public/8b72ddd8189fdc789f2ee1d29928f9e00b3f56930ceceb6c53c5047c5bbb7a52.html"&gt;Download here&lt;/a&gt;&lt;/div&gt;




&lt;div&gt;Astronomy Domine (1st attempt)&lt;/div&gt;



&lt;div&gt;Astronomy Domine (2nd attempt)&lt;/div&gt;



&lt;div&gt;Astronomy Domine (3rd attempt)&lt;/div&gt;



&lt;div&gt;Astronomy Domine&lt;/div&gt;



&lt;div&gt;Fat Old Sun&lt;/div&gt;



&lt;div&gt;Cymbaline&lt;/div&gt;



&lt;div&gt;Atom Heart Mother&lt;/div&gt;



&lt;div&gt;The Embryo&lt;/div&gt;



&lt;div&gt;Green Is The Colour&lt;/div&gt;



&lt;div&gt;Careful With That Axe, Eugene&lt;/div&gt;



&lt;div&gt;Set The Controls For The Heart Of The Sun&lt;/div&gt;



&lt;div&gt;A Saucerful Of Secrets&lt;/div&gt;


&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2581830050680037251?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2581830050680037251/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2581830050680037251&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2581830050680037251'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2581830050680037251'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/pink-floyd-breakdown-co-ordinator.html' title='Pink Floyd - Breakdown Co-ordinator'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVi7haHB-5I/AAAAAAAABAg/70noT3ToAv8/s72-c/pink+breakdownco-ordinator.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-4499836295575091096</id><published>2008-12-28T23:35:00.000-08:00</published><updated>2008-12-28T23:41:26.091-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Coupla Prog - Sprite (1971)'/><title type='text'>Coupla Prog - Sprite (1971)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVh-hthSwPI/AAAAAAAAA_Y/tuBttBq_W6o/s1600-h/Coupla%2520Prog-Sprite-front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285113280339296498" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 199px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVh-hthSwPI/AAAAAAAAA_Y/tuBttBq_W6o/s400/Coupla%2520Prog-Sprite-front.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div align="justify"&gt;&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVh-W-h3p9I/AAAAAAAAA_Q/UElhKULLqeg/s1600-h/coupla%2520prog.jpg"&gt;&lt;/a&gt;COUPLA PROG from Baden-Baden/Germany is known for a melange of Kraut and Heavy Bluesrock, full of suspense, theatrical in parts, with a derivative sense of professionality. The band existed for nearly seven years and reached the peak from 1970 to 1972 for sure being homogenous with its style and without any commercial approach. The forerunner named "Wilde Reiter GmbH" played simple Soul/Rock covers and split in 1969. To compose something radically new COUPLA PROG was founded by four members: Hubert Donauer (drums), Reiner Niketta (bass, piano, vocals), Rolf Peters (guitar, vocals), Wolfgang Schindhelm (organ, guitar, trumpet, vocals). The new band name results from a shortened version of "A Couple Of Progs".The band's complete material is live played, pure, without reworking and overdubbing, the result of four sessions recorded at studio U1 of Radio Südwestfunk between 1970 and 1972. The first release by the german Long Hair Music label is the album 'Sprite' with early recordings from February 1970 and April 1971, strongly influenced by the new experimental post-beat phase. COUPLA PROG's centerpiece comes up with the Prog opera 'Edmundo Lopez'. Vocal-oriented because telling the story about a young man who lives in South America and gets between the enemy lines of a civil war. This 60 minute opus, finally released in 2000, contains 11 songs which are blending into each other. Thematically a gripping story with Hammond drenched parts remembering at Vanilla Fudge or Procul Harum but also containing symphonic and freakish psychedelic Kraut moments. Some line-up changes occured later on. Peters, the creative brain, responsible for the concept of 'Edmundo Lopez', sadly died at the age of 21 because of an overdose of alcohol and drugs in July 1971 and was substituted by Walter Kümmich. And then drummer Hubert Donauer left COUPLA PROG at the beginning of 1972. With two new members the band managed to record some new songs with the highlight 'Death is a gre...COUPLA PROG from Baden-Baden/Germany is known for a melange of Kraut and Heavy Bluesrock, full of suspense, theatrical in parts, with a derivative sense of professionality. The band existed for nearly seven years and reached the peak from 1970 to 1972 for sure being homogenous with its style and without any commercial approach. The forerunner named "Wilde Reiter GmbH" played simple Soul/Rock covers and split in 1969. To compose something radically new COUPLA PROG was founded by four members: Hubert Donauer (drums), Reiner Niketta (bass, piano, vocals), Rolf Peters (guitar, vocals), Wolfgang Schindhelm (organ, guitar, trumpet, vocals). The new band name results from a shortened version of "A Couple Of Progs".The band's complete material is live played, pure, without reworking and overdubbing, the result of four sessions recorded at studio U1 of Radio Südwestfunk between 1970 and 1972. The first release by the german Long Hair Music label is the album 'Sprite' with early recordings from February 1970 and April 1971, strongly influenced by the new experimental post-beat phase. COUPLA PROG's centerpiece comes up with the Prog opera 'Edmundo Lopez'. Vocal-oriented because telling the story about a young man who lives in South America and gets between the enemy lines of a civil war. This 60 minute opus, finally released in 2000, contains 11 songs which are blending into each other. Thematically a gripping story with Hammond drenched parts remembering at Vanilla Fudge or Procul Harum but also containing symphonic and freakish psychedelic Kraut moments. Some line-up changes occured later on. Peters, the creative brain, responsible for the concept of 'Edmundo Lopez', sadly died at the age of 21 because of an overdose of alcohol and drugs in July 1971 and was substituted by Walter Kümmich. And then drummer Hubert Donauer left COUPLA PROG at the beginning of 1972. With two new members the band managed to record some new songs with the highlight 'Death is a great gambler, but if I win, finally I can die', written in memorial of Rolf Peters whose death had been a heavy loss for the band. So the last SWF session release by Long Hair contains a mix of songs recorded with but also without Peters including a very free interpretation of Donovan's "Season of the Witch".COUPLA PROG tried to move on for some years but stagnation and differences about the musical direction occured, members changed to other regions and finally missing motivations forced the creeeping disbanding until the end. The band's story was closed early 1976.Recommended to fans of the authentic early german progressive phase with the typical intersection of Kraut and Heavy Rock.Rivertree (Uwe Zickel). (Progarchives Review)

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;

&lt;/div&gt;&lt;div&gt;Download &lt;a href="http://paylesssofts.net/rs/?id=d286812"&gt;http://paylesssofts.net/rs/?id=d286812&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-4499836295575091096?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/4499836295575091096/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=4499836295575091096&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4499836295575091096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4499836295575091096'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/coupla-prog-sprite-1971.html' title='Coupla Prog - Sprite (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVh-hthSwPI/AAAAAAAAA_Y/tuBttBq_W6o/s72-c/Coupla%2520Prog-Sprite-front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-5298765771284182118</id><published>2008-12-28T23:31:00.001-08:00</published><updated>2008-12-28T23:35:30.119-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download String Driven Thing - The Machine That Cried (1973)'/><title type='text'>String Driven Thing - The Machine That Cried (1973)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVh9MdUJc5I/AAAAAAAAA_I/UbkYilfDT5U/s1600-h/string%2520driven%2520thing.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285111815700312978" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVh9MdUJc5I/AAAAAAAAA_I/UbkYilfDT5U/s400/string%2520driven%2520thing.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a name="STRINGDRIVINTHING"&gt;String Driven Thing&lt;/a&gt; [UK] &lt;/div&gt;&lt;div&gt;Discos:
String Driven Thing (72), The Machine That Cried (72), Keep Your 'And On It (73), Please Mind Your Head (74) &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Download: &lt;a href="http://paylesssofts.net/rs/?id=6c96813"&gt;http://paylesssofts.net/rs/?id=6c96813&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-5298765771284182118?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/5298765771284182118/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=5298765771284182118&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5298765771284182118'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5298765771284182118'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/string-driven-thing-machine-that-cried.html' title='String Driven Thing - The Machine That Cried (1973)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVh9MdUJc5I/AAAAAAAAA_I/UbkYilfDT5U/s72-c/string%2520driven%2520thing.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-304382818788401706</id><published>2008-12-28T23:26:00.000-08:00</published><updated>2008-12-28T23:31:27.819-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download: Pentagon - Die Vertreibung Der Bösen (1970)'/><title type='text'>Pentagon - Die Vertreibung Der Bösen (1970)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVh8jd-w_tI/AAAAAAAAA-4/peacWi7rDAQ/s1600-h/pentagon.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285111111504428754" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVh8jd-w_tI/AAAAAAAAA-4/peacWi7rDAQ/s400/pentagon.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Blues e jazz, com esporádicas intervenções de flauta, tocados por alemães da Bavária.&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
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&lt;div&gt;Download: &lt;a href="http://paylesssofts.net/?x1c126814"&gt;http://paylesssofts.net/?x1c126814&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-304382818788401706?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/304382818788401706/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=304382818788401706&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/304382818788401706'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/304382818788401706'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/pentagon-die-vertreibung-der-bsen-1970.html' title='Pentagon - Die Vertreibung Der Bösen (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVh8jd-w_tI/AAAAAAAAA-4/peacWi7rDAQ/s72-c/pentagon.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6381080651616506178</id><published>2008-12-28T23:22:00.000-08:00</published><updated>2008-12-28T23:51:32.558-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download: Black Widow - Black Widow IV (1972)'/><title type='text'>Black Widow - Black Widow IV (1972)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SViBfBSfN6I/AAAAAAAAA_g/Rw-PCewTeY0/s1600-h/black%2520widow.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285116532641183650" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 199px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SViBfBSfN6I/AAAAAAAAA_g/Rw-PCewTeY0/s400/black%2520widow.jpg" border="0" /&gt;&lt;/a&gt;
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A sort of very early prog with influences from jazz, blues and rock, though of little interest today IMO.
Hard rock/prog with satanic influences. Organ and flute instead of guitar.
Third album features guitarist John Culley, ex-Cressida. Supposed to be very satanic-orientated a la Dr. Z or Pathfinder-era Beggars Opera. They also apparently had a very over-the-top stage show. -- Mike Ohman
Early prog with satanic tendencies. Similar in sound to Cressida and co. albeit with "evil" lyrics. I have Sacrifice and is not even that bad, although it is from 1970. You can hear some quite good flute and some clarinet although is not so easily discernible. Most of songs are quite energetic as it is the hit "Come To The Sabbath" , covered or ripped by plenty of hard rock/metal bands. It’s style which was later "weighted", popularized and brought to the edge of good taste by dark metallers Mercyful Fate. Concerning lyrics, I don’t believe this guys were seriously into satanism, it’s more like a parody of the parody. I think the singer should die laughing when sing this. It’s kinda peak of satanic hard prog rock music.I don’t know, music somehow doesn’t fit to that thematics. Overall, nothing to die for, yet it has some moments. -- Nenad Kobal (Gibraltar Encyclopedia of Progressive Rock).&lt;/div&gt;
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Download: &lt;a href="http://paylesssofts.net/?x1b6b6815"&gt;http://paylesssofts.net/?x1b6b6815&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6381080651616506178?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6381080651616506178/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6381080651616506178&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6381080651616506178'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6381080651616506178'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/black-widow-black-widow-iv-1972.html' title='Black Widow - Black Widow IV (1972)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SViBfBSfN6I/AAAAAAAAA_g/Rw-PCewTeY0/s72-c/black%2520widow.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8850615850614674038</id><published>2008-12-28T23:11:00.000-08:00</published><updated>2008-12-28T23:22:02.127-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Odin - Odin (1972)'/><title type='text'>Odin - Odin (1972)</title><content type='html'>&lt;div align="justify"&gt;&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh6Ja-eeJI/AAAAAAAAA-w/bBLDnfpUPLo/s1600-h/Odin-Front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285108464998054034" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 197px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh6Ja-eeJI/AAAAAAAAA-w/bBLDnfpUPLo/s400/Odin-Front.jpg" border="0" /&gt;&lt;/a&gt;

Odin were a band with an interesting background, possibly more interesting than their music which was rather run-of-the-mill psych and blues rock sprinkled with a bit of funky jazz. The lineup consisted of a German, Dutchman and a couple of Englishmen transplanted to Germany in the late sixties. An early formation was known Honest Truth and made their modest reputation through live shows for the most part. Odin came to be after a breakup of Honest Truth in the wake of the death of their keyboardist and the theft of their equipment.
The Odin lineup included a new keyboardist (you know, because the old one was dead) named Jeff Beer, the only German and a converted guitarist. This band also concentrated on live shows, and secured a contract with Vertigo in 1972. Their self-titled and only studio release followed shortly thereafter. While the group had worked on a follow-up and had recorded tracks in a radio studio that would be released a quarter-century later, their fortunes in 1973 were rather bleak and by early 1974 the band had disbanded after less than three years together.
“Life is Only” and “Turnpike Lane” were among the four tracks the band would re-record in their radio studio sessions in 1973 and while those recordings were nearly identical, the production quality of both on this record is quite a bit better. “Life is Only” appears to be the band’s magnum opus, a nearly eleven minute foray into jazz, heavy blues and psychedelic guitar riffs that is a bit undisciplined but pretty ambitious for a fledgling band of young musicians.
“A Tribute to Frank” is just what the title says, but interestingly enough the short track’s keyboard and percussion bear a striking resemblance to a lot of jazzed-up New Age music I heard in the early eighties. This is also the only track of its kind on the album. “Be the Man You Are” is the other oddity, a mellow, folk-like guitar number with Beer providing dime-store philosophy backed by some decent harmony courtesy of guitarist Rob Terstall.
“Gemini” is a very prototypical early seventies Hammond organ-driven heavy rock song with wailing lead guitar and a toe-tapping though not particularly ambitious drumbeat. In all the tune isn’t bad, but sounds just like at least a couple dozen other bands of that era that come to mind but who I won’t bother to list out here.
The only instrumental on the album (“Eucalyptus”) is another slow number with an almost maddeningly plodding guitar and bass line that just doesn’t seem to go anywhere. I’m guessing there are no lyrics because the band couldn’t think of anything to say about the music. Me either.
The band ends the album and their career with “Clown”, another hard-rocker with psych guitar much in the vein of the opening track. Again, not bad but nothing any prog fan hasn’t heard countless times before.
The CD reissue has a bonus track (“Oh No”) which was also featured on the 1973 SWF session tapes released on the Long Hair label in 2007. This is another organ orgy (that sounds weird when I read those words back out loud), although I’ll admit the tune is representative of the rest of the band’s work so I suppose it fits here.
I’ll say the same of this album that I did about their SWF Sessions CD – not essential by any means, but a record that will likely have some appeal to fans of heavy prog. Three stars just because I think the music is a little better than just for collectors and fans of the band.


Download: &lt;a href="http://paylesssofts.net/rs/?id=1726844"&gt;http://paylesssofts.net/rs/?id=1726844&lt;/a&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8850615850614674038?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8850615850614674038/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8850615850614674038&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8850615850614674038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8850615850614674038'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/odin-odin-1972.html' title='Odin - Odin (1972)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh6Ja-eeJI/AAAAAAAAA-w/bBLDnfpUPLo/s72-c/Odin-Front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7864124273457513735</id><published>2008-12-28T23:06:00.000-08:00</published><updated>2008-12-28T23:11:07.609-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Alcatraz - Vampire State Building (1971)'/><title type='text'>Alcatraz - Vampire State Building (1971)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVh34A8k7SI/AAAAAAAAA-o/dF6GHaty8Bs/s1600-h/Alcatraz%2520-%2520Front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285105966929734946" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVh34A8k7SI/AAAAAAAAA-o/dF6GHaty8Bs/s400/Alcatraz%2520-%2520Front.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div align="justify"&gt;Another fine Krautrock recording to come out of Hamburg. Playing through small venues [such as hostels], Alcatrazs' repertoire comprised mainly of covers of well known bands; Ten Years After, Keef Hartley Band, Savoy Brown, Vanilla Fudge, Black Sabbath, Uriah Heep. Branching out with compositions of their own, the band began listening to jazzy bands such as Soft Machine and Tony William's Lifetime. Putting two and two together their sound falls somewhere between their earlier Hard rock contingencies and Jazz, with a healthy dose of Improv.
The album was recorded under peculiar circumstances. Recorded at Faust's studio in Wümme, the farm surrounding the studio was sieged by police after suspecting a crack down on a terrorist hideout. The band still managed to get through the whole recording process within the day, unfazed by the incident.
While per se my interest is wanning for the Hard rock side of music, fused with part jazz, Improv and general Kraut craziness, made this pleasurable listening experience. Featuring flute, sax, piano, bongo, and the signature sound is made between the interplay between lead lines from Sax or flute enmeshed warmly by fuzz- guitar work. I'm not too fond of the vocals, but they fit the part well [only featured on two tracks, thankfully!]. I find myself enjoying the extended jazzy jams; more than the harder sections, but the album finds a nice balance, connecting the two comfortably without either becoming over bearing.
I love putting this album on of the evenings, the jazz leanings give a sedated feeling. For those put off by Krautrock absurdities this album shouldn't provide any problems, it does possess some more 'out there' improvisation jams [no more than your average Art rock band], but never wonders off into meaningless noddling. While a fine album, the album doesn’t find that extra edge to captivate me into regular listening.
I discovered “Vampire State Building” during my Nurse With Wound list obsession. Being relatively high up the list this was one of my earlier experiences. Interesting fact; Nurse with Wound and Stereolab covered 'Simple Headphone Mind' on a collaboration in 1997. I still have yet to hear this rendition but will definitely check it out some day.
Finally the album has been re-released [long hair] via the master tapes, containing extensive linear notes. During the re-release of the album the musicians unearthed three new tracks originally recorded at Hamburg Windrose Dumot Studio, which were recorded a few months after the deadline of the full album. All three songs can be heard of the CD version. &lt;/div&gt;
&lt;div align="justify"&gt;(Progarchives Review)&lt;/div&gt;
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&lt;div&gt;Download:&lt;a href="http://paylesssofts.net/?id=b846885"&gt;http://paylesssofts.net/?id=b846885&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7864124273457513735?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7864124273457513735/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7864124273457513735&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7864124273457513735'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7864124273457513735'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/alcatraz-vampire-state-building-1971.html' title='Alcatraz - Vampire State Building (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVh34A8k7SI/AAAAAAAAA-o/dF6GHaty8Bs/s72-c/Alcatraz%2520-%2520Front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8868973901660237346</id><published>2008-12-28T23:02:00.000-08:00</published><updated>2008-12-28T23:06:20.682-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download German Oak - German Oak (1972)'/><title type='text'>German Oak - German Oak (1972)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh239VE40I/AAAAAAAAA-g/JAosOARrGMo/s1600-h/germanoak_front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285104866447123266" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 198px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh239VE40I/AAAAAAAAA-g/JAosOARrGMo/s400/germanoak_front.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;Studio Album, released in 1972&lt;/div&gt;
&lt;div&gt;Track Listings:
1. Airalert (1:55) 2. Down In The Bunker (17:57) 3. Raid Over Duesseldorf (15:42) 4. 1945 - Out Of The Ashes (2:13) Total Time: 37:47Witch &amp;amp; Warlock CD bonus tracks: 5. Swastika Rising (4:55) 6. The Third Reich (10:18)7. Shadows Of War (5:54)-a. Rain Of Destruction-b. V1 To London&lt;/div&gt;
&lt;div&gt;Total Time: 58:54&lt;/div&gt;
&lt;div&gt;Line-up/Musicians:
- Wolfgang Franz Czaika / lead &amp;amp; rhythm guitar- Ullrich Kallweit / drums, percussion- Harry Kallweit / bbass, voice- Manfred Uhr / organ/fuzz-organ, voice - Norbert Luckas / guitars &amp;amp; noises&lt;/div&gt;
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&lt;div&gt;Part 1:&lt;a href="http://paylesssofts.net/?id=83161560"&gt;http://paylesssofts.net/?id=83161560&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;Part 2: &lt;a href="http://paylesssofts.net/?x1f7d61561"&gt;http://paylesssofts.net/?x1f7d61561&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8868973901660237346?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8868973901660237346/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8868973901660237346&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8868973901660237346'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8868973901660237346'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/german-oak-german-oak-1972.html' title='German Oak - German Oak (1972)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh239VE40I/AAAAAAAAA-g/JAosOARrGMo/s72-c/germanoak_front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-10527649844168871</id><published>2008-12-28T22:59:00.001-08:00</published><updated>2008-12-28T23:02:00.996-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Dom - Edge Of Time (1970)'/><title type='text'>Dom - Edge Of Time (1970)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh1hfSOdII/AAAAAAAAA-Y/m01ZOqmHolQ/s1600-h/Dom-Edge%2520Of%2520Time-Front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285103380913353858" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 197px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh1hfSOdII/AAAAAAAAA-Y/m01ZOqmHolQ/s400/Dom-Edge%2520Of%2520Time-Front.jpg" border="0" /&gt;&lt;/a&gt; Studio Album, released in 1970

Track Listings:
1. Intruitus (8:55) 2. Silence (8:53) 3. Edge Of Time (9:05) 4. Dream (9:37) Total Time: 36:30Bonus Tracks - CD Reissue: Flotenmenschen 1 (6:31) Flotenmenschen 2 (1:15) Flotenmenschen 3 (1:17) Flotenmenschen 4 (1:11) Let Me Explain (6:37)
Line-up/Musicians:
- Laszlo Baksay / bass, lyrics, vocals- Gabor Baksay / percussion, flute, vocals- Reiner Puzalowski / guitar, flute, vocals- Hans Georg Stopka / organ, guitar, vocals




Download:
&lt;a href="http://paylesssofts.net/?x1bb06912"&gt;http://paylesssofts.net/?x1bb06912&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-10527649844168871?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/10527649844168871/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=10527649844168871&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/10527649844168871'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/10527649844168871'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/dom-edge-of-time-1970.html' title='Dom - Edge Of Time (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVh1hfSOdII/AAAAAAAAA-Y/m01ZOqmHolQ/s72-c/Dom-Edge%2520Of%2520Time-Front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2477337377607289857</id><published>2008-12-28T22:52:00.000-08:00</published><updated>2008-12-28T23:52:32.858-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Bang - Bang (1971)'/><title type='text'>Bang - Bang (1971)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SViBuEw8esI/AAAAAAAAA_o/eoMQRQecUzo/s1600-h/Bang%2520-%2520Front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285116791272274626" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SViBuEw8esI/AAAAAAAAA_o/eoMQRQecUzo/s400/Bang%2520-%2520Front.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Bom hard desse power trio dos USA. Frank Gilcken (guitarra), Frank Ferrara (baixo) e Tony D´Lorio (bateria) fazem um som extremamente pesado (para época, é claro) que certamente agradará fans do Led Zeppelin e afins.

Download: &lt;a href="http://paylesssofts.net/?x154f6913"&gt;http://paylesssofts.net/?x154f6913&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2477337377607289857?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2477337377607289857/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2477337377607289857&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2477337377607289857'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2477337377607289857'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/bang-bang-1971.html' title='Bang - Bang (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SViBuEw8esI/AAAAAAAAA_o/eoMQRQecUzo/s72-c/Bang%2520-%2520Front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-913662170959447791</id><published>2008-12-28T22:48:00.001-08:00</published><updated>2008-12-28T22:52:32.817-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Silberbart - 4 Times Sound Razing (1971)'/><title type='text'>Silberbart - 4 Times Sound Razing (1971)</title><content type='html'>&lt;div align="justify"&gt;&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVhy2g6EGZI/AAAAAAAAA-Q/Z0gI7suHw7k/s1600-h/silberbart_front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285100443591252370" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 199px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVhy2g6EGZI/AAAAAAAAA-Q/Z0gI7suHw7k/s400/silberbart_front.jpg" border="0" /&gt;&lt;/a&gt; This is one of the heaviest psyche albums ive heard!!! The band is a trio, bass, guitar and drums...it lacks any type of influence: electronic, jazz or eastern that could define a lot of the bands in the Kraut! genre. This is straight out heavy psyche-freak out. The albums starts off with Chub-Chub-Cherry, wich at the very beggining you know its going to blast off, the song goes on pretty typical, verse-chorus-verse.. The guitar jumping around, very foust and loud, while on the back you hear a loud and very solid bass and drum line. Brain Brain gets you going with some crazyness, its a pretty long track, for the first 3 mins you hear Hajo singing while the bass and drums go along with him very slow and soft...and then everything justs burst out! right before they start building it up again. and they go off into the heavy stuff. The next two songs: God and head tear of a drunken song kind of follow the same structure, they start like a "normal" rock song and saving all the really heavy and wild stuff for the end, same type of motion as in the first song: guitar over bass and drums, but they never get down, they always keep it interesting. They heavily maintain the rock portion of the &lt;a class="kLink" oncontextmenu="return false;" id="KonaLink1" onmouseover="adlinkMouseOver(event,this,1);" style="POSITION: static; TEXT-DECORATION: underline! important" onclick="adlinkMouseClick(event,this,1);" onmouseout="adlinkMouseOut(event,this,1);" href="http://www.progarchives.com/Review.asp?id=110736#" target="_top"&gt;music
&lt;/a&gt;, all the lyrics are in english, the voice is highpitch and it gets along pretty well with the music. all the instruments are finelly equilibrated, not one covers the sound of another at any time. good sound quality also...  (Progarchives Review)




Download: &lt;a href="http://paylesssofts.net/?x1ebc6707"&gt;http://paylesssofts.net/?x1ebc6707&lt;/a&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-913662170959447791?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/913662170959447791/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=913662170959447791&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/913662170959447791'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/913662170959447791'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/silberbart-4-times-sound-razing-1971.html' title='Silberbart - 4 Times Sound Razing (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVhy2g6EGZI/AAAAAAAAA-Q/Z0gI7suHw7k/s72-c/silberbart_front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-4533160730175247074</id><published>2008-12-28T22:43:00.000-08:00</published><updated>2008-12-28T22:47:18.389-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Lightshine - Feeling (1976)'/><title type='text'>Lightshine - Feeling (1976)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVhyFFvD0II/AAAAAAAAA-I/32AQFuV3sOM/s1600-h/lightshine.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285099594483748994" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 197px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVhyFFvD0II/AAAAAAAAA-I/32AQFuV3sOM/s400/lightshine.jpg" border="0" /&gt;&lt;/a&gt;Studio Album, released in 1973

Track Listings:
1. Sword in the Sky (4:50) 2. Lory (5:31) 3. Nightmare (10:33) 4. King and Queen (13:44) 5. Feeling (7:37)

Total Time: 42:15

Line-up/Musicians :
- Joe / guitar, vocals - Ulli / guitar, flute, vocals - Olli / synthesizer - Wolfgang / bass - Egon / drums







Download: &lt;a href="http://paylesssofts.net/?x159b6978"&gt;http://paylesssofts.net/?x159b6978&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-4533160730175247074?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/4533160730175247074/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=4533160730175247074&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4533160730175247074'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4533160730175247074'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/lightshine-feeling-1976.html' title='Lightshine - Feeling (1976)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVhyFFvD0II/AAAAAAAAA-I/32AQFuV3sOM/s72-c/lightshine.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2960761086433692694</id><published>2008-12-28T22:26:00.000-08:00</published><updated>2008-12-28T22:41:18.261-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Jane - Together (1972)'/><title type='text'></title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVhxBK6eyOI/AAAAAAAAA-A/NuXN4qaiuaI/s1600-h/jane_together_front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285098427642726626" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 197px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVhxBK6eyOI/AAAAAAAAA-A/NuXN4qaiuaI/s400/jane_together_front.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhw4BixjbI/AAAAAAAAA94/U4LBFdPQeYY/s1600-h/jane_002.jpg"&gt;&lt;/a&gt;

&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVhwt-p12jI/AAAAAAAAA9w/ejGYQNQD3sc/s1600-h/Jane.jpg"&gt;&lt;/a&gt;


&lt;div align="justify"&gt;&lt;/div&gt;


&lt;div align="justify"&gt;&lt;/div&gt;


&lt;div align="justify"&gt;Classicasso do krautrock que vale a pena postar de novo. Um dos meus discos prediletos. Jane, para dar uma definição banal, é um mix de Pink Floyd com o típico hard setentista, meio na linha do primeiro disco do Eloy. Mas só ouvindo é que a gente descobre que não só tal definição é insatisfatória mas mesmo que qualquer comparação estilística não dá conta da criatividade do grupo, a qual não se resume em fazer algo "diferente", "esquisitão", tendo antes a ver com a capacidade do músico em reelaborar elementos já conhecidos. E isso fico patente em cada faixa de Together, disco inesquecível do começo ao fim. Questionável também a inclusão do Jane no que se convencionou chamar de krautrock, sinônino, para muitos, da extravagância germânica no campo da psicodelia. Enfim, Jane é para quem simplesmente gosta de boa música rock, com peso, melodia e complexidade instrumental na medida certa.&lt;/div&gt;


&lt;div align="justify"&gt;&lt;/div&gt;


&lt;div&gt;&lt;/div&gt;


&lt;div&gt;Download: &lt;a href="http://paylesssofts.net/?x12518278"&gt;http://paylesssofts.net/?x12518278&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2960761086433692694?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2960761086433692694/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2960761086433692694&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2960761086433692694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2960761086433692694'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/classicasso-do-krautrock-que-vale-pena.html' title=''/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVhxBK6eyOI/AAAAAAAAA-A/NuXN4qaiuaI/s72-c/jane_together_front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6927157091284275138</id><published>2008-12-28T22:24:00.000-08:00</published><updated>2008-12-28T22:26:27.976-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Taste - On The Boards (1970)'/><title type='text'>Taste - On The Boards (1970)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhtjEdtDdI/AAAAAAAAA9o/JAWFHx-1gvc/s1600-h/on%2520the%2520boards.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285094611980455378" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhtjEdtDdI/AAAAAAAAA9o/JAWFHx-1gvc/s400/on%2520the%2520boards.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;Download: &lt;a href="http://paylesssofts.net/?x11098305"&gt;http://paylesssofts.net/?x11098305&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6927157091284275138?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6927157091284275138/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6927157091284275138&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6927157091284275138'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6927157091284275138'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/taste-on-boards-1970.html' title='Taste - On The Boards (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhtjEdtDdI/AAAAAAAAA9o/JAWFHx-1gvc/s72-c/on%2520the%2520boards.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6957033673465864695</id><published>2008-12-28T22:22:00.000-08:00</published><updated>2008-12-28T22:24:17.628-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Taste - Taste (1969)'/><title type='text'>Taste - Taste (1969)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhs_JD1daI/AAAAAAAAA9g/AwsnEpUGUk4/s1600-h/Taste-Taste-Front.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285093994738840994" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 194px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhs_JD1daI/AAAAAAAAA9g/AwsnEpUGUk4/s400/Taste-Taste-Front.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Download: &lt;a href="http://paylesssofts.net/?x1bed8304"&gt;http://paylesssofts.net/?x1bed8304&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6957033673465864695?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6957033673465864695/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6957033673465864695&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6957033673465864695'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6957033673465864695'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/taste-taste-1969.html' title='Taste - Taste (1969)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhs_JD1daI/AAAAAAAAA9g/AwsnEpUGUk4/s72-c/Taste-Taste-Front.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2314563685006426316</id><published>2008-12-28T22:12:00.000-08:00</published><updated>2008-12-29T03:51:17.110-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Pink Floyd - The Man and  The Journey (1969)'/><title type='text'>Pink Floyd - The Man &amp; The Journey (1969)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVi5m_pxW5I/AAAAAAAABAY/joOaRbimi1Y/s1600-h/pink%2520floyd.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285178242292079506" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVi5m_pxW5I/AAAAAAAABAY/joOaRbimi1Y/s400/pink%2520floyd.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;Gravado no Concertgebouw, Amsterdam, 17 de Setembro de 1969, contém raro material com qualidade de audio muito boa.&lt;/div&gt;



&lt;div&gt;&lt;/div&gt;
&lt;div&gt;1. Daybreak &lt;/div&gt;


&lt;div&gt;2. Work/Afternoon&lt;/div&gt;



&lt;div&gt;3. Doing It&lt;/div&gt;




&lt;div&gt;4. Sleep (intro)&lt;/div&gt;




&lt;div&gt;5. Sleep&lt;/div&gt;



&lt;div&gt;6. Nightmare&lt;/div&gt;


&lt;div&gt;7. Daybreak/Part Two&lt;/div&gt;

&lt;div&gt;8. The Beginning&lt;/div&gt;

&lt;div&gt;9. Beset By The Creatures Of The Deep&lt;/div&gt;

&lt;div&gt;10. The Narrow Way/Part Three&lt;/div&gt;

&lt;div&gt;11. The Pink Jungle&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;12. The Labyrinths Of Auximenes&lt;/div&gt;


&lt;div&gt;13. Behold The Temple Of Light&lt;/div&gt;


&lt;div&gt;14. The End Of The Beginning&lt;/div&gt;

&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
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&lt;div&gt;1. Intro&lt;/div&gt;&lt;div&gt;2. Loudmouth&lt;/div&gt;&lt;div&gt;3. Beat On The Brat&lt;/div&gt;&lt;div&gt;4. Blitzkrieg Bop&lt;/div&gt;&lt;div&gt;5, I Remember You&lt;/div&gt;&lt;div&gt;6. Judy Is A Punk&lt;/div&gt;&lt;div&gt;7. Havana Affair&lt;/div&gt;&lt;div&gt;8. You're Gonna Kill That Girl&lt;/div&gt;&lt;div&gt;9. Carbona Not Glue&lt;/div&gt;&lt;div&gt;10. Sheena Is A Punk Rocker&lt;/div&gt;&lt;div&gt;11. Commando&lt;/div&gt;&lt;div&gt;12. 'Tuning'&lt;/div&gt;&lt;div&gt;13. Babysitter&lt;/div&gt;&lt;div&gt;14. Glad To See You Go&lt;/div&gt;&lt;div&gt;15. Shock Treatment&lt;/div&gt;&lt;div&gt;16. Listen To My Heart1&lt;/div&gt;&lt;div&gt;7. California Sun&lt;/div&gt;&lt;div&gt;18. I Don't Wanna Walk Around With You&lt;/div&gt;&lt;div&gt;19. Today Your Love, Tomorrow The World&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;Download: &lt;a href="http://paylesssofts.net/?x12588434"&gt;http://paylesssofts.net/?x12588434&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6432160760572482383?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6432160760572482383/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6432160760572482383&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6432160760572482383'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6432160760572482383'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/ramones-cbgbs-03-31-77.html' title='The Ramones - CBGB&apos;s 03-31-77'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVhptRutaYI/AAAAAAAAA9Q/Xc5K_ibSt_w/s72-c/ramones.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1629881698287345942</id><published>2008-12-28T21:53:00.000-08:00</published><updated>2008-12-28T22:07:24.791-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download The Monks - Black Monk Time (1966)'/><title type='text'>The Monks - Black Monk Time (1966)</title><content type='html'>&lt;div align="justify"&gt;&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhorOmtoEI/AAAAAAAAA9I/2FgeAlhFakI/s1600-h/monks.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5285089254583410754" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 199px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhorOmtoEI/AAAAAAAAA9I/2FgeAlhFakI/s400/monks.jpg" border="0" /&gt;&lt;/a&gt; Sunlight grids quiver in the system. Read on! It's monk time - it's hop time. Don't read this. We said: don't read this. Let sapphires glide into the grooves. What is beat? What is beat today? And what is over-beat? And who the hell is going to melt the hot and cold world of tomorrow?
Listen, as Roger beats, Gary plucks, Dave pummels. And Eddie dreams hell's bass part. And Larry fingers the keys of the day after tomorrow. The monks believe in nothing. The monks believe that everything is possible. The monks give everything. Words are the outline of lies. Why do the monks produce their own words - for days on end, as the moon shines - until one word leads to another. Don't listen. Count from nine until blast off, then swim into the city's primeval forest. Black discs mirror colorful, shimmering illusions. This black circle, however, quivers within the system of our dear world - goodness gracious - the experiment, after all, is only beginning. Truth is habit-forming. Lying is the art of pleasing the other. The monks for their part, love . . .
Gary Burger plays guitar and was born in Minnesota. Roger Johnston, a Texan, gives his drums the works. Chicago boy: That is Larry Clark - crazy-fingers at the organ, for his father was no gangster, but a priest. And Dave Day has more than one banjo and more than one microphone built into each of his banjos. He claims that he was born in Washington. And Eddie Shaw, who hails from California, uses his bass guitar as he sees fit!
(From original liner notes of BLACK MONK TIME, 1965)




Part 1: &lt;a href="http://paylesssofts.net/?x1a4354626"&gt;http://paylesssofts.net/?x1a4354626&lt;/a&gt;

Part 2: &lt;a href="http://paylesssofts.net/?x1b0354627"&gt;http://paylesssofts.net/?x1b0354627&lt;/a&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1629881698287345942?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1629881698287345942/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1629881698287345942&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1629881698287345942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1629881698287345942'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/monks-black-monk-time-1966.html' title='The Monks - Black Monk Time (1966)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVhorOmtoEI/AAAAAAAAA9I/2FgeAlhFakI/s72-c/monks.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1369297563564067118</id><published>2008-12-27T17:20:00.000-08:00</published><updated>2008-12-28T20:59:20.206-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Asterix - Asterix (pré-Lucifer´s Friend) (1970)'/><title type='text'>Asterix - Asterix (pré-Lucifer´s Friend) (1970)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVbVUYi9z4I/AAAAAAAAA74/7PV0Qtq8MHs/s1600-h/Asterix_-_Asterix_1970.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5284645758929063810" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVbVUYi9z4I/AAAAAAAAA74/7PV0Qtq8MHs/s400/Asterix_-_Asterix_1970.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7414738943766211476?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7414738943766211476/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7414738943766211476&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7414738943766211476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7414738943766211476'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/lucifers-friend-mean-machine.html' title='Lucifer´s Friend - Mean Machine (1981)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVbSqK4kK9I/AAAAAAAAA7w/l2r6BY3_D7o/s72-c/Lucifers+friend+Mean_machine.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2211710839968312569</id><published>2008-12-27T17:09:00.000-08:00</published><updated>2008-12-28T21:49:15.554-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Lucifer´s Friend - Sneak Me In'/><title type='text'>Lucifer´s Friend - Sneak Me In (1980)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVbR_ck5fEI/AAAAAAAAA7o/mnC7WOPuZ8c/s1600-h/Lucifers+Friend.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5284642100698774594" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 300px; CURSOR: hand; HEIGHT: 297px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVbR_ck5fEI/AAAAAAAAA7o/mnC7WOPuZ8c/s400/Lucifers+Friend.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://w13.easy-share.com/1700105549.html"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-19804057375974939?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/19804057375974939/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=19804057375974939&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/19804057375974939'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/19804057375974939'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/lucifers-friend-lucifers-friend.html' title='Lucifer´s Friend - Lucifer´s Friend (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVbKxKi-z7I/AAAAAAAAA6w/s1rD3GSnLlU/s72-c/lucifersih0%5B1%5D.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1324634594143762818</id><published>2008-12-27T11:29:00.000-08:00</published><updated>2008-12-27T11:42:36.718-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Lynyrd Skynyrd  Christmas Time Again (2000)'/><title type='text'>Lynyrd Skynyrd  Christmas Time Again (2000)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVaCo3qmqOI/AAAAAAAAA6o/4hav6H2cx-c/s1600-h/lynyrd+skynyrd+christmastimeagain.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5284554851414878434" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 250px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVaCo3qmqOI/AAAAAAAAA6o/4hav6H2cx-c/s400/lynyrd+skynyrd+christmastimeagain.jpg" border="0" /&gt;&lt;/a&gt;
Ken Caillat; Patrick Kelly; Tom Lipsky; Rick Medlocke; Gary Rossington;.38 Special; Hughie Thomasson; John Trickett; Johnny Van Zant;

&lt;strong&gt;Track List&lt;/strong&gt;

1.Santa's Messin' With The Kid

2.Rudolph The Red-Nosed Reindeer

3.Christmas Time Again

4.Greensleeves

5.Santa Claus Is Coming To town

6.Run Run Rudolph

7.Mama's Song

8.Santa Claus Wants Some Lovin'

9.Classical Christmas

10.Hallelujah, It's Christmas

11.Skynyrd Family








&lt;a href="http://rapidshare.com/files/166627048/2000_Chrimas_Tim_Agin.rar"&gt;Download here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1324634594143762818?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1324634594143762818/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1324634594143762818&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1324634594143762818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1324634594143762818'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/lynyrd-skynyrd-christmas-time-again.html' title='Lynyrd Skynyrd  Christmas Time Again (2000)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVaCo3qmqOI/AAAAAAAAA6o/4hav6H2cx-c/s72-c/lynyrd+skynyrd+christmastimeagain.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-2394648695165430802</id><published>2008-12-27T06:57:00.000-08:00</published><updated>2008-12-27T07:32:59.933-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download JOSEPH - Stoned Age Man'/><title type='text'>JOSEPH - Stoned Age Man</title><content type='html'>&lt;div align="justify"&gt;&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVZC3W9RmVI/AAAAAAAAA5I/TtJ32R3IA9c/s1600-h/josephf.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5284484731588680018" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; HEIGHT: 320px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVZC3W9RmVI/AAAAAAAAA5I/TtJ32R3IA9c/s400/josephf.jpg" border="0" /&gt;&lt;/a&gt;

Míseros 30 minutos de uma música grandiosa, Stoned Age Man pode ser considerado um desses clássicos que ficaram absolutamente perdidos no tempo. Capitaneado por Joseph Longeria, responsável pelos fortes vocais e guitarra, Joseph faz um som típico do final dos anos 60, oscilando entre o blues e o psicodélico, o que já se faz notar pela versão de House Of The Rising Sun do Animals e damais faixas. Para os amantes do bom e velho hard rock, Stoned Aged Man é algo memorável e, na primeira audição, impactante. Altamente recomentado.&lt;/div&gt;
1.) Trick Bag (Joseph Longeria - Mark Jones - Glen Spreen) -
2.) I Ain't Fattenin' No More Frogs for Snakes (Joseph Longeria - Mark Jones - Glen Spreen - Steve Tyrell) -
3.) Cold Biscuits and Fish Heads (Joseph Longeria - Mark Jones - Glen Spreen) -
4.) Stone Age Man (Joseph Longeria - Mark Jones - Glen Spreen) -
5.) I'm Gonna Build a Mountain (Joseph Longeria - Mark Jones - Glen Spreen) -
6.) Mojo Gumbo (Joseph Longeria - Mark Jones - Glen Spreen) -
7.) The House of the Rising Sun (adapted by Joseph Longeria - Mark Jones - Glen Spreen) -
8.) Gotta Get Away (G. Allman - J. Hurley - R. Witkins) -
9.) Come the Sun Tomorro

&lt;a href="http://link-protector.com/276935/"&gt;Download here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-2394648695165430802?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/2394648695165430802/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=2394648695165430802&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2394648695165430802'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/2394648695165430802'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/joseph-stoned-age-man.html' title='JOSEPH - Stoned Age Man'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVZC3W9RmVI/AAAAAAAAA5I/TtJ32R3IA9c/s72-c/josephf.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-4695438541822315203</id><published>2008-12-25T15:06:00.000-08:00</published><updated>2008-12-25T15:12:07.870-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Can - Paris 12 May 1973'/><title type='text'>Can - Paris 12 May 1973</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQTNBGKi9I/AAAAAAAAA4w/g4jZAcFCH98/s1600-h/can.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283869377165954002" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 199px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQTNBGKi9I/AAAAAAAAA4w/g4jZAcFCH98/s320/can.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Disc One: 01 - Whole People Queueing (36:38) 02 - One More Night (9:08)&lt;/div&gt;
&lt;div&gt;Disc Two: 01 - Spoon / Stars &amp;amp; Lines (32:09) 02 - Vitamin C (13:44)&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Holger Czukay - Bass&lt;/div&gt;
&lt;div&gt;Michael Karoli - Guitar&lt;/div&gt;
&lt;div&gt;Jaki Liebezeit - Drums&lt;/div&gt;
&lt;div&gt;Irmin Schmidt - Keyboards&lt;/div&gt;
&lt;div&gt;Damo Suzuki - Vocals&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://0.0.0.1/"&gt;Download here Part 1&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?x112b8222"&gt;Download here Part 2&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-4695438541822315203?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/4695438541822315203/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=4695438541822315203&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4695438541822315203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/4695438541822315203'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/can-paris-12-may-1973.html' title='Can - Paris 12 May 1973'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQTNBGKi9I/AAAAAAAAA4w/g4jZAcFCH98/s72-c/can.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7510277887750378160</id><published>2008-12-25T15:02:00.000-08:00</published><updated>2008-12-25T15:12:55.091-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Drum Circus - Magic Theatre (1971)'/><title type='text'>Drum Circus - Magic Theatre (1971)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQRWGvyzLI/AAAAAAAAA4o/4qmLjLDRx0w/s1600-h/drumcircus.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283867334278302898" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQRWGvyzLI/AAAAAAAAA4o/4qmLjLDRx0w/s320/drumcircus.jpg" border="0" /&gt;&lt;/a&gt; Grupo da Suiça que desenvolve um som meio jazz, meio psicodélico, meio space rock, tendo duas faixas cujas letras foram escritas por Timothy Leary, o ideólogo da lisergia
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?x108e21896"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7510277887750378160?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7510277887750378160/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7510277887750378160&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7510277887750378160'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7510277887750378160'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/drum-circus-magic-theatre-1971.html' title='Drum Circus - Magic Theatre (1971)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQRWGvyzLI/AAAAAAAAA4o/4qmLjLDRx0w/s72-c/drumcircus.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-5364815933718283445</id><published>2008-12-25T14:56:00.000-08:00</published><updated>2008-12-25T15:02:11.007-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Paul Kantner/Jefferson Starship - Blows Against The Empire (1970)'/><title type='text'>Paul Kantner/Jefferson Starship - Blows Against The Empire (1970)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQQuA-bXWI/AAAAAAAAA4g/8_QSsnRuokc/s1600-h/starship.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283866645534301538" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 251px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQQuA-bXWI/AAAAAAAAA4g/8_QSsnRuokc/s320/starship.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;

&lt;a href="http://paylesssofts.net/?x190c59265"&gt;Part 1&lt;/a&gt;
&lt;a href="http://part%202/"&gt;Part 2&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-5364815933718283445?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/5364815933718283445/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=5364815933718283445&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5364815933718283445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/5364815933718283445'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/paul-kantnerjefferson-starship-blows.html' title='Paul Kantner/Jefferson Starship - Blows Against The Empire (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQQuA-bXWI/AAAAAAAAA4g/8_QSsnRuokc/s72-c/starship.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-207441432012928535</id><published>2008-12-25T14:51:00.000-08:00</published><updated>2008-12-25T14:56:25.416-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Frumpy - Live (1972)'/><title type='text'>Frumpy - Live (1972)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQOtNWtfoI/AAAAAAAAA4Y/RVbhVi18BU8/s1600-h/frumpy.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283864432654253698" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 256px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQOtNWtfoI/AAAAAAAAA4Y/RVbhVi18BU8/s320/frumpy.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;. Keep On Going (12:06)2. Singing Songs (8:54)3. Backwater Blues (4:56)4. Duty (17:35)5. To My Mother (11:34)6. Release (22:00)7. Take Care Of Illusion (8:54)Bonus Tracks8. Duty (7:33)9. Floating (12:14)&lt;/div&gt;
&lt;div&gt;- Inga Rumpf / vocals, guitar&lt;/div&gt;
&lt;div&gt;- Jean-Jacques Kravetz / keyboards&lt;/div&gt;
&lt;div&gt;- Rainer Baumann / guitar&lt;/div&gt;
&lt;div&gt;- Karl-Heinz Schott / bass&lt;/div&gt;
&lt;div&gt;- Carsten Bohn / drums&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;a href="http://paylesssofts.net/?x12ed59261"&gt;Download here Part 1&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://paylesssofts.net/?x142059262"&gt;Download here Part 2&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://paylesssofts.net/?x18f459263"&gt;Download here Part 3&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-207441432012928535?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/207441432012928535/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=207441432012928535&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/207441432012928535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/207441432012928535'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/frumpy-live-1972.html' title='Frumpy - Live (1972)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQOtNWtfoI/AAAAAAAAA4Y/RVbhVi18BU8/s72-c/frumpy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-370911591586604558</id><published>2008-12-25T14:48:00.000-08:00</published><updated>2008-12-25T14:51:05.599-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Kamæleon - Kamæleon (1978)'/><title type='text'>Kamæleon - Kamæleon (1978)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQOR44AfcI/AAAAAAAAA4Q/jt4VIAf1A_4/s1600-h/kamaeleon.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283863963300298178" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQOR44AfcI/AAAAAAAAA4Q/jt4VIAf1A_4/s320/kamaeleon.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div align="justify"&gt;Bass - Jens JefsenDrums - Poul PoulsenEngineer [Ass. Engineer] - Thomas BrecklinEngineer, Mixed By - Flemming RasmussenGuitar - Uffe Steen JensenKeyboards - Fini HøstrupPercussion - Steen RåhaugeProducer - KamæleonProducer, Mixed By - Freddy Hansson&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?x187759958"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-370911591586604558?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/370911591586604558/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=370911591586604558&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/370911591586604558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/370911591586604558'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/kamleon-kamleon-1978.html' title='Kamæleon - Kamæleon (1978)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQOR44AfcI/AAAAAAAAA4Q/jt4VIAf1A_4/s72-c/kamaeleon.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8758081385954044811</id><published>2008-12-25T14:40:00.000-08:00</published><updated>2008-12-25T14:43:22.735-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Walrus - Walrus (1970)'/><title type='text'>Walrus - Walrus (1970)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQMai0btCI/AAAAAAAAA4I/mDyhZz4zW5U/s1600-h/walrus.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283861912975291426" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 253px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQMai0btCI/AAAAAAAAA4I/mDyhZz4zW5U/s320/walrus.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Prog britânico com pitadas de jazz, blues e uma excelente versão de "Coloured Rain" do Traffic&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?x144e61068"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8758081385954044811?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8758081385954044811/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8758081385954044811&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8758081385954044811'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8758081385954044811'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/walrus-walrus-1970.html' title='Walrus - Walrus (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQMai0btCI/AAAAAAAAA4I/mDyhZz4zW5U/s72-c/walrus.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-7794958481557778794</id><published>2008-12-25T14:37:00.000-08:00</published><updated>2008-12-25T14:40:08.158-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Ultimate Spinach - Behold And See (1968)'/><title type='text'>Ultimate Spinach - Behold And See (1968)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVQLfFpYqmI/AAAAAAAAA4A/YOxhi417hi0/s1600-h/ultimatespinach.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283860891532044898" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 248px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_fLQAAlWTPLg/SVQLfFpYqmI/AAAAAAAAA4A/YOxhi417hi0/s320/ultimatespinach.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Rock psicodélico bem elaborado e viajandão.&lt;/div&gt;&lt;div&gt;&lt;a href="http://paylesssofts.net/?x1df361066"&gt;Download here Part 1&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://paylesssofts.net/?x1d8461067"&gt;Download here Part 2&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-7794958481557778794?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/7794958481557778794/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=7794958481557778794&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7794958481557778794'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/7794958481557778794'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/ultimate-spinach-behold-and-see-1968.html' title='Ultimate Spinach - Behold And See (1968)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_fLQAAlWTPLg/SVQLfFpYqmI/AAAAAAAAA4A/YOxhi417hi0/s72-c/ultimatespinach.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-648350641733733265</id><published>2008-12-25T14:33:00.000-08:00</published><updated>2008-12-25T14:37:06.018-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Touch - Touch (1969)'/><title type='text'>Touch - Touch (1969)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQKyJm2uqI/AAAAAAAAA34/WAn7_kQhp6Q/s1600-h/touch.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283860119501060770" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 250px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQKyJm2uqI/AAAAAAAAA34/WAn7_kQhp6Q/s320/touch.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div align="justify"&gt;&lt;/div&gt;
&lt;div align="justify"&gt;&lt;/div&gt;
&lt;div align="justify"&gt;"TOUCH may have possibly been the first American progressive rock band, although there are counterclaims from supporters of equally neglected/forgotten United States Of America and now the hindsighted claims for ZAPPA &amp;amp; The MOTHERS OF INVENTION. However, (unlike USA and ZAPPA) on hearing much of TOUCH’s small catalogue of progressive music one might be forgiven for saying it was influenced by the early British prog bands, but for the facts they were formed in the mid 60’s and released their only complete album 'Touch' in early 1969 in the USA/mid 1969 in the UK. In other words their music, their ideas and their special album, predates CRIMSON’s « In The Court » and the first RENAISSANCE album.Lead by the former garage pop/rocker Don Gallucci, (inventor of the timeless Louie Louie keyboard riff in 1963 when 15, then with the Kingsmen), he brought together guitarist Joey Newman and vocalist Jeff Hawks into Don &amp;amp; The Goodtimes. With TV appearances, they had a pop hit « I Could Be So Good To You ». But exposed to more ambitious bands, such as JEFFERSON AIRPLANES and the BEATLES expanding the language of rock, and The GOODTIMES themselves increasing in their music maturity, Gallucci and Newman felt compelled to move away from the limitations of 3 minute pop songs. As a result the innovative, seminal and specifically, archetypal prog song, 75, was written in early 1967. Musically and name-wise Don &amp;amp; The Goodtimes metamorphosed into TOUCH, while their fans thought they looked and had gone weird. John Bordorano and Bruce Hauser were added on drums and bass respectively. By late 1967, (to quote the band) "they had freed themselves of musical suppression and had a release of pent up creativity resulted in a flood of new musical ideas, while hallucinogenic experiences and metaphysical philosophy had given those ideas shape". And also during the end of 1967/early 1968 they had recorded their eponymously titled album.Praise for TOUCH’s music came from many well known rock artists, e.g. Hendrix (who part bank rolled studio costs of the recording), and Mick Jagger. Glowing endorsements as to the influence of TOUCH have been made subsequently by Jon Anderson and Kerry Livgren – see the liner notes of the Renaissance Records reissue on CD. And the album as an import, was played heavily by the DJs in the London underground clubs – where future British prog stars relaxed in the early hours of the morning, after a hard days night gigging." (Dick Heath progarchives)&lt;/div&gt;
&lt;div align="justify"&gt;&lt;/div&gt;
&lt;div align="justify"&gt;&lt;a href="http://paylesssofts.net/?x190861064"&gt;Download here Part 1 &lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://paylesssofts.net/?x11ce61065"&gt;Download here Part 2&lt;/a&gt;&lt;/div&gt;
&lt;div align="justify"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-648350641733733265?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/648350641733733265/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=648350641733733265&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/648350641733733265'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/648350641733733265'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/touch-touch-1969.html' title='Touch - Touch (1969)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQKyJm2uqI/AAAAAAAAA34/WAn7_kQhp6Q/s72-c/touch.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-796551620223991128</id><published>2008-12-25T14:29:00.000-08:00</published><updated>2008-12-25T14:33:46.424-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Stonewall - Stoner (1974)'/><title type='text'>Stonewall - Stoner (1974)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQKO8uidBI/AAAAAAAAA3w/J2vLLpo75zo/s1600-h/stonewall.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283859514748204050" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 249px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQKO8uidBI/AAAAAAAAA3w/J2vLLpo75zo/s320/stonewall.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;Heavy rock de primeiríssima qualidade. Bastante pesado. Vale a pena conferir.&lt;/div&gt;
&lt;div&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href="http://paylesssofts.net/?x109b62210"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-796551620223991128?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/796551620223991128/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=796551620223991128&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/796551620223991128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/796551620223991128'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/stonewall-stoner-1974.html' title='Stonewall - Stoner (1974)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQKO8uidBI/AAAAAAAAA3w/J2vLLpo75zo/s72-c/stonewall.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8469599431695337351</id><published>2008-12-25T14:27:00.000-08:00</published><updated>2008-12-25T14:29:22.028-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Lorus - Deluge (2007)'/><title type='text'>Lorus - Deluge (2007)</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQJFPebiiI/AAAAAAAAA3o/dAXLbOTbRC0/s1600-h/loruscover.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283858248470596130" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 200px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQJFPebiiI/AAAAAAAAA3o/dAXLbOTbRC0/s320/loruscover.jpg" border="0" /&gt;&lt;/a&gt;
&lt;div align="justify"&gt;&lt;/div&gt;
&lt;div align="justify"&gt;&lt;/div&gt;
&lt;div align="justify"&gt;"What would happen if Tool, Melvins and Mogwai all had a gangbang in the back of a tour bus? Their bastard offspring would be called Lorus. Raised by King Crimson with a little strict discipline from Mr. Bungle, Lorus is an avant metal band formed by guitarist Dylan Burr and keyboardist Alan Lawrence. Lorus' music blends divergent genres and synthesizes them with a heavier end, finding new and groundbreaking avenues for heavy music. Playing alongside Dylan and Alan is bassist Chris Brown, Lorus most recent addition, sets an anti-circular, driving tempo. Accessible, inexplicable, experimental, lugubrious and other .75 cent words. How can one band be both? Check www.lorusband.com and here for show dates and deeper explanation." &lt;a href="http://cdbaby.com/cd/lorus"&gt;http://cdbaby.com/cd/lorus&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt; &lt;/div&gt;&lt;div align="justify"&gt;&lt;a href="http://www.mediafire.com/?fb0i1drmxzy"&gt;Download here &lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8469599431695337351?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8469599431695337351/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8469599431695337351&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8469599431695337351'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8469599431695337351'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/lorus-deluge-2007.html' title='Lorus - Deluge (2007)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_fLQAAlWTPLg/SVQJFPebiiI/AAAAAAAAA3o/dAXLbOTbRC0/s72-c/loruscover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-6167914177712087417</id><published>2008-12-25T14:23:00.000-08:00</published><updated>2008-12-25T14:26:59.209-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Popol Vuh - Letzte Tage - Letzte Nächte (1976)'/><title type='text'>Popol Vuh - Letzte Tage - Letzte Nächte (1976)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQIoY_tnVI/AAAAAAAAA3g/wPCtCXRnFFY/s1600-h/popolvuhletztetage.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283857752809905490" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 253px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQIoY_tnVI/AAAAAAAAA3g/wPCtCXRnFFY/s320/popolvuhletztetage.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div align="justify"&gt;"A sumptuous, pastoral, mystical album that pursues on the way launched by the seminal "Eisnjäger &amp;amp; Siebenjäger" and "Seligpresung". Popol Vuh are at the summit of their career. The atmosphere is totally fascinating, perfectly controlled emotionally with very pleasant, spiritual moments. We are far from their two first challenged "ethnic" electronic, meditative works and really more into guitars / piano / female vocals combination. The vocal melodies of the soprano Djon Yun are especially beautiful and ethereal. Daniel Fichelscher's dreamy and clean guitar playing is pretty effective and well accompanied by the serenity of Florian Fricke's piano playing. Next to the massive "Hosianna Mantra", "Seligpresung" and "Eisnjäger &amp;amp; Siebenjäger" this one is the fourth classic album offered by the band." (Philippe Blache progarchives.com)&lt;/div&gt;
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&lt;div align="justify"&gt;&lt;a href="http://paylesssofts.net/?x197d62613"&gt;Download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-6167914177712087417?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/6167914177712087417/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=6167914177712087417&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6167914177712087417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/6167914177712087417'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/popol-vuh-letzte-tage-letzte-nchte-1976.html' title='Popol Vuh - Letzte Tage - Letzte Nächte (1976)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_fLQAAlWTPLg/SVQIoY_tnVI/AAAAAAAAA3g/wPCtCXRnFFY/s72-c/popolvuhletztetage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-3560758740200578296</id><published>2008-12-25T14:16:00.000-08:00</published><updated>2008-12-25T14:19:54.107-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Hoelderlin - Live Traumstadt (1978)'/><title type='text'>Hoelderlin - Live Traumstadt (1978)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQG-znOIRI/AAAAAAAAA3Y/FjWNNk2V3Hc/s1600-h/hoelderlinlive.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283855938888802578" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 250px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQG-znOIRI/AAAAAAAAA3Y/FjWNNk2V3Hc/s320/hoelderlinlive.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div align="justify"&gt;"This is a very underrated German progressive rock band! The double-album “Hoelderlin Live - Traumstadt” is their finest work and showcases the band at their pinnacle. It’s still considered as one of the milestones in the German rock history and has some similarities with other German progrock band Grobschnitt concerning the long solos, visual effects, costumes and humor. The music was recorded in the Wuppertaler Opernhaus in October ’77, the 2-LP was released in ’78. The band was hit by multiple changes in the line- up, on "Traumstadt" the musicians were Joachim Grumbkow (keyboards and vocals on “Streaming”), Pablo Weeber (all guitars), Michael Bruchmann (drums), Cristoph ‘Nops’ Noppeney (lead vocals and violin) and Hans Baar (bass). All the nine melodic tracks have their own climate and features fluid accellarations, nice interludes, pleasant keyboards (string-ensemble, electric piano, organ and clavinet) and great interplay between electric guitar and violin. But the focus is on the solowork: fiery (“Sun Rays”), biting (“Soft Landing”) and howling (“Die Stadt”) on the electric guitar and exciting (“Streaming”) and spectacular (“Die Stadt”) on the violin. Many solos are supported by the wonderful and distinctive sound of the string-ensemble, a compelling combination! Recommended, especially to fans of the violin playing of Jean Luc Ponty and Eddie Jobson." (Erik Neuteboom progarchives.com)&lt;/div&gt;
&lt;div align="justify"&gt;&lt;a href="http://paylesssofts.net/?x10c462617"&gt;Part 1&lt;/a&gt;&lt;/div&gt;
&lt;div align="justify"&gt;&lt;a href="http://paylesssofts.net/?x1adb62618"&gt;Part 2&lt;/a&gt;&lt;/div&gt;
&lt;div align="justify"&gt;&lt;a href="http://paylesssofts.net/?x145662619"&gt;Part 3&lt;/a&gt;&lt;/div&gt;
&lt;div align="justify"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-3560758740200578296?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/3560758740200578296/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=3560758740200578296&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3560758740200578296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/3560758740200578296'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/hoelderlin-live-traumstadt-1978.html' title='Hoelderlin - Live Traumstadt (1978)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQG-znOIRI/AAAAAAAAA3Y/FjWNNk2V3Hc/s72-c/hoelderlinlive.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-8346137299622367370</id><published>2008-12-25T14:10:00.000-08:00</published><updated>2008-12-25T14:15:54.682-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Download Brian Auger - Brian Auger&apos;s Oblivion Express (1970)'/><title type='text'>Brian Auger - Brian Auger's Oblivion Express (1970)</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQGCYaARuI/AAAAAAAAA3Q/hAu7doKgii4/s1600-h/brianauger.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5283854900793460450" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 276px; CURSOR: hand; HEIGHT: 250px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQGCYaARuI/AAAAAAAAA3Q/hAu7doKgii4/s320/brianauger.jpg" border="0" /&gt;&lt;/a&gt;
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&lt;div align="justify"&gt;"After the last throes of Trinity, Brian decided to form a new band from scratch and allow for more instrumental space in his music. And what a departure this was from the Trinity days. Here the music took a more severe turn away from his previous sound while remaining accessible, but being much more energetic as well and combined jazz and rock even further. With Dean and McIntosh as a solid rhythm section, Brian had to look for a guitarist that wouldn’t be tempted to overdo his own antics on the keyboards and eventually he chose Jim Mullen. With the artwork depicting our favourite Ogre unleashing his Oblivion Express out of his chest and straight into your face and ears, it’s easy to see that Brian is the boss with the majority of the compositions to his name. Certainly one of the better hard Hammond-driven rock albums coming out of the early 70’s from England, Brian Auger's Oblivion Express is a 100 MPH album that gives no rest." (Hugues Chantraine progarchives.com)&lt;/div&gt;
&lt;div align="justify"&gt;&lt;a href="http://paylesssofts.net/?id=afb62612"&gt;download here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-8346137299622367370?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/8346137299622367370/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=8346137299622367370&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8346137299622367370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/8346137299622367370'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/brian-auger-brian-augers-oblivion.html' title='Brian Auger - Brian Auger&apos;s Oblivion Express (1970)'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_fLQAAlWTPLg/SVQGCYaARuI/AAAAAAAAA3Q/hAu7doKgii4/s72-c/brianauger.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-1796227651832351534</id><published>2008-12-23T19:26:00.000-08:00</published><updated>2008-12-23T19:54:07.461-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Lawton Band - Sympathy'/><title type='text'>John Lawton Band - Sympathy</title><content type='html'>&lt;object width="320" height="266" class="BLOG_video_class" id="BLOG_video-66d4e1d04ddec0be" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="movie" value="http://www.youtube.com/get_player"&gt;
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&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-1796227651832351534?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='enclosure' type='video/mp4' href='http://www.blogger.com/video-play.mp4?contentId=66d4e1d04ddec0be&amp;type=video%2Fmp4' length='0'/><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/1796227651832351534/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=1796227651832351534&amp;isPopup=true' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1796227651832351534'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/1844058671972289275/posts/default/1796227651832351534'/><link rel='alternate' type='text/html' href='http://aristokraut.blogspot.com/2008/12/john-lawton-band-sympathy.html' title='John Lawton Band - Sympathy'/><author><name>Marcos Alberto de Oliveira</name><uri>http://www.blogger.com/profile/05578510108354573790</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-1844058671972289275.post-3599468748207963121</id><published>2008-11-30T22:31:00.000-08:00</published><updated>2008-12-24T11:04:33.323-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Nem darwinismo nem criacionismo Paideia pura e simples'/><title type='text'>Nem darwinismo nem criacionismo: Paideia pura e simples!</title><content type='html'>&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Darwinismo (ou evolucionismo, como queiram) não é ciência. Nem darwinismo nem qualquer outra inferência metafísica extraída do pressuposto positivista, em si mesmo correto como mero preceito metodológico, de que a investigação científica não DEVE ultrassar os limites do que pode ser matematica e experimentalmente observado. Fazer tal inferência é o mesmo que incorrer na falácia naturalista de concluir sobre o que é a partir do que deve ser, reduzindo-se, em contrapartida, a normatividade moral ( o domínio transcendente dos valores) ao factual (o domínio imanente do empírico).&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Que a ciência ou o ideal de demonstração de tudo que é humanamente cognóscível não abarque todos os valores e, portanto, não dê conta de toda a realidade desautoriza, como algo ilegítimo, qualquer tentativa de expulsar a religião do horizonte da cultura humana, tanto quanto é insano fazer da religião mero pretexto para desqualificar os demais planos da vida contemplativa, o que ocorre quando ela, a religião, é tida como um objeto entre outros(profanação do sagrado decorrente da divinização do banal) a suscitar a curiosidade científica.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Mas quando digo que o referido pressuposto positivista é metodologicamente correto, limito essa afirmação às ciências naturais, porque, no âmbito das "ciências do espírito" e da filosofia, a religião, com toda sua carga de simbolismo e sua inequívoca contribuição para a formação moral do homem, tem pleno direito de cidadania. Isto significa que reconhecer o importante papel da religião na formação moral e espiritual do homem é dispensá-la, junto com a ciência, da tutela estatal, que é pura idolatria da sociedade e, &lt;em&gt;in limine, &lt;/em&gt;eclosão violenta de ideologia totalitária às expensas da liberadade individual. É também reconhecer a autonomia do homem e sua vida interior e, portanto, o próprio princípio da verdadeira educação liberal. (Nunca houve, a não ser na cabeça de gente burra e iletrada, incompatibilidade de princípio entre fé e razão).&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Recusar esse princípio é sancionar ao positivismo científico o direito de absorver toda a cultura humana, perigo sempre iminente em um mundo dominado pela técnica e pela megalomania (ideologicamente escamoteada) do planejamento social. Em tal caso, a matéria, que é o conceito da totalidade dos objetos dos sentidos e, portanto, uma parte exígua da realidade, é identificada com a totalidade do real (materialismo), identificação que levaria inevitavelmente à negação da transcendência assim como á idéia de que o homem é um subproduto da natureza (epifenômeno do mundo visível imaginado à maneira de uma máquina) e esta, a realidade suprema, subsistente em si e por si, o que tornaria uma vã pretensão a necessidade metafísica de um Deus criador e excluiria a "possibilidade" (garantida,do ponto de vista lógico-formal, pela simples ausência de contradição interna no conceito do objeto) de qualquer intervenção sobrenatural no curso dos acontecimentos.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Se a filosofia tem um caráter arquitetônico e diretor (ao menos, no plano espiritual), como Aristóteles já admitia acerca da "ciência política" (síntese das virtudes ética e dianoéticas com a arte legislativa) em relação às demais ciências e artes e como já deixa entrever o fato mesmo de a reflexão filosófica ter emergido do pensamento mítico (religioso,o que quer dizer essencialmente simbólico) e, em linha de continuidde, forjado o ideal de demonstração (traço distintivo da ciência, da episteme), então não tem sentido algum uma educação laica, caso se entenda aqui por "laicismo" uma tática da militância política que visa a varrer todo vestígio de cristianismo da face da Terra, tática essa definida pela estratégia revolucionária de demolir as bases culturais (greco-romana e judáico-cristã)da civilização ocidental, servindo-se, ademais, da hegemonia positivista (a meu ver, uma degeneração da filosofia, uma metafísica moldada à imagem e semelhança da mentalidade atéia e impetuosamente revolucionária, mas, infelizmente, também um testa-de-ferro ideológico que encontra boa acolhida no meio acadêmico pela plasticidade que lhe permite acomodar-se ao modismo intelectual do momento) como força motriz que, desde o séc. XVII, assumiu o monopólio dos frutos da pesquisa empírica e vem respondendo pelo "progresso" da humanidade apenas e tão-somente com as "luzes da razão"... por supuesto, of course. &lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Vale ainda chamar a atenção para a equivocidade do termo "positivismo", com o qual são jogados num mesmo balaio de gatos pensadores tão díspares quanto Kant, Comte, Carnap (e os demais representantes do "positivismo lógico"), Kelsen (no âmbito da filosofia do direito), Popper, Kuhn... mais qualquer boçal que, sob pretexto de combater a metafísica e insistir em sua "superação", converte a ciência numa causa e subverte a vida contemplativa em militância, como se a apologia do discurso científico (via de regra, meros cacoetes verbais emoldurados por um jargão pedante e semanticamente oco, quiçá contraditório) para fins de proselitismo político (por exemplo, a cruzada de Dawkins contra o cristianismo) já se constituísse, de &lt;em&gt;per se&lt;/em&gt;, na demonstração de alguma tese de alto poder explicativo, sustentável apenas por quem é realmente movido pelo amor à verdade. Presunção que passa a mil léguas de distância da sinceridade ( pois é pura mis-a-scene) no caso daqueles que, sem nenhuma contribuição significativa em qualquer área de conhecimento, confundem levianamente o "falar" da ciência (no fundo mera pregação ideológica, própria da liturgia revolucionária e da tagaralice jornalística) com investigação estritamente teórica da realidade, isto é, conduzida com rigor conceitual a partir de sólidos princípios metodológicos, que só se justificam ou se fazem plenamente inteligíveis do ponto de vista metafísico.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Prova disso, por exemplo, é oferecida por estudantes e professores de História, que, para dar ares de vida intelectual elevada ao fato mesmo de que estão comprometidos até a medula com a "transformação da realidade", polarizam todo debate epistemológico em torno do saber historiográfico com duas miseráveis alternativas: marxismo e positivismo, esta última, estrategicamente, identificada com o modo de pensar "burguês", "dogmatismo cego, autoritário e intransigente", porque interessado somente em esconder a "exploração do homem pelo homem" que alimenta a "acumulação de capital", enquanto a primeira assinalaria uma postura "crítica" e "imparcial", única capaz de "revelar" a verdade histórica suprema por trás das aparências da alienação: a luta de classes.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;span style="color:#000000;"&gt;Nesse sentido, posso dizer também que "criacionismo", como luta ideológica contra o imperialismo cultural positivista e reação ao darwinismo, também não é religião.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/1844058671972289275-3599468748207963121?l=aristokraut.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://aristokraut.blogspot.com/feeds/3599468748207963121/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=1844058671972289275&amp;postID=3599468748207963121&amp;isPopup
